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Kill many stars with one arrow! Three firsts in the history of private space realization in China.

Different from the past, this rocket is not from the "national team" in the aerospace field, but is launched by aerospace private enterprises.

According to media reports, the company created three firsts in the history of private space flight in China: China private commercial space launch vehicle was successfully launched for the first time and put into orbit with high precision; China private commercial space was launched into orbit for the first time with one arrow and multiple satellites; China private commercial aerospace realized space advertisement and video transmission for the first time.

The first flight of the Hyperbolic No.1 carrier rocket was successful. Image source: Xinhua News Agency (photo by Wang Jiangbo)

This launch in orbit is of great significance, which proves that China’s private commercial space launch vehicle really has the ability to transport loads into space. Private space leading enterprises — — Elon musk, founder of SpaceX, also praised it as "cool".

In the emerging field of commercial launch vehicles, many companies are competing for it. In 2014, China’s first private space company — — Lingke Aerospace was registered and established in Shenzhen. Since then, many aerospace private enterprises, such as Blue Arrow Aerospace, Zero one club Aerospace, Deep Blue Aerospace and Star Route Exploration, have been established one after another, becoming new forces in the field of private aerospace, scrambling to seize the high ground of the industry.

China is not suitable for private space flight because of successive failed launches?

The aerospace industry has long investment cycle, high risk and high difficulty, especially in commercial aerospace. Once the launch fails, it will inevitably suffer heavy losses and affect market confidence. Compared with the international advanced level, China’s private space flight started late, and its development has experienced twists and turns.

On October 27, 2018, the launch vehicle "Suzaku No.1" launched by Blue Arrow Aerospace, during the flight, the first and second stages of the rocket worked normally, the fairing was separated normally, and the last three stages were abnormal, which caused the launch to fail.

On March 27th, 2019, the first OS-M carrier rocket and "Chongqing Liangjiang Star" launched by one club, a private rocket company, became abnormal several tens of seconds after launch, exploded at high altitude, and the launch mission failed.

The failure of two times in succession made China private space company suffer a heavy setback, and even was once questioned. In fact, it is not uncommon for a rocket to fail to launch. SpaceX also experienced unimaginable difficulties in the early stage of development. Before 2008, the few rocket launches failed without exception. SpaceX Falcon-1 rocket experienced three failed launches before its first success.

In addition to facing the pressure of successful rocket launch, private space companies in China have to solve the problem of how to make profits through commercial space activities. On the whole, China private space flight is still in the "initial stage", its commercial profit model has not been tested by practice, and the actual profitability of most enterprises is also limited. According to reports, the launch of "the first broadcast of space advertisements and video transmission" has given full play to the openness and flexibility of commercial operation, and is also an attempt to explore the profit model.

Image source: Xinhua News Agency

Policy support and capital favor, private space flight has become a new darling.

It is worth noting that by the end of 2018, there were more than 100 registered commercial aerospace companies in China. In 2018, China’s financing in the commercial aerospace sector was close to RMB 3.6 billion, an increase of 67% over the previous year.

In 2016, the State Council Press Office published a white paper entitled "Aerospace in China in 2016", encouraging private capital and social forces to participate in space research and production, space infrastructure construction, space information products and services, satellite operation and other activities to develop commercial aerospace.

Image source: Xinhua News Agency

In the eyes of the industry, China private aerospace companies are still in the early stage of development, and financing is the primary issue for survival and development, and this successful launch undoubtedly adds weight to the financing of private aerospace companies.

Private space flight is not just a matter of "private"

In Beijing Yizhuang Economic and Technological Development Zone, more than ten private aerospace enterprises have gathered, forming the strongest lineup of China’s private aerospace industry. It bears the "flying dream" of private space enterprises and also helps the construction of China’s space power.

According to the constellation networking plan announced by various countries at present, the number of small satellites to be launched in the future exceeds 25,000, while the current number of space launches in the world is only about 100 times a year, which is far from meeting the carrying demand. China’s private space flight still has a huge space for participation, and the necessary tool to carve up this "big cake" is to have a low-cost commercial launch vehicle.

Today, American private space technology is leading the world. On April 11 this year, the SpaceX "Heavy Falcon" launch vehicle completed its first commercial launch and achieved perfect recycling; On May 9, Jeff Bezos, the founder of Amazon and the richest man in the world, announced the "Blue Moon" lunar lander, and the space company "Blue Origin" founded by him started the journey of exploring the moon. In the future, the competition in space will be more intense, and the larger the scale and advanced technology of private space, the stronger its position in space. China, which is heading for a space power, needs a powerful private space force, and private space is by no means just a "private" thing.

It is estimated that by the end of 2020, space private enterprises will continue to complete the launch mission of Hyperbolic No.1 Remote 2-Remote 6 launch vehicle, form a large-scale launch of small solid launch vehicles, and start the journey of large-scale commercial launch.

(Source: Xinhua News Agency, Science and Technology Daily, China News Network)

JRs voted for the most national football team in history

Tigers recently launched a new series of selection activities-the selection of the best team in the history of football teams. We invite JRs to choose the strongest player and the best coach in your mind from the players and coaches who have played in the history of each team, and finally the player who won the most votes in each position+a coach will form the best team in the history of football teams.

After several days of selection, the best lineup in the history of the national football team selected by JRs has been officially released.

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Lei Wu 11347 votes

Played 99 games for the country, scored 36 goals and made 10 assists.

Gao Lin 4519 votes.

He played 109 games for his country, with 22 goals and 7 assists.

Yang Chen 6378 votes.

Played 35 games for the country, scored 11 goals and made 1 assist.

Li Tie 7977 votes

Played 92 games for the country, scored 5 goals and made 1 assist.

Zheng Zhi 10209 votes

He played 108 games for his country, scored 15 goals and made 2 assists.

Shao Jiayi 4510 votes.

He played 41 games for his country, scored 8 goals and made 1 assist.

Wu Chengying 2569 votes.

Played 53 games for the country, scored 2 goals and assisted 3 times.

Fan Zhiyi 11667 votes.

He played 108 games for his country, scored 15 goals and made 1 assist.

Zhang Linpeng 5269 votes.

Played 105 games for the country, scored 6 goals and assisted 6 times.

Sun Jihai 11472 votes

He played 80 games for his country, scored 1 goal and assisted 1.

Ceng Cheng 4359 votes.

He played 42 games for his country and 21 games were clean.

Milutinovic 6063 votes.

Coach for two years, 20 wins, 11 draws and 15 losses in 46 games.

Iranian supporters of two factions in Tehran were arrested against reformers.

Topic: 2009 Iranian presidential election

  Thousands of Iranians held a large-scale "solidarity rally" in the center of the capital Tehran on the afternoon of 16th to express their desire for national stability and unity. They and former Prime Minister Mousavi supporters held rallies and parades in different regions at the same time. Western media believe that Iranian officials intentionally organized some demonstrations that day to weaken the momentum and protest effect of Mousavi camp.


  An Iranian official warned on the 17th that the mastermind behind the illegal protest may face the death penalty.


  Ten thousand people took part in the "unity rally"


  On the afternoon of 16th, thousands of Iranians held a large rally in Varyasir Square in the center of Tehran, calling for national unity and urging Mousavi to admit defeat.


  The pictures broadcast by Iranian state television show that a large number of people have blocked the square. Many people waved national flags and shouted slogans such as supporting Ahmadinejad’s re-election as president and calling for national unity. Former Speaker Adler delivered a speech at the rally, calling on Mousavi, who lost the presidential election, to "listen to the advice of the supreme leader" and admit defeat.


  Iranian official media reported that the government arranged the rally and called it a "solidarity rally".


  Mousavi supporters said that after successfully organizing a protest rally of 10,000 people on the 15th, they planned to continue the rally in Valyasir Square on the 16th afternoon, but a large number of Ahmadinejad supporters occupied the square ahead of schedule that day, which prevented the original plan from being implemented smoothly. In addition, the government also shut down SMS communication to prevent protesters from exchanging information.


  Opponents are brewing new demonstrations.


  Thousands of Mousavi supporters gathered in Vanacker Square in northern Teheran on the afternoon of 16th to continue their protest. Television pictures showed that many people wore green headscarves and held up Mousavi’s head, demanding re-election. Some witnesses said that thousands of Mousavi supporters left Vanacker Square at 17: 00 on the same day and went to the office building of Iranian Broadcasting Bureau and National Television Station. The procession was about 1.5 kilometers long.


  As of 10 pm, about 100 demonstrators still gathered around the national television station. During the procession, the police kept alert around, but there was no direct conflict with the demonstrators.


  In addition, a number of Iranian protest rally notices appeared on social networking site Facebook and microblog site Twitter: Mousavi supporters intend to continue gathering in the capital city center on the 17th.


  Armed forces warning website


  Iran’s Islamic Revolutionary Guard Corps issued a statement on the 17th, warning Iranian domestic blog websites not to publish "creating tension", otherwise they may face legal proceedings.


  Since the Iranian government has banned foreign media reporters in Iran from reporting on the streets, non-traditional media such as social networking site Facebook and micro-blog site Twitter have become the main tools for protesters to send messages and communicate with each other.


  Iran’s Islamic Revolutionary Guard Corps issued a statement through the state media on the 17th, saying that all websites and bloggers in Iran must delete all content that "creates tension".


  The Iranian Islamic Revolutionary Guard Corps is an armed force independent of the Iranian army, directly under the orders of Supreme Leader Khamenei, and has extensive influence on Iran’s domestic defense and security affairs.


  The Iranian Foreign Ministry issued a statement on the 17th, accusing some foreign media of being "the microphone of rioters" and defaming Iran’s national image.


  The government ordered an investigation into the conflict.


  Iranian state television English channel reported on the 17th that the Ministry of Interior has ordered an investigation into an alleged attack on a Tehran University student. The students claimed that they were attacked in the university dormitory on the evening of the 14th. The report said that the Ministry of the Interior has asked the Tehran municipal government to find out the people involved in this incident.


  On 16th, Larijani, Speaker of the Islamic Parliament of Iran, made a speech in the parliament, accusing the Ministry of Interior of being responsible for attacks on civilians in demonstrations, including attacks on college students. Reuters quoted the students as saying that the militia organization "Mobilizing the Poor" and plainclothes policemen participated in the attack and caused casualties.


  Reformers were arrested.


  Reuters and AFP quoted sources as saying that reformist Jalaipur and political commentator Lairaz, who supported Mousavi, were arrested one after another on the morning of 17th. Among them, newspapers under the name of Lairaz have been criticizing the economic policies of current President Ahmadinejad.


  Habibi, Attorney General of Isfahan province in Iran, warned on the 17th that there were a few lawless elements behind the large-scale demonstrations, who were controlled by forces outside Iran. According to Islamic law, these people may face the death penalty at the highest. Habibi warned these people to stop "criminal activities". Habibi said: "We warn a few lawless elements controlled by foreigners that they will face the death penalty for trying to disrupt national security by inciting personal sabotage and arson. Therefore, before being brought to justice, they should return to the embrace of the motherland and avoid any more criminal acts."


  > > observe


  The differences between the two factions of the political veteran "reform" are open.


  Western observers believe that this election dispute has made the internal differences of the Iranian ruling group "unprecedented" open.


  Some western observers believe that this election dispute has exposed the internal differences among Iran’s domestic political and religious elites. Many heavyweights and major forces in Iranian politics "stood in line" with Nejad and Mousavi as the core respectively, forming a confrontation situation.


  According to Lyon, a journalist from Reuters, Mousavi’s side includes reformists, including former President Khatami, and some moderate conservatives who are regarded as Ahmadinejad’s political opponents, while the latter includes former President Rafsanjani and Speaker of the Islamic Parliament Larijani.


  Rafsanjani, who is currently the chairman of Iran’s National Interest Committee and the chairman of the expert meeting, is one of the core figures of "anti-Ahmadinejad". He said on the 6th of this month that he would sue Ahmadinejad for libel.


  Ahmadinejad is supported by forces such as the Iranian Islamic Revolutionary Guard Corps and the "Mobilizing the Poor" militia. More importantly, he is supported by Khamenei, while Mousavi is considered to be at odds with Khamenei’s political views.


  A western diplomat in Teheran told Reuters that the differences within the Iranian ruling group have never been so open as they are today. "Previously, these disputes occurred in a secret room." The current situation is the biggest political crisis facing Iran since the Islamic Revolution in 1979.


  These observers believe that reformists are dissatisfied with Ahmadinejad’s economic and foreign policies, and at the same time hope to restrain the president’s power.


  > > focus people


  Ahmadinejad approves the United States in Russia


  Despite the unstable domestic situation, Ahmadinejad went to Yekaterinburg, Russia, as the head of the observer government on the 16th to attend the ninth meeting of the Council of Heads of State of the Shanghai Cooperation Organization.


  In his speech, Ahmadinejad continued his previous tough argument: "It is the United States that caused the current economic and political crisis, and its solution is hopeless … American allies will not help alleviate the crisis." He made no mention of the domestic situation or the presidential election in his speech.


  The former prime minister has no hope.


  Mousavi said that he did not have much hope for the outcome of the appeal, because "many members of the Constitutional Supervision Commission supported the government candidates".


  On the 16th, Iranian Constitutional Supervision Commission spokesman Kadhodayi said that if irregularities are found, the Constitutional Supervision Commission will recount the votes in some disputed ballot boxes, but will not vote in the new presidential election. Analysts here believe that according to this position of the Constitutional Supervision Commission, it is difficult to overturn the result of Ahmadinejad’s election by partial recount.


  In addition, on the 17th, Mousavi called on supporters to hold a large rally on the 18th through his personal website to protest the results of the presidential election and the attacks on demonstrators. A statement published on the website said: "Several of our compatriots were injured or died. I ask people to go to the mosque together or express their support to their families by participating in peaceful demonstrations."


  The Associated Press said that this appeal can be seen as a direct challenge to the Iranian ruling group by Mousavi. Just one day ago, Iran’s Supreme Leader Ayatollah Ali Khamenei publicly stated that Mousavi should make demands through legal channels, but Mousavi obviously did not compromise.


  The supreme leader is the key.


  The supreme leader is the supreme leader of Iran, who has the final say in administrative, legislative and judicial affairs, and is also the commander-in-chief of the armed forces. Many analysts believe that the ruling style of the current Supreme Leader Ayatollah Ali Khamenei is to seek the consensus of the ruling class, rather than "centralized". He often exercises power behind the scenes and occasionally gives orders directly on major policies. To a certain extent, this style allows different political forces to have room for activities.


  Some analysts pointed out that the crisis pushed Khamenei to the forefront of power struggle, which affected the authority of the supreme leader to some extent. The New York Times correspondent Mike Farquhal pointed out that Khamenei congratulated Ahmadinejad as soon as the election results announced by the Ministry of Interior were announced. When the protesters took to the streets, Khamenei changed his mind and asked the Constitutional Supervision Committee to investigate the counting of votes. Spencer, head of the Middle East project at the Royal Institute of International Studies in London, England, also believes that since Khamenei is the highest arbiter of all important issues in Iran, his concession this time will probably undermine his authority.


  Khamenei still hopes to solve the problem through peaceful mediation. On the one hand, he will still maintain the legitimacy of the election results, on the other hand, he may meet some demands of Mousavi camp, such as making concessions on the formation of a new government.


  > > background


  Iranian power structure


  Since the Islamic Revolution in Iran in 1979, Iran has practiced the rule of combining politics with religion. Among them, the supreme leader is at the top of power.


  Supreme Leader: The Supreme Leader is elected by the expert meeting. In June 1989, after the death of supreme leader Khomeini, the expert meeting elected Khamenei as the supreme leader. The supreme leader has the final say in all state affairs in Iran, and directly controls the army and intelligence agencies.


  President: Iran’s 1989 constitution abolished the post of prime minister and expanded the authority of the president. The president is elected by the people for a term of four years and can be re-elected once. The president is mainly responsible for the management of domestic daily affairs such as economy, and also has the right to sign agreements with foreign governments.


  Parliament: The Islamic Parliament is the highest national legislature in Iran, but the laws passed by the Parliament can only take effect after being approved by the Constitutional Guardian Council. In addition, Parliament has the power to subpoena and impeach the President. These powers are subject to review by the Constitutional Commission.


  Constitutional Guardian Council: The Constitutional Guardian Council is the authority to safeguard Islamic teachings and the Constitution, with a total of 12 members, six of whom are directly appointed by the supreme leader and the other six are Islamic jurists. Presidential candidacy and election results must be recognized by the Constitutional Supervision Commission. The Constitutional Supervision Commission has the right to cancel the election results.


  Expert meeting: The Iranian expert meeting is the authority to elect, supervise and recall the supreme leader, and consists of 86 senior religious figures. Voters elect members of the expert meeting according to the population proportion of each province and city. Expert meetings are held once a year to discuss state affairs and leaders’ behaviors. The current chairman is former President Rafsanjani.


  Determine the National Interest Committee: The main responsibility is to assist the supreme leader in supervising and implementing various major policies. When the Parliament and the Guardian Council of the Constitution disagree on the bill, it is determined that the National Interest Council has the right to arbitrate. The current chairman is Rafsanjani.


  This edition is based on Xinhua News Agency reporter Han Mo Xu Chao Feng Wuyong.

  Related links:



  • Iran strives to quell the election crisis, and the contradiction between conservatives and reformists intensifies. 2009-06-18
  • Iran’s Guardian Council says it will not hold a new presidential election. 2009-06-17
  • Iranian President Mahmoud Ahmadinejad: The "imperial era" has come to an end. 2009-06-17
  • [Video] president Hu Jintao meets Iranian President Mahmoud Ahmadinejad. 2009-06-17
  • [Video] [Iranian election dispute] Two groups of people held large-scale rallies in Tehran respectively. 2009-06-17
  • [Video] Iran’s supreme leader supports recounting some presidential elections if necessary. 2009-06-17

Editor: Li Erqing

In-depth Dialogue: Alice Lowcher X Hao Lei: An Analysis of Dreams

The last master class of the 3rd Hainan Island International Film Festival was a dialogue between actors and directors.

The actor is Hao Lei, whom we are familiar with; The director is Alice Lowcher, who directed Happy lazaro and Miracle.

In this game called "Freud’s The Interpretation of DreamsIn the discussion of the theme, the two guests invited by the film media still presented many wonderful views and thought-provoking experiences.

Moderator: Good afternoon, everyone. Welcome to the master class of the 3rd Hainan Island International Film Festival.

I’m wangtong, the host of today’s event.

When the team gave me the theme of this activity planning, it was the analysis of the dreams projected on the screen.

The first sentence that popped up in my mind was the sentence in the Diamond Sutra: "Everything is like a dream bubble, like dew, like electricity, so we should look at it this way."

This sentence is quite clever, and it also pays attention to the film itself as a medium.

Because everything in the world or dream imagination is ever-changing.

As a very delicate medium, film can just carry this kind of reality and dream.

Today’s master class activity is actually the last heavy event of this film festival.

It’s an honor to inviteItalian director and screenwriter Alice LorvacheandTeacher Hao Lei, an actor.Take us into the dream of movies together.

I’d like to introduce two conversation guests first.

Directed by Alice LorwacherIt is a new force for Italian authors’ films.

Her first novel.EucharistBe short-listedDirector Cannes biweekly unit.

Later works[miracle][Happy lazaro]Are all shortlisted.Main Competition Unit of Cannes International Film Festival, respectively.Jury awardandBest screenplay award.

Her latest short film with French artist JR also premiered at the Venice International Film Festival in September.

The director’s works are always full of neo-realism and magic, and the two carriages are neck and neck, with light and smart pictures and characters.

Let’s enjoy the fascinating audio-visual language directed by Alice Lowcher through a short film.

The second part is to introduce excellent actresses.Teacher Hao Lei..

Since the film, she has easily portrayed and shaped many female images of different types and personalities in film, television and drama works, and has been nominated for the Golden Horse Award and other awards several times.[Picture 4] Won the Golden Horse Award for Best Supporting Actress..

Let’s learn about her wonderful performance in film and television works through a short film.

Due to the epidemic, director Alice Lorwacher failed to visit the film festival offline.

Now we ask technicians to invite her to the scene through video connection.

Please give a warm applause to welcome Mr. Hao Lei to the stage. Teacher Hao Lei would like to say hello to everyone first.

Hao Lei:Good afternoon, everyone. I’m glad to meet you here today.

Alice Lorwacher:Thank you very much. I am very happy to be here to meet you today.

Wangtong: We also prepared some questions for the two guests. A series of questions are very personal and private, and are closely related to the film.

Let me ask Mr. Hao Lei first, when did you first come into contact with movies, and what was your feeling at that time?

I first came into contact with movies when I was young.

Hao Lei:It’s too early, because when my mother was pregnant with me, there was a cinema next to our house.

She goes to the movies after work, and I think my ability to do this may have something to do with prenatal education.

Wangtong: What movie did Mom watch at that time?

Hao Lei:In her day, for example,[romance on lushan mountain]These films.

Our family doesn’t do this line of work. I think that prenatal education may be really important.

Later, because I started to be a student in changchun film studio at the age of 15, I started to walk on at that time. At that time, there were not many TV dramas, all of which were movies.

I started to give a walk-on to all kinds of movies. I remember that the first walk-on was a film movie played by teacher Gong Hanlin, which seemed to be called [Magic Master], and I played a fan of idolize.

Wangtong: How did you feel at that time?

Hao Lei:I think it’s amazing because I don’t know the studio or even where the machine is.

It’s amazing how I appeared on the screen and didn’t understand the industrial process. It’s an amazing experience.

Wangtong: We know that director Alice Lowcher’s family is similar to yours, and it doesn’t seem to be particularly related to movies.

My father should be a beekeeper and my mother is a school teacher.

Director Alice Lowcher, when did you first come into contact with movies when you were a child, and how did you feel at that time?

Alice Lorwacher:When I first came into contact with the film, it was very young.

In our family, none of us is engaged in the film industry.

At that time, we lived in the country, that is to say, when we were young, we had no concept of movies.

When I first came into contact with movies when I was a child, I felt amazing when I first entered the cinema.

In the movie, music, images, everything, including your imagination, all appeared in one movie. For me, this discovery was really amazing at that time.

It feels like a celebration, which is a feeling that my first contact with the film gave me.

Wangtong: So for you, the age of 17 is an enlightenment for your film career.

Because when you were 17 years old, you saw a film that was of great significance to your career choice.

Alice Lorwacher:Of course, from that moment on, I thought that I was interested in movies, but it was still a distant thing for me to enter this industry.

Then I studied this classic literature, and at the same time I moved from the countryside to the city to live, so that I was closer to the film.

For me, as a profession, I chose it. I started with documentary.

I knew a family who made documentaries, and they told me this story, so I decided to make documentaries with them.

When I heard their stories, I not only wanted to tell the true story in a real way, but also wanted to add some artistic creation to it.

I also hope to convey more information through such a documentary form.

So I later started as a screenwriter and wrote such a script, which was later filmed [Eucharist], and my career took off from this story.

Wangtong: Seventeen years old is a particularly important age for director Alice Lowcher.

Mr. Hao Lei, for you, your first highly praised and concerned work was 17 years old.

seventeen no cryHow did you feel when you took a play like that? Were you determined to make a film, do film and television and do drama work?

Hao Lei:I started acting at the age of 15, and "Don’t cry at seventeen" was filmed at the age of 19.

Before I entered Shanghai Theatre Academy, I had made three TV plays in the film factory.

When I was in the first grade of middle school, the school organized an activity, and finally a film [The True Story of Teddy Boy] was shown.

I don’t know why the school showed this film. When I saw one third of it, the cinema was empty.

I took my classmate’s girlfriend and said that I must see the end, because idolize must see it.Tony Leung Chiu Wai.

I saw the end. I saw him comb his hair a few times at the end, and the film was over.

I feel very strange, because I haven’t studied this, and I don’t know why my idol has only such a little drama, but I have a feeling that this movie is quite special and different from other movies.

Because it is not as strong as a story, and there is no complete story.

It’s just that I think it’s wonderful. From then on, I began to like Wong Kar-wai’s movies, until I got to know it in this line, which can be regarded as my enlightenment.

Wangtong: For example, after "Don’t Cry at Seventeen", do you feel that its success has suddenly turned you into a person in the spotlight?

Hao Lei:No, because it was shot in 1997 and broadcast in 1998.

At that time, the information was very underdeveloped, and I was still studying in drama at that time.

I don’t feel that I have become a star at all. This play is concerned by many people, but I can’t feel it.

Wangtong: Apart from the experience of adolescence, are there any other personal experiences that have shaped you as you are now?

Because everyone says that time is a linear flow, what we have experienced before may shape us now.

Do you think there are other special and unique experiences that you can share with our audience?

Hao Lei:The unique experience is to be brave and be yourself.

Of course, we can say that life arranged for you to accept some things and meet some things, which shaped you now.

But in fact, it can be reversed. I think many things are my own choice.

For example, after I played "Don’t Cry at Seventeen", many students and high school students came to me.

Since then, I have played the role of queen, lawyer and doctor, and there will be similar roles looking for me.But I don’t wantrepeat.

Every time I choose a different one.

At that time, someone told me that people are not so familiar with you. You must first grasp a role that makes you irreplaceable.

I said that if you stay in a role, it is really single.

I think I made almost 100% choices in my acting career.

Wangtong: Alice Lowcher, the director, just told Teacher Hao Lei because she is an actress.

In fact, you can be addicted to drama, try different roles in different drama and film works, and have different lives.

For example, you are also very sure that I want to be a director.

But when you were an ignorant teenager, did you have any other dreams besides making movies or plays?

Alice Lorwacher:Yes, I have.

It should be said that I have never really had such a dream that I will become a director one day. I was dreaming all the time. What kind of dream did I have?

I hope that this dream of mine can become a part of my life. Maybe I wanted to be one at that time.beekeeper.

When I was young, I wanted to be a beekeeper, and all this was in contact with nature. At that time, I wanted to do such a job, that is, to be in contact with nature.

Being a director is actually a job choice, but I don’t think it is a job.

I think being a director is a way of life, because it allows you to observe life from different angles.

Because of this, this job actually landed on me suddenly.

From childhood, my dream was to do what I wanted to do, and at the same time, it was a life full of adventure.

So this job, it is associated with many things, as I just said.

Directing this job combines my passion in music, painting and other aspects with my work.

In particular, my dream is to tell you and describe a truth and a fact. In Italy and Europe, when we see something, such as flowers and butterflies, it is very, very beautiful.

The first thing we want to express is that it looks too beautiful to be true.

When we see something, such as flowers or butterflies, created by artists, we will say that it looks real when we think it is very good.

So in my opinion, comparing these two examples just now means that what we value most is the fact, not the truth. We should love this world, and we should be full of enthusiasm for it, especially for a truth and truth.

Wangtong: Just now you said dreams. For example, when we dream, we have good dreams and bad dreams, if we have nightmares.

We are under too much pressure in real life, so maybe our experiences in real life will be projected into dreams and good dreams.

People often say that dreams come true, because some of our desires and demands in reality have not yet been reached, and we may dream when we dream well.

So for the director, do you think if the film is a dream, is it a projection of reality or more unfinished dreams for you?

Alice Lorwacher:When we come into contact with the world in our dreams, I feel so charming at that moment, and the movie is connected with that moment.

Situations and facts in dreams can be linked together.

Wangtong: Is the movie an unfulfilled dream or a realistic projection for you, Mr. Hao Lei?

Hao Lei:It is possible. First of all, as Alice Lowcher said, we have never been able to find out exactly whether dreams are reality or reality is a dream.

Because everyone has had a dream, the dream gives you a very real feeling. Many times, you will wake up when you have a nightmare, and you will be sad for a while after you wake up.

Even when I do things during the day, I may think that I had a very sad dream last night.

I think as a filmmaker, we are actually creating an image that doesn’t exist in real life, but we must be as realistic as reality.

That’s what makes it credible.

This process, as you said, it is also possible that some things in reality are projected into my dreams and affect my dreams.

Many creative materials of movies come from life.

Wangtong: In many of your works, the role you play is actually aggressive, as if this role is against external forces.

You just said that reality and dreams are intertwined. Is it related to your own personality or experience, or do you have a special fate and a special fit for this role?

Hao Lei:It has something to do with age. When I was young, I didn’t want to choose a mediocre role. If nothing happened in a person’s life, why should I write him into a movie and become the protagonist?

Only when his life is very different will he write his story, for example, like many characters from ancient times or real people, will he write a story based on his autobiography.

An actor must choose a very different role when he is young.

Maybe at this age, my mind will change.

I think I’m trying very hard to choose some very mediocre roles, but it’s not a mediocre story. I don’t want to find a particularly strong role, because I think it’s relatively easy to play.

This choice is related to maturity.

Wangtong: Give an example.

Hao Lei: For example, some of my recent plays, especially TV plays, are relatively ordinary.

For example, the role of "Courtyard Full of Love" is really a possibility to push the door open, and your neighbor’s aunt is like this.

I think people like that are actually more difficult to play, because they need a lot of details to support them, because there is not so much resistance and subversion in life, so I think it is more interesting.

Give another example of a movie, [Spring Tide]. Although this person’s life is very depressing, his attitude is not intense. I prefer this role now.

Wangtong: Let’s talk about the director again. At present, there are three successful works.

Actually, the director’s works are full of so-called mediocre or ordinary characters, or the main characters in the film are actually like what Teacher Hao Lei just talked about.

Their experience, seemingly flat, nothing happened.

In fact, everyone’s personal feelings are almost divine, so why is the director interested in these characters?

Ordinary but not mediocre, it should be summarized like this.

Alice Lorwacher:That’s a very good question. These characters belong to some small people, very ordinary people.

No matter what kind of religious background and life background they have, there are always some sacred things in it, and at the same time, there are some children’s thoughts in their inner world, and they feel that there is such a teenager living inside.

When we make movies and choose characters, we have principles, either choose a funny person or a cunning person.

I have always looked at these characters in my movies from the perspective of children, including lazaro, who is not a child, but an adult. However, we can see that there is a child side left in his heart, that is, a very innocent side, and he is not a particularly complicated person.

I specially selected such people, through such movies, through my movies to show these characters’ special personalities.

In fact, everyone can see a main line in this character, that is to say, they are ordinary little people.

There are such people all over the world.

They live among us, ordinary but extraordinary, and have some divinity, which connects us human beings together.

Wangtong: Why are you so fascinated by the perspective of children?

Just now, the director mentioned that people like lazaro are not young and may have a pair of pure eyes. Why do you look at this complicated world from the perspective of children?

Alice Lorwacher:It should be said that in a story, there must be good people and bad people, so when describing this story, it must be from different angles, and it must be part of it.

There are some simple people and some complicated people, but it is precisely because a child can see our world from his perspective and vision that he can judge the world by himself.

It is the world that judges itself, not through our eyes or our perspective. Children’s eyes, like a ray of sunshine, can make plants grow.

I believe that if we can always use pure eyes, we can also increase our purity.

Many possibilities can be seen through children’s eyes, because after a certain life experience, our eyes actually have their own filters.

And through children’s eyes, we can see the world for the first time, rediscover the difference of this world and rediscover a new world without any filter.

Hao Lei:I think it’s really important to be an artist.

There is no way to be so rational, and there is no way to be particularly sleek and sophisticated.

I think it’s interesting for the director to choose such a character. Maybe this is also a way for her to observe the world.

Wangtong: Do you usually have any so-called methodology in interpreting roles?

Hao Lei:In fact, the method is very complicated, because for me, performance is actually a comprehensive subject, and it also needs many scientific methods to shape a role.

But I think the most basic thing is truth and sincerity. If you can’t fully understand yourself and see your true nature, there is actually no way to play a role wholeheartedly.

Wangtong: Different art forms, such as the recent spring tide, are realism.

Colleagues are curious. For example, in early dramas, surreal passages are interspersed. What is your mood when you interpret different roles?

Hao Lei: It’s a bit biased.BrechtDrama education in our country is based onStaniMainly.

If explained in the simplest way, the expression of modern dance and artistic form often externalizes my inner activities and glows through some performance methods.

Some viewers may not be used to watching this way, and they will find it difficult to accept breaking the tradition.

But many viewers think it’s quite new. I want to see something new.

But in fact, in foreign countries, various methods have already existed.

Wangtong: As far as you are concerned, it always seems that there is such a binary opposition between the movie and the business.

For example, I summed up the binary opposition, such as objectivity and subjectivity, rationality and sensibility, realism and romanticism.

As an actor and a creator, for example, how do you balance the so-called binary opposition elements when interpreting this work?

Hao Lei:We can only make a balance in our own thoughts, because our world is full of binary opposites, such as day and night.

It is a question of personal understanding and personal cultivation. If we can’t really confirm the existence of binary opposition first, we can’t break the binary.

But many times people are confused and say that we should not be so absolute or so black and white, but I always say one thing:

If I can’t distinguish between black and white in my life, how can you see the advanced level of gray again?

So many things I think are really different for everyone to understand.

There is also an example just now. On the issue of commercial films and art films in our industry, everyone has an inertia thinking that art films look better and commercial films are more rotten.

Actually, it’s not like this at all. There are many bad art films, good-looking commercial films and many good-quality ones.

So for me, it doesn’t matter whether you are a good-looking movie or an excellent movie, which so-called label.

Wangtong: Are your recent attempts both?

For example, in recent days, what do you think will attract your works or projects?

Can they sum up the rules, or have some commonalities?

Hao Lei:Not particularly regular, because my thoughts are always changing.

It is what I want to express at every stage, and my understanding of this world is constantly changing.

Can I happen to have a work with the same expression as mine come to me? Not necessarily.

But many times I think it’s ok. From all aspects, it may be a more professional team, and maybe I will choose him.

Maybe everyone thinks it’s better. For example, works like "Spring Tide" just fit in with my current desire to express my attitude and understanding of the world.

Wangtong: I also want to ask the director this question. I saw the director’s interview before, and it was also said that there are actually three films, and the financing situation of this one is quite hard.

Whether in China, Italy or Europe, it is quite hard to make a literary film.

So can the director tell us something, such as what you experienced when you introduced your film project to others?

Alice Lorwacher:My experience should be said to be difficult but also very beautiful.

It should be said that it was a positive difficulty. I remember one very important thing.

When I asked[miracle]The producer of this film introduced my first film. I didn’t have much confidence at that time, because I had never studied before and I didn’t know much about the movie world.

It should be said that I entered this world, but actually I don’t know some rules of this movie world.

When I talked to him, I said I didn’t know if anyone would like this film.

Then the producer said to me, who do you think you are? I said, what? Do you think you are so special? Is it special? Can your film be enjoyed by all people? You’re not the only one.

Your film may not please everyone, but you may only please some of them.

So there must be a group of such audiences who will like your film, and some will not.

Please remember that you are not the only director in this world. Many people in this world, like you, hope to get this audience.

This principle can be said to have dominated my choice of making this film.

When I make a choice, I don’t mean that it must be what I like.But it must be a film that I want you to see, and it can bring you different experiences, and at the same time, I want to experience this experience with my partners.

Of course, we always have to abide by a certain budget when making films. We are not the kind of films with big investment.

We can at least achieve the level and content we want to do within the limited budget.

We have cooperated with producers of different organizations and structures.

For me, I think what I like more is not to discover, but to be able to tell you a true story. Both are very important to me.

Wangtong: Will it be easier for your work to win prizes at major film festivals?

Alice Lorwacher:Of course, the film was well received, and it will be much easier for me to find a new producer after winning the prize.

I never said how much production cost I was going to find.

I always don’t like things that are particularly easy to do. I always think that you have a little difficulty in doing things, which will increase your strength.

It is a very important point for individuals to grow up.

So I want to say that so far, we have been having difficulties.

It is precisely because we face these difficulties and solve them that we will become stronger and stronger.

Every time we encounter difficulties, it can be said that the difficulties are greater than the previous ones.

Especially at this time, a year has passed, and our cinema has not been opened, and it was never related during the World War.

Italian cinemas have never been closed since there were movies. This year has been closed for one year, which is a very, very difficult time for us.

I have always thought that movies should be a part of our lives.

I always hope to combine many life experiences. I hope to be an artist, and then this artist can gather all the people in one room through one of my artistic creations, instead of isolating them from each other.

I want everyone involved in this movie to feel the true meaning of life.

Now the film is in a very difficult period, and we should also consider that people may be in a state of separation.

For example, I’m thinking about a movie like Happy lazaro, which leaves many problems.

It’s not just the movie, but the audience who watched the movie. When they leave the cinema, they can take this question as gossip material and bring it into your life.

This can be used as a topic of conversation. Now, in this isolation period, everyone lives in his own small circle.

At this time, we may pay more attention to what kind of film we want to make, and may consider more than the dark side of life.

Wangtong: This year is a special year, with ups and downs from the beginning of the year to the recent epidemic.

This special year has also changed one of our lifestyles, including social habits, because everyone wants to keep such a social distance.

The director actually keeps a positive and optimistic attitude.

For you, because some people will get more inspiration from generate because of such a condition and such a restriction, what have you tried this year, Mr. Hao Lei?

Hao Lei:For me, I think it may still be a good thing.

Because we have to go out all the year round in this kind of work, we can’t go anywhere now, so we just stay at home.

I feel that I haven’t stayed at home with my family for so long for several years. This is another life.

It’s okay. I don’t think there’s anything wrong.

And finally you can calm down. In fact, many things are not for you, but for you.

So if you have to be quiet because of this epidemic, in fact, I think it is also a good thing.

Wangtong: If you were in the film industry, what other career would you choose or what other things would you like to do?

Hao Lei:I haven’t thought about it. Maybe I will be a director, and maybe I will work behind the scenes.

Wangtong: Just now, you said that you have played different roles in various projects before. What kind of roles will make you feel particularly exciting and interesting? You can try more.

Hao Lei:Nothing is more special, it’s all the choice of the moment.

It is also possible that I feel fine at this moment, and I feel very energetic at that moment, and there is nothing special to treat a certain play or a certain role.

Is that your choice is the most important.

Wangtong: Let me ask the director. Just now you said that if you don’t become a director, you might become a beekeeper.

Did you mention your next work? Do you have a more specific description of this next work?

Can you disclose it?

Alice Lorwacher:I have a movie now. I haven’t filmed it yet, but it depends on the development direction of the epidemic.

My thoughts and ideas are clear now, and I am writing this script.

This script is difficult to speak now, because it is still an unfinished script.

It is a story about human civilization in the past, and the collision between past civilization and modern civilization is reflected through archaeology. It should be said that this is a film involving many aspects.

I want to take the middle line in this movie, not particularly relaxed, but also not particularly serious.

It is a story that seems to make people feel more interesting. But I will talk about a more serious topic.

I have a lot of work to do at the same time, and now I am watching the epidemic trend, and then I will decide when I can start shooting this film.

Wangtong: If you can travel through time and space, what would you like to say to yourself who has just stepped into the film and television circle?

Hao Lei:Just a little girl, you will be very powerful in the future.

Wangtong: What about the director? If I could travel through time and space, what kind of words would I like to say to my original self?

Alice Lorwacher:What to say? Keep dreaming, but be down to earth.

CCTV Foreign Language New Media Reporter: Hello, Teacher Hao Lei. Many forums and master classes in the film festival have paid attention to women’s power.

You mentioned before that you want to speak more for women. Why do you think so? What do you want to do next?

Hao Lei:I think women’s power is really easy to be ignored or even ignored.

I didn’t advocate emphasizing any kind of power.

But when this kind of situation really exists in this world and this society, I think it is necessary to speak out.

But as for what to do specifically, I think it is difficult for us to do things other than movies.We will help women more.subject matterFilm, female film workerThis is what I can do.

Question: I am also a reporter from CCTV.

I know that you recently wrote a book about performance. What do you want to express through this book?

I also want to ask you a question. You have been studying Buddhism for a long time. How do you think this experience has affected your artistic creation? Thank you.

Hao Lei:Let me answer the first question first. The basic content of this book comes from the complete works of stanislavski, which means that I read this book for everyone. This is the granddaddy of the performance.

But today young people don’t like reading. Many people say how to learn acting or where to learn acting.

It’s very simple. Actually, reading is good, because people don’t like reading, so I use my language, a more refined and easy-to-understand language to help you read this book.

This book will share a lot of my experience as an actor for more than 20 years.

The second question: Buddhism has given me a broad vision and a tolerant attitude. I often think about roles one-sidedly, but I think Buddhism has given me a high view of people in life and the roles I play. Thank you.

Question: I like your [Happy lazaro] directed by Alice Lowcher very much. I think it is a very realistic story about human nature, and you express it in a magical way.

How do you guide the actors when shooting such a story?

Do you want actors to believe this story more, or do you want them to be immersed in a more uncertain state?

Alice Lorwacher:Thank you for your question. When filming this [Happy lazaro], this script was the first difficulty, not the difficulty in the script.

At first, after reading this play, everyone thought that the role of lazaro was a fool.

At that time, I tried to tell the actors this story. I said that lazaro was not a fool, and lazaro would learn. He was not a fool.

When telling stories to Adriano Tardiolo, I found that he knew lazaro very well, and he understood it in a dreamy way.

I made this film, and I think the biggest challenge is to find a very good actor like Adiano.

He really added a lot of value to our play. So Adriano and I co-produced this film, and it really felt like a wonderful experience.

We all felt the dreamy language of this film during the filming.

It can’t be said that everyone became stupid after making a movie. It should be said that after making this movie, everyone didn’t think of such a character, a surreal character. In fact, we can see the shadow of such a character in real life.

After his first death, many years later, the world changed, changed, and he watched the world change again.

So during my cooperation with Adriano, a very excellent actor, we further sublimated this character.

Question: Hello, Mr. Hao Lei, I’m a director from Guangdong, a little director.

Would you like to ask if you will continue to play in the drama in the future?

Because I have a group of friends who like watching drama very much, and I am very much looking forward to your continued performance of Rhinoceros in Love. I want to ask you.

Hao Lei:There is a drama, as it was last year, but there is no drama this year because of the epidemic. If there is no epidemic, I will play a drama every year.

I don’t want Rhino. I don’t believe in playing a little girl who is persistent in love at my age.

Question: Hello, Sister Hao Lei. I am an actress myself. My enlightenment began with your Rhino in Love. I like your play very much.

As an actor, I have a puzzle. Now most movies are shot at a high-intensity and fast pace.

Probably not like in our school, we have a long time to rehearse, make our own biographies, study characters, observe life and practice for a long time.

I think this is a creative process that is relatively in line with the rules of actors’ creation.

I especially want to ask Mr. Hao Lei here, if you encounter such a situation, how to solve it.

Because we often get the script, maybe it’s really three days in advance, and I just got the book, so I simply played around reading.

If I am not satisfied with my understanding of the role, I will devote myself to creation.

I am not satisfied with this creative process, but there is no way. I can only solve this problem from the actors themselves, and I especially want to ask the teacher.

Hao Lei:There is an old saying in the actor business that I believe you have heard.One minute on stage and ten years off stage.It is necessary to accumulate more training in peacetime.

As for how to deal with practical problems, I think so and do so.

If you don’t want the world to change you, the world can’t change anyone. Come on.

Question: Alice Lowcher recently filmed the drama My Genius Girlfriend, and China was also very popular.

I would like to ask if the shooting technique and narrative method of this TV series are different from those of the previous three feature films. Thank you.

Alice Lorwacher:Thank you very much for this question. The technique is definitely different.

First of all, it is technically different, because I have been shooting with film before.

The previous technology is very old, a traditional shooting technology, and it is also a kind of technology that I love very much.

Because in this case, you can fully control, all aspects can be under your control, and the shooting process will make you fall in love with this job.

You can also guarantee that the final result will completely reach the result you want.

In the process of shooting, there will be a certain gap between the material you shot and the final result.

When you try to make movies, I suggest that you should try traditional techniques.

In the process of shooting, the pressure it brings to you brings me a lot of strength and makes me have great enthusiasm for my work.

The use of digital technology this time, from a certain point of view, is very charming.

On the other hand, it is different from the way I am used to.

In this process, we should respect the materials you want to use, and at the same time, we should invent and create some different ways to use these pictures.

At the same time, I should respect the story of the characters I want to describe. This is the first time for me to use this technology to describe other people’s stories.

So I worked in a completely different way, different from when I made three feature films, because when I made such a feature film, I was not very sure about my final result.

There will be some changes among us, and new things are constantly discovered during this shooting process.

Using digital technology is very clear about what to do and what kind of results will be obtained.

Although the methods are different, both methods are very popular.

The most important thing is how to describe the stories we like and love in the right way.

Question: I would like to ask Mr. Hao Lei that for actors, we also know that Mr. Hao Lei is the queen of literary films, which are closer to the heart, but commercial films may be closer to the audience.

I want to know what teacher Hao Lei thinks of this balance, or from the Buddhist point of view, what is this choice?

Hao Lei:As the director said before, you should know from the beginning whether you choose more audiences or fewer audiences.

When I was very young, I was told that you should think it over, because if you play a film with a small audience, you may not have the so-called red, so-called star status.

But for me, I don’t think it’s important. I have to follow my own heart. I think this is the most important thing.

No big star, like Madonna, can make people all over the world like you. I have long known that that is not what I pursue.

I have to choose what I like, and I would be honored if some viewers are of the same kind as me.

If not, I don’t want to force it. This is my understanding. Thank you.

Question: Alice Lowcher, I like your work Happy lazaro in 2018 very much, and I like a scene in which the hymn in the church leaves with lazaro.

My feeling is more like the redemption of a character like lazaro from a more divine and higher power.

What I want to ask is why you are so interested in such a theme of possible higher and more divine redemption, whether it is power or not, in some works now or before.What about shooting such a theme, a brand-new salvation force? Thank you.

Alice Lorwacher:Thank you very much for asking this question.

Each of us has a limited life, and we have to answer many questions and different types of questions in our life.

Essential problems are some problems that we human beings face together.

I want to answer these questions through the character lazaro, who was in a dilemma and dying.

He faced many problems at that time, not to say that he died immediately. He also encountered many such problems before. For example, when he went to the bank, he had to borrow money.

Before I made this film, I thought it would be too painful for lazaro to be too lonely and dying at that time, if he was particularly lonely.

So at this time, I think we should add some music.

To convey such a message, lazaro is now facing such a dilemma.

At this time, music, music from the church, music of redemption, gave him a kind of spiritual support and pillar when he was in the most difficult time.

This scene of redemption, it is actually at this time that such music came, which is very appropriate, but it is not common.

When he entered the bank, there was such a redemption.

This mainly means that lazaro is never alone.

I interpret some uncertain factors in life through this sacred way of redemption.

Wangtong: OK. Thank you, director. Thank you, Mr. Hao Lei.

As a conclusion, our theme just now was the interpretation of dreams, including teacher Hao Lei’s saying that there is no absolute black and white, and the director also said that there are no absolute good guys and bad guys.

Before, when we were faced with the ever-changing technology, we always felt that it hindered people from getting closer.

But thanks to technology, friends from different regions can gather together in such a special year.

Listen to two guests sharing their lives with us, including their creative experiences.

Huawei Yu Chengdong punched in the "HarmonyOS Hotel" with four dishes, one soup and fruit.

Recently, HarmonyOS Zhixing car owners shared their experience videos in the user center on the Internet platform, and emphatically introduced the dining-related experience, and nicknamed the user center as "HarmonyOS Hotel" and "Wenjie Hotel".

Wandering stars

Yu Chengdong, managing director of Huawei and chairman of terminal BG, also shared his experience in "HarmonyOS Hotel" yesterday: it was very distinctive to come to HarmonyOS Zhixing User Center in Inner Mongolia for supper. We have launched free vehicle inspection in summer in more than 600 user centers across the country, among which more than 200 support HarmonyOS Zhixing starry night service, which is convenient for users to come after work, check their cars and go home with a meal.

Wandering stars

It is worth mentioning that Yu Chengdong also shared the menu of Guest Meal Week of Zhixing User Center in HarmonyOS, Inner Mongolia: the dinner time is 19:30-21:30, and during the period from July 14th to July 20th, the daily dishes are different, but all of them are Chinese food, including roughly four main dishes+one soup+one fruit, and the expected staple food is rice.

Wandering stars

At present, the official has not announced the meal price, and the owner and user are free to eat, and no related fees are charged.

HarmonyOS Zhixing announced on the community platform at the end of last month that its offline layout reached a new high, and 32 new user centers were built from April to May. At present, there are 290+ users in Wenjie User Center, 160+ users in HarmonyOS Zhixing User Center and 710+ users in Experience Center. It is reported that HarmonyOS Zhixing will build high-end store services, including store image, exhibition hall environment, sales reception, coffee service, delivery ceremony and after-sales service. In addition, HarmonyOS Zhixing plans to build a 350+ user center in 2025.

How can Isuzu achieve a century-long cause?

  [Pacific Auto Network Culture Channel]The Internet bubble seems to be gradually pouring into the automobile manufacturing industry. Many people are challenging the traditional automobile manufacturing industry under the banner of building cars on the Internet, and taking people’s century-old manufacturing experience and technology accumulation as one thing, and the final result is a fiasco. Perhaps there are not many automobile brands in the world with a history of hundreds of years. Isuzu is one of them, but it still modestly follows its own diesel engine route. From 1916 to 2016, many things have happened in the world, and Isuzu has also experienced many ups and downs. What kind of experience Isuzu has had in the past 100 years, Isuzu brain powder will take you to count.

The pilgrimage of brain powder in Isuzu factory in Japan

  Netizens who are familiar with Qingshan Xiaobian know that Qingshan bought an Isuzu. Everyone is very puzzled why this small series started such a niche car. Diesel engine, which is a non-load-bearing body, is so expensive. Among them, various specific reasons can be spied in the following stickers, but the deep feelings are difficult to show through rough stickers. Only by going to the root can we know the answer.

How can Isuzu achieve a century-long cause?

  Taking Isuzu bus to Fujisawa factory in Fujisawa City, Kanagawa Prefecture, this feeling seems unreal. Speaking of Isuzu bus, around 2000, Isuzu set up a factory in Guangzhou to produce buses. Unfortunately, the price was too high and it was not in the same direction as the Chinese group’s goal, and it ended in discord.

How can Isuzu achieve a century-long cause?

How can Isuzu achieve a century-long cause?

  Isuzu’s power reliability is well-known. Its code name is 4JB1, and it is still active in China market through optimization. Even many consumers only recognize the power of Isuzu, and Isuzu is the guarantee of confidence. Unfortunately, this 4JJ1 engine has not completely entered the China market, and it is only mounted on the MU-X.

How can Isuzu achieve a century-long cause?

one

  Fujisawa factory is the core factory of Isuzu. Fujisawa factory has 8080 employees, with an average age of 41.4 years and an average length of service of 14.4 years. Of course, the age level of employees is also largely related to the social age structure in Japan. In fact, the employees of Isuzu assembly line need more experience to be qualified to enter. Which factory in China can reach this level of service? Experience ensures the quality of products, and the factory is not a place for young people to learn. This is also incomparable in domestic factories. More experienced employees ensure the quality of products on the assembly line, which is also a checkpoint for product control.

How can Isuzu achieve a century-long cause?

  After a brief explanation, we entered the assembly plant for a formal visit and study. Due to confidentiality reasons, Qingshan can’t take pictures of the factory, and the pictures inside the factory below are provided by the government. Qingshan sees more with the naked eye and feels it with the heart, and shares it with everyone through words.

  The production capacity of Fujisawa factory is not as high as that of some large domestic factories. The highest speed is 1.62 minutes/set, that is, the production cycle is 37JPH. However, Fujisawa Factory does not mass-produce the same model, but produces it according to customers’ requirements. Freight cars have a wide range of uses, and different uses have different assemblies. Therefore, there are more manual assembly methods on the assembly line.  

How can Isuzu achieve a century-long cause?

  Domestic OEMs talk about how many kinds of vehicles can be mixed in the production line, which seems to be really dwarfed compared with here. Because various products are inconsistent, Isuzu will optimize the distribution of parts and reduce the occurrence of quality defects. On the traditional production line, a steady stream of the same kind of parts is next to the workers, who choose the parts for installation, which is easy to miss the installation. In Fujisawa Factory, parts are selected by special personnel according to the vehicle type, and they flow after each vehicle. Workers in each step only need to install parts as needed, and in the end, if parts are not installed, the product is defective.

How can Isuzu achieve a century-long cause?

  "People may make mistakes if they work hard, and it is necessary to save its structure!" This is also Isuzu’s mental preparation for promoting quality management. Therefore, Isuzu also admits that people will make mistakes, but it needs to improve production management methods to avoid mistakes. The core of Isuzu’s production technology — IMM (Isuzu Manufacturing Management) system minimizes the possibility of human error. One of the measures is to mainly pass the inspection on the production line. Because there are many models assembled in Fujisawa factory, in order to ensure the quality of each car, it is necessary to set up multiple inspection points on the production line to check each car. Secondly, as mentioned above, parts selection and assembly are separated, which reduces workers’ experience and opportunities for mistakes. In addition to manual self-inspection, the whole line will be temporarily stopped at 10 o’clock and 13 o’clock every day to allow the machine to carry out self-inspection and reduce machine errors.

How can Isuzu achieve a century-long cause?

How can Isuzu achieve a century-long cause?

  IMM is the core of Isuzu’s quality assurance. In addition to the participation of workers, Fujisawa factory also has various advanced machinery and equipment, such as AGV self-driving vehicles (interestingly, the theme song of Isuzu is played while driving,Click to audition.), camera positioning, robot installation glass, Kawasaki robot installation center console, Komatsu robot hand and so on. Isuzu applies more production technology to the production of trucks.

How can Isuzu achieve a century-long cause?

How can Isuzu achieve a century-long cause?

  Walking in Castle Peak, I found that Isuzu parts were produced by well-known supporting facilities, such as Autoliv Autoliv, Denso Denso, FB Guhe and so on. Even the production of freight cars has no strict requirements to reduce their quality, or the pursuit of comfort. It is seen that the front axle of the freight car produced by Fujisawa Factory does not adopt a new structure, but adopts a structure. Double wishbone independent suspension is helpful to improve comfort. This is also why Isuzu applied the manufacturing experience of old passenger cars to the manufacturing of cars.

How can Isuzu achieve a century-long cause?

How can Isuzu achieve a century-long cause?

  Isuzu can be seen everywhere in Japan, which shows how popular Isuzu is in Japan. No matter the loading and unloading of 7-11 or the chassis construction, Isuzu trucks are used, which is not an exaggerated description. See in Fujisawa factory, our trucks are OEM. This can also prove that Isuzu is trusted by peers in the field of commercial vehicles. Through the visit of Isuzu Fujisawa factory in Japan, Castle Peak felt more about Isuzu’s corporate style of keeping a low profile and doing practical things. Qingshan is often teased by colleagues, and Isuzu is a truck. Indeed, Isuzu is not afraid to admit its mission of "transportation", in other words, transportation. It is Isuzu’s responsibility to provide better and more professional means of transportation, and it is also Isuzu’s development direction.

How can Isuzu achieve a century-long cause?

Guangzhou’s "female carriages" are crowded with men? Whether there is guidance or not is very different.

  Southern Network News (all-media reporter/Li Yezhen) A few days ago, the "female carriage" in Guangzhou attracted another wave of attention.

  Recently, some netizens said that the "female carriages" of Guangzhou Metro are all male passengers in the morning and evening rush hours, but women can’t squeeze in, but the carriages are full. The news quickly detonated the hot spot of public opinion and attracted many netizens’ onlookers and discussions.

  Since June 28, 2017, Guangzhou Metro Company has set up a "women’s carriage" on Line 1. During the peak hours from 7: 30 to 9: 30 and from 17: 30 to 19: 30 on weekdays, passengers are encouraged to provide the carriage exclusively for women.

  Since its implementation for some time, "female carriage" has attracted both praise and criticism.

  Now the "female carriage" has been promoted for nearly nine months. What is the actual experience? Is it really "in name only" as some netizens said? On March 8, the reporter came to Metro Line 1 and experienced it for himself.

  During the morning rush hour of Women’s Day, most of the "female carriages" are female passengers.

  At 8 o’clock in the morning, the reporter came to Yangji subway station, which is the transfer station of Guangzhou Line 1 and Line 5. At the peak of work, a large number of passengers poured into the station.

  Coming down from the escalator, in front of the platform of the women’s carriage, the reporter saw two volunteers standing on both sides with cards in their hands, and the message "Women’s carriage" was clearly written on the cards.

  "This is a women’s car, please get on the bus in the next car." Volunteers stopped a male passenger who wanted to go to the "female carriage". After the other person nodded, he went to the next carriage to wait.

  After the guidance of volunteers, the male passengers waiting for the bus in front of the "female carriage" in Yangji Station almost "disappeared". The reporter saw that almost all the people waiting for the bus in front of the "women’s car" platform were women, and the queue length was about half less than that in front of other platforms.

  The reporter observed the subway going to Xilang and Guangzhou East, and found that most of the "female carriages" were female passengers, and only a few male passengers appeared alone.

  The reporter then divided the soldiers into two ways and took the subway in both directions of Line 1. After rough statistics, the ratio between male passengers and female passengers in female carriages remained at around 1:5.

  There are fewer people in the queue, and the carriages are not crowded. Many female passengers specially come to sit in the "female carriages". Passenger Miss Chen told us that she found that the number of queues here today was much less than usual, so she came from a distance. "It may be that on Women’s Day, men have paid more attention." Miss Chen said.

  The situation with and without guidance is very different.

  According to the relevant person in charge of Guangzhou Metro Company, the volunteers in the station are all internal employees or interns. Before the volunteers take up their posts, they should be trained on the standards of dress, guiding caliber, civilized language and service behavior, so as to ensure that every female coach can provide high-quality and standard services for passengers in their posts.

  The reporter noticed that after the guidance of volunteers, many male passengers were indeed more "conscious". At the station of Nongjiaosuo, from time to time, male passengers saw volunteers guiding in front of the "female carriage" and turned to other platforms.

  However, some people refused to leave after being guided by volunteers. In guangzhou east railway station, an old man was very dissatisfied with being reminded by volunteers, and even called "basking in the air (meaningless)". Another male passenger who was rushing to work quickly walked to the "female carriage" and was stopped by volunteers and even called "no time".

  At 9 o’clock in the morning, after the rush hour, the volunteers on duty in gongyuanqian station also left the scene. The reporter noticed that after a few minutes, the number of male passengers waiting for the bus in front of the "female carriage" obviously increased. At this time, there is still half an hour before the end of the "female carriage".

  Then, the reporter went to the next station, Nongjiaosuo Station, where there were still volunteers to guide, and most of the people waiting for the bus in front of the "female carriage" were still women.

  "I didn’t know there was a female carriage before, and I didn’t notice the logo." A male passenger who walked into the "female carriage" told reporters. He said that he seldom came to take Line 1, and the pink sign of "women’s car" on the ground in front of the platform door and on the glass wall of the screen door at first thought it was an advertisement.

  "It is very important to have volunteer guidance. After all, it is during the rush hour and there are so many people. If you don’t notice the sign, you don’t know that it is a female carriage." Passenger Miss Wang suggested that if volunteers can’t guide passengers every day, they should at least set up fixed signs in front of women’s carriages.

  Women can squeeze into the "female carriage", but the concept still needs to be popularized.

  As for the behavior that many male passengers enter the "female carriage" within a specified period of time, some passengers think that it is understandable for men to enter the "female carriage" after all, during the rush hour of commuting to work. "Among the 10 passengers, there will probably be four or five men. Because the female compartment is not so crowded, people who are rushing to work will enter the female compartment. " The passenger said.

  "You don’t have to look at people with colored glasses. When you see men entering women’s carriages, you criticize them." Ms. Yao, a passenger, believes that the goal of setting up a "female carriage" has been achieved when there are more women than men in the carriage.

  Some passengers also said that to change the situation of more male passengers in "female carriages", it is not only necessary to rely on passengers’ self-discipline, but the subway company should also make some adjustments to some settings according to the current use situation.

  Ms. Huang, a passenger, thinks that because the position of the "female carriage" is too close to the escalators of some subway stations, many men walk straight in without looking at the signs. "This setting may be based on the convenience of women, but I think it is counterproductive." Ms. Huang said.

  Some passengers also said that the propaganda and guidance work on women’s carriages cannot be relaxed. Many people report that the logo of the female carriage is inconspicuous, which causes many passengers to pay no attention or care. The subway company needs to continuously cultivate passengers’ travel habits through broadcasting, logo and volunteer guidance.

  In the interview, most passengers still support the setting of female carriages. "When it is crowded or hot, it is very intimate to be able to provide more space for women." A passenger said.

  In this case, the person in charge of Guangzhou Metro said that it will continue to evaluate the on-site operation, reasonably set up on-site guidance and publicity guidance methods, and collect opinions and suggestions from all walks of life with a positive and open attitude. Guangzhou Metro hopes to continuously carry forward the civilized concept of "caring for and respecting women" by setting up female carriages.

Future office vision: work in the fog will not disturb each other, and everyone will be equipped with a robot.

Editor’s note: Work is a big part of our life. Not only does it take up the bulk of adult life in time, but the office is also the place that most people are familiar with and spend the most time. The most common office layout now is the traditional cubicle, and the employees are relatively isolated; And the open-plan office, everyone is in the same big space. Although the traditional cubicle is boring, the interference of open office is often criticized. So, how to design an office to meet the needs of employees for independent space and cooperative atmosphere at the same time? This paper puts forward two bold ideas of designers. This article is compiled from the original article entitled "I want to work in the future" by Fast Company.

It’s the last two or three hours before work, and colleagues are busy again. You still have work to finish, so you put on headphones to keep your concentration. But it’s no use. You can still see a colleague showing off what he has learned newly, or you can hear the voice of chatting. At this moment, you can’t help thinking, if only I could work in the cubicle.

Nowadays, the most popular office layout is the open office, and some people miss the traditional cubicle. The cubicle is really boring, but at least the work can be finished. If you were to design a new type of cubicle in the 21st century, what would you do?

So we put this question to Rapt design studio, where there are many experts in office space design. They put forward two concepts that are very uncomfortable, both of which can give employees private space so that they can concentrate on their work and have room for cooperation and discussion among colleagues. I have to say, both are extreme.

Rapt Studio’s designer’s vision is:Every employee can work in an independent private space when he needs it. The key point is that each independent cubicle has four short feet, and the cubicle is moved by small warehouse robots.According to the needs of team members, the robot will move the cubicle to the target position of the day. For example, if you are busy with a lot of work today, you can be assigned an independent cubicle to help you concentrate; If your schedule today is a one-day meeting, there is no need to use private space. Your cubicle can be split and merged with other cubicles to form a larger office space where colleagues sit together. Robots can move in real time, and office space planning can also be adjusted in real time.

Now, it seems like a fantasy, but Galereau, the design director and CEO of Rapt, thinks that the speed of technological progress is much faster than we thought, and maybe this idea was realized earlier than we thought. He said that Rapt Studio has already talked with interested customers about how to rearrange the office space to meet the changing needs of the team.The key is that the office should be empty enough so that it is convenient to move.Galereau believes that many offices like open-plan offices, which is the reason (of course, the cost of open-plan offices is lower than that of traditional offices). Many companies know that employees don’t like the feeling of privacy in open-plan offices, and they are not as flexible as they think. So,The design problem of office space lies in how to meet the two needs of privacy and flexibility at the same time."From an architectural point of view, how can we design the office to be flexible and meet everyone’s needs for independent space?" Galereau said.Robots can solve this problem. Robots driven by machine learning technology can continuously learn the needs of employees, and then make the best solution to maximize the overall efficiency of the office.

At work, employees are eager for private space and need a cooperative atmosphere. For such office needs, Rapt Studio put forward a second novel idea. “If we can create a non-toxic fog as a barrier between personal spaces, we can create a light-and sound-proof private space.What he and his team envisioned was to let the fog pervade the whole office space, and put a fan-like device in the corner where employees work to "blow open" a space. In this way, everyone works in an independent bubble in the foggy office without disturbing each other. Galereau called it a "privacy hole".

Everyone’s bubble moves with them, so that they can walk anywhere in the office without obstacles. If you want to meet and discuss with your colleagues, they just need to come to the appointed place, and the two bubbles will be integrated into one big bubble, and mutual communication will not affect others.

This concept sounds crazy at first glance, but the designers of Rapt Studio obviously want to completely forget the design concept of the existing office space. After all, for people who hate open-plan offices, fog is still attractive if they are disturbed by the voice of colleagues talking on the phone and have to choose between them.

The traditional cubicle has become a boring and rigid symbol in our concept, but these two ideas of Rapt Studio are very unique. Are you asking me if it’s practical? It may not be very practical. But the purpose of planning this activity is to make people realize that employees need both independent space and social space when they are working. For Gallero, the design of future office space needs both needs. "There are many ways to communicate between people. We are all eager to communicate with others … but what we need is more meaningful and quality communication and meaningful solitude time. " Galereau said.

Produced by the compilation team. Editor: Hao Pengcheng

For the safety of people’s lives and property —— On-the-spot record of earthquake relief in Jiuzhaigou earthquake with magnitude 7.0


  At 21: 19 on August 8, an earthquake of magnitude 7.0 occurred in Jiuzhaigou County, Aba Prefecture, Sichuan Province (33.2 degrees north latitude and 103.82 degrees east longitude) with a focal depth of 20 kilometers. As of press time, after preliminary verification, the earthquake has killed 19 people and injured 247 people, including 40 seriously.

  Life is the number, and disaster is the order.

  The Central Committee of the Communist Party of China and the State Council are concerned about the people in the disaster areas. The central departments and the Sichuan Provincial Party Committee and Government acted quickly and commanded scientifically, and the local people and tourists helped each other and jointly launched an emergency relief operation.

  Race against time, the disaster is the order.

  On the evening of the 8 th, the night deepened. A piece of news from Jiuzhaigou, a paradise on earth, is extremely worrying: a magnitude 7.0 earthquake occurred in Jiuzhaigou County!

  The disaster immediately affected Zhongnanhai-

  地震发生后,中共中央总书记、国家主席、中央军委主席最高领袖高度重视,立即作出重要指示,要求抓紧了解核实九寨沟7.0级地震灾情,迅速组织力量救灾,全力以赴抢救伤员,疏散安置好游客和受灾群众,最大限度减少人员伤亡。目前正值主汛期,又处旅游旺季,要进一步加强气象预警和地质监测,密切防范各类灾害,切实做好抗灾救灾工作,尽最大努力保障人民群众生命财产安全。

  中共中央政治局常委、国务院总理李克强作出批示,要求抓紧核实灾情,全力组织抢险救援,最大程度减少人员伤亡,妥善转移安置受灾群众。加强震情监测,防范次生灾害。

  灾情就是命令!

  国务院派出由国家减灾委、国务院抗震救灾指挥部组成的工作组赶赴现场指导抗震救灾工作。四川省委省政府主要负责同志赶赴现场组织指挥救援工作。

  中央各有关单位紧急行动起来,争分夺秒地投入各项抗震救灾工作。

  ——抢通灾区生命通道。

  此次地震地处西南山区,地质情况复杂,山体崩裂、落石垮塌极易导致交通中断,影响各方救援力量进入。

  地震发生后,交通运输部紧急启动二级应急响应,指导地方交通部门抢通简易便道,多个路段为配合抢险救援实行交通管制,保证救援力量进得去、被困群众出得来。

  Chengdu Railway Bureau and Xi ‘an Railway Bureau stopped some passenger trains urgently, and quickly carried out emergency treatment work. Professionals such as public works, power supply and electricity services made every effort to check the lines and equipment to ensure the absolute safety of passenger trains and resume train operation as soon as possible.

  The Civil Aviation Administration launched an emergency plan, cooperated with local governments to organize civil aviation to carry out various rescue work, and focused on emergency evacuation of passengers in disaster areas.

  China Meteorological Bureau strengthened the monitoring, forecasting and early warning of meteorological disasters in earthquake areas, encrypted the frequency of monitoring and consultation, and focused on strengthening the monitoring and forecasting of meteorological disasters such as local sudden heavy precipitation and lightning, which may adversely affect rescue work.

  -Invest in the rescue team.

  People-oriented, life first. After the earthquake, in order to seize the 72-hour golden rescue period, the relevant departments and units of the central government sent rescue commandos to the earthquake area one after another, giving priority to saving lives, even if there is only a glimmer of hope, they should make 100% efforts.

  The National Disaster Reduction Committee and the Ministry of Civil Affairs launched the national level III emergency response in the early morning of the 9th, and the Seismological Bureau of China launched the level II emergency response, and sent a field team to the earthquake area to carry out emergency response.

  The National Health and Family Planning Commission guides local governments to rescue and treat quickly, and tries their best to reduce casualties. At the same time, it makes good preparations for the rescue of the national health emergency team and provides timely assistance as needed.

  The armed police and public security fire brigade responded quickly and assembled quickly. The local fire brigade immediately put into rescue, and the reinforcements marched and rescued. More than 2,000 people and hundreds of sets of machinery and equipment fought in the front line of rescue.

  The people’s army charged ahead. The Western Theater Coalition refers to the dispatch of Army, Air Force, Sichuan Military Region, Xining Joint Protection Center and other services and arms to carry out rescue overnight. By 18: 00 on the 9th, the western theater had dispatched 1,285 troops, 90 vehicles of various types and 9 aircraft of various types.

  The National Earthquake Disaster Emergency Rescue Team, composed of a brigade of the 82nd Army of the Army in the Central Theater, the Armed Police General Hospital and the Seismological Bureau of China, dispatched 80 members, took five search and rescue dogs, two rescue equipment, and 378 rescue equipment in eight categories including life detectors, jacking and demolition equipment, and flew to the disaster area by two air force transport planes on the evening of the 9th.

  -ensuring the lives of the people after the disaster.

  The National Development and Reform Commission urgently arranged for Sichuan Province to invest 60 million yuan in the central budget of disaster relief emergency subsidy for the restoration and construction of infrastructure and public welfare facilities in disaster areas.

  In order to ensure the normal life of the people after the disaster, the Red Cross Society of China urgently allocated 1,000 family bags, 2,000 beds of quilts and 200 tents from Meishan Warehouse of Chengdu Disaster Preparedness and Relief Center.

  The Ministry of Commerce guides local commercial authorities to actively control basic relief materials such as food and drinking water, organizes some commercial circulation enterprises to supplement the supply of goods, and increases the supply of some daily necessities to ensure the supply and guarantee of materials for several large supermarkets in the region.

  The Ministry of Housing and Urban-Rural Development organized a team of 25 building earthquake emergency experts to provide technical support for the emergency assessment of housing safety after the earthquake in the disaster area, and at the same time strengthen emergency duty and closely track the disaster situation.

  The Ministry of Agriculture focused on the harmless treatment of dead animals, environmental disinfection and emergency immunization, strengthened epidemic monitoring, strengthened quarantine supervision, and carried out animal epidemic prevention work in an orderly manner after disasters …

  United as one, March towards the earthquake zone.

  When the earthquake occurred, the Chengdu-Lanzhou Railway Project Department of China Railway Second Bureau, which is only 60 kilometers away from Jiuzhaigou County, felt a strong earthquake. Chen Guihu, the project manager who has experienced many rescue missions, immediately ordered a rescue mobilization meeting and set up an earthquake relief team. At the same time, he volunteered for disaster relief and contacted the local government as soon as possible.

  Just over an hour later, a rescue team consisting of more than 50 people, 4 excavators, 4 loaders, 4 muckers and 2 trailers was set up and left for the earthquake-stricken area overnight. At 2: 10 am on the 9th, the rescue team arrived at the epicenter to carry out rescue work, and a victim was searched at 3: 10.

  Electricity, transportation, communication, energy … these are the basis for the rescue operation and the normal life of the people in the disaster area-

  The earthquake caused many substations and lines, including the 110kV Jiuzhaigou Substation (Ganhaizi) in Aba Power Grid, to be shut down, and more than 1,900 households in Huanglong Township were blacked out. After emergency repair, at present, more than ten 10 kV lines in Jiuzhaigou County and Jiuzhaigou Scenic Area have resumed power supply. At the same time, the electric rescue team has arrived at the 110kV Jiuzhaigou Substation (Ganhaizi) for emergency repair. The local area is restoring local power supply by repairing damaged substations and temporary power supply.

  China Mobile, China Telecom, China Unicom and China Tower provide services such as non-stop, toll-free telephone and hotline for finding relatives. At present, the communication in Jiuzhaigou Valley has basically resumed, and the fixed-line, broadband and wireless networks in the scenic area are basically smooth, and the communication in the field of earthquake relief dispatching and command is smooth.

  All China Petrochemical gas stations along Jiuzhaigou have opened green channels, and the nearest gas station is in normal operation, with more than 260 tons of various oil products in stock and sufficient refined oil and non-oil materials. China Petroleum’s 11 gas stations in earthquake-stricken areas have more than 500 tons of various oil products in stock, which can meet the disaster relief supply for more than two days, and more than 300 tons of oil products will be delivered to the disaster area soon.

  In addition, within 2 hours of the disaster, many insurance companies such as Taiping Life Insurance, China Ping An and New China Life Insurance launched earthquake emergency plans: on the one hand, they accepted reports through 24-hour earthquake claims lines and the Internet; On the other hand, it simplifies the application procedures for claims, and most insurance companies make claims without policies.

  Air China, China Eastern Airlines, Sichuan Airlines, Chengdu Airlines, Hainan Airlines and other aviation enterprises started the emergency support mechanism, actively adjusted the capacity, and ensured the smooth transportation of disaster relief personnel and materials. At the same time, pay close attention to the dynamics of the disaster area, carry out rescue and overtime flights at any time as needed, ensure the normal implementation of the flight plan, and provide free return and change services for passengers who have recently traveled to Jiuzhaigou. Navigation enterprises such as Sichuan Hump, Xilin Fengteng and Xiangyun Navigation also launched emergency rescue and dispatched rescue planes to the disaster area in a unified manner.

  Watch each other and help each other, highlighting "China’s power"

  China, which has experienced the test of major disasters such as Wenchuan Earthquake, has formed a set of rapid and effective mechanisms to deal with major disasters, which has provided a strong guarantee for the rescue of Jiuzhaigou earthquake.

  The orderly and powerful earthquake relief shows the growing "Chinese power".

  "We set out from Mianyang at 0: 45 on the 9th. More than 110 people didn’t sleep a wink all night, and we did four things, to understand the disaster situation, clear roads, coordinate traffic, and clear obstacles." Xu Jinyu, deputy commander of Mianyang Military Division, said.

  On the night of the earthquake, in addition to the local indigenous residents, nearly 60 thousand tourists gathered in the narrow strip of Jiuzhaigou.

  Liu Zuoming, secretary of the State Party Committee of Aba Tibetan and Qiang Autonomous Prefecture, Sichuan Province, said that less than 24 hours after the earthquake, Jiuzhaigou has transferred more than 8,000 tourist vehicles from the county and basically completed the evacuation and transfer of all tourists and migrant workers. The relevant departments are still racing against time to check the remaining tourists, so that they should turn around.

  Xinhua News Agency reporters set off from Chengdu at 22: 00 on the 8th, passing through Mianyang, Jiangyou, Pingwu and other places, and it took nearly 9 hours to reach Jiuzhaigou Scenic Area.

  The reporter saw at the entrance of Jiuzhaigou scenic spot that some walls cracked, but no buildings collapsed, and most restaurants and supermarkets in the scenic spot had closed down.

  A young armed police soldier who is helping to transport the wounded in Jiuzhaigou County People’s Hospital told reporters: "We are the armed police stationed in Jiuzhaigou County. We started transporting the wounded at 12 o’clock last night, and most of the wounded were pulled from Mizoguchi."

  Bo Rui, a 38-year-old tourist from Liaoning, said that she was in a hotel near the scenic spot when the earthquake struck, and everyone rushed to a nearby Little Square. At that time, it was still in the aftershocks. The medical staff divided the wounded into three categories: serious injuries, children and minor injuries. The scene was very orderly. The serious injuries were transported away first, and then the children.

  The reporter saw that the "Jiuzhaigou Earthquake Relief Headquarters" composed of local government, firefighting, armed police and militia was built in the square outside the visitor center, and disaster relief tents were built one after another. Some people charge their mobile phones at emergency service points set up by mobile companies and call their families to report their safety.

  The reporter saw an 18-year-old French teenager and a Canadian woman being treated in the county hospital because they were injured in the earthquake. The female companion of injured tourists in Canada said: "We got very good treatment, thanks to the timely assistance of medical staff."

  Initially, several foreign citizens who suffered minor injuries in Jiuzhaigou earthquake have been sent to local hospitals for treatment. China has informed relevant countries.

  Jiuzhaigou County has organized nearly 1,000 people, including police, armed police and militia, to go to villages and households to carry out carpet search and rescue and investigate dangerous situations.

  Night arrival, the rescue is still going on in an orderly and tense way …

  

Explore a new variety mode, and "Hundred Rivers Variety Season" "Let everyone have a variety show"

Looking at the whole generation and exploring new possibilities, the "Hundred Rivers Variety Season" is scheduled for 812, and there are 6 sub-programs that you like.

Recently, Tik Tok’s 2022 blockbuster variety show "Hundred Rivers Variety Season" was announced to be finalized. On August 12th, this brand-new program jointly created by six famous domestic production teams finally entered the countdown stage. On August 9th, Tik Tok Platform held an early adopter’s viewing conference of "Hundred Rivers Variety Season" and "All You Like" before the broadcast of the program. All the masters were present to talk about their stories related to "Hundred Rivers Variety Season". With the broadcast of the early adopter’s version of the program, this highly exploratory and pioneering variety show also unveiled its mystery for the first time.

Explore a new variety mode, and "Hundred Rivers Variety Season" "Let everyone have a variety show"

Explore the new variety mode "Hundred Rivers Variety Season" and "Let everyone have variety shows"

On August 9th, "Hundred Rivers Variety Season" held a "All You Like" early adopter film meeting, where the six creative teams and representatives of the main creative teams got together for the first time to share the origin and gathering process of "Hundred Rivers Variety Season" with the media in all directions.

At the film viewing meeting, Song Binghua, head of Tik Tok Variety Show, gave an all-round introduction to the novel program mode of Hundred Rivers Variety Show: Hundred Rivers Variety Show gathered more than 20 top producers in China, and after sampling nearly 100 creative themes, six high-quality themes were finally selected, which were created by six well-known variety content teams. The program spans the diverse groups of old, middle-aged and young people, and the characteristic content tailored for different groups will also cover multiple expression dimensions such as sound, film and interest in the form of presentation, aiming at presenting diverse works for the broad audience.

This "Hundred Rivers Variety Season", which can accommodate up to six sub-programs, will show the audience its new breakthroughs in different themes and content fields by playing one program every two episodes. In the end, the public judgment is used as a yardstick to evaluate the real "public explosion".

In addition to talking about the creation story of "Hundred Rivers Variety Season", the six creative representatives present at the scene deeply shared their own creation contents.

Explore a new variety mode, and "Hundred Rivers Variety Season" "Let everyone have a variety show"

Special cultural variety "Hundred Rivers Civilization Tactics" for competitive guessing games

"Hundred Rivers of Civilization", which was created by Guan Zhengwen’s team of "Chinese Character Dictation Conference" and "Seeing Words as Face", became the first variety in the form of a special competitive word guessing game. Different from traditional cultural variety shows, the program combines word guessing games with sci-fi themes, injecting an independent world view into the program. Taking the drama conflict of interstellar civilization as the sci-fi story line, all the people in the program are dramatists, and the victory or defeat of the competition turns into the ups and downs of the plot, bringing a brand-new and relaxed viewing experience to the audience who love traditional culture.

When talking about the creative breakthrough of the program, Director Guan Zhengwen directly expressed his desire to bring more happiness to everyone: "Now the external environment can be said that life is not easy, and I hope to make a contrast. The laughter of the audience is my greatest comfort, and it is my original intention to bring laughter to everyone. "

Create a multi-scene immersive game and decompress the variety "Hundred Rivers Can Funny Town"

Has created "this! The Simon Lu team of Street Dance focused their attention on the emotional pressure and predicament of the current society. In the program, the resident guests and happy amateurs jointly build a funny town, and jointly customize the "decompression scheme" for the "Yali" stars who are in a certain life anxiety or emo mood and come to the funny town to participate in the anti-Yali pear plan, and recommend various decompression tricks. Accompany the guests who come to visit and feel the decompression journey.

Talking about the choice of the theme of the program, Simon Lu, the general director of the program, said frankly: I always think that at least one function of variety shows is to give everyone some space to release pressure or emotions at some time. A hundred rivers can amuse the town is the Peach Blossom Garden in my mind, because it is an emotional relief for the fisherman to come out and return to his normal life after he enters the Peach Blossom Garden.

Social variety for the elderly "Hundred Rivers Old Friends"

"What should a variety show focusing on the socialization of the elderly do to look good?" "Hundred Rivers Old Friends" may give the answer through its brand-new perspective and expression. It not only set up intergenerational observers with multi-dimensional observation perspectives, but also explored the special settings for children to accompany their parents to socialize. It shows the understanding of Chinese intergenerational relations from many angles, and through the creation of warm social scenes, the present elderly people can put down their worries and devote themselves to a warm journey of getting to know each other again.

When talking about the idea of the topic selection of the program, Wang Zhiyi and Zhou Jun expressed their happiness at the opportunity to shoot the theme in their hearts: "This is a social pain point and a big social phenomenon. Old people, they need programs to watch. At the beginning, when we were creative about this program, the problem was that the programs of the elderly were difficult to be concerned by the commercial market, but fortunately, we were able to complete this idea when we met the Hundred Rivers Variety Season. "

Large-scale two-way intergenerational experimental observation music variety "Hundred Rivers Music Time and Space"

The combination of intergenerational collision and music has become the biggest highlight of Hundred Rivers Music Time and Space: after classical singers talk to new listeners, new generation singers talk to elders, singers hide their identities, chat and sing one-on-one with the next generation amateurs, and record the real reaction of the next generation amateurs after hearing the songs. In addition to the chemical collision of intergenerational music aesthetics, the program also defines mining high-quality golden songs that meet the aesthetics of two generations of listeners as one of its important tasks.

Director Wu Qunda pointed out the origin of the program with three "soul tortures": the first question, is there a kind of music that can travel through time and space? So this program is called "Hundred Rivers Music Time and Space"-100 kinds of music that travel through time and space. The second question is, is there an emotion that can connect generations? Then the third question is, is there anything that can give us constant strength and comfort in such a changing era?

Large-scale university group competition music variety "Hundred Rivers University Sound"

"You can hear the melody related to youth here." The Voice of Hundred Rivers Colleges and Universities focuses on college students, expresses it with the most youthful group images, and opens a new way to open the sound synthesizer.

The program breaks the "tutor+college" mode inherent in the conventional sound synthesis, focusing on the natural relationship between the younger generation of the school. Six seniors and sisters who are famous or well-known in the Chinese music scene return to their alma mater to find capable college students and lead their younger brothers and sisters to form a team to launch an inter-school hegemony.

Talking about the creative breakthrough of the program, Director Chen Gang said: "We hope to bring the students on campus their blood, enthusiasm, upward and positive faces to you, so that everyone feels that they are still alive. Please keep confidence in them."

Musical sitcom variety Rhapsody of a Hundred Rivers

Rhapsody of Hundred Rivers, which focuses on sitcoms, brings together famous domestic musicians, and is supplemented by variety talk shows to create a "comprehensive drama", brings a "fantasy experience" to everyone present. According to each musician’s vision of his own life, the program is tailored by a professional team of screenwriters and directors to create an exclusive ideal scene for the artists, so as to realize everyone’s "crazy life" and let each audience have an immersive "drama-chasing" experience.

At the film meeting, director Hu Ming explained the wonderful origin of this program: "When we plan the program, we will have some interesting discoveries. Everyone has an idea or imagination different from real life. Now we are facing many difficulties, but our thoughts are actually unable to be bound, and we can wander to achieve some other freedom. From my point of view, I actually want to make such an expression that is unrestrained and then very fantastic and interesting. "

Explore a new variety mode, and "Hundred Rivers Variety Season" "Let everyone have a variety show"

Explorers of Variety Creation Create a brand-new variety mode and bid farewell to the era of "betting"

On August 9th, at the media viewing meeting of Hundred Rivers Variety Season, a special edition called "Informal Confessions: Youth Past of Variety" evoked many memories of China Variety by the media and guests present. At the same time, it also shows Tik Tok’s initial intention and determination to deepen the variety field. As Tik Tok’s annual plan, Hundred Rivers Variety Season has a very pioneering and bold innovation in both program form and content creation.

Explore a new variety mode, and "Hundred Rivers Variety Season" "Let everyone have a variety show"

Talking about the original intention of the program, Song Binghua, head of Tik Tok Variety Show, said:

"The current variety content creators are divided into three dimensions: content creators, content managers, and content operators. People at the three levels have different perspectives on the whole industry. Among them, as a platform content manager, we should know how to create an environment conducive to the release of creativity by content creators, and look at the development of the whole industry from the perspective of content operators. And "Hundred Rivers Variety Season" is the product of the combination of these three dimensions.

At this critical time node about variety, the three creators need to have different thinking dimensions. Content, stars and venues are not the most important. If we make good use of the ability of platform content managers and protect the creativity and innovation of creators, it is the core value of the content industry.

When we put forward the demand of "truth, goodness and beauty, family fun", we need to find a method or model that both industry and capital agree with. And through this model, we have found a balance among capital, market and innovation. This methodology is not new. There is a pilot season or Test Screening overseas. However, it is the first time for such a large-scale, systematic and scientific experiment "Hundred Rivers Variety Season". "

Explore a new variety mode, and "Hundred Rivers Variety Season" "Let everyone have a variety show"

Relying on the 600 million-day active users of Tik Tok platform, Hundred Rivers Variety Season will explore a brand-new variety mode with its in-depth insight into the variety creation business and users, and provide more new ideas for the creation of domestic variety show content in the future.

The traditional variety test in the market usually relies on making samples to evaluate whether the program has production value and communication value. The fixed viewing environment is far from the user’s viewing habits, and it is difficult for users to accurately predict the actual broadcast effect by subjective scoring.

"Hundred Rivers Variety Season" will collect the most authentic and reliable feedback data from users on the basis of sample production mode, relying on the natural inspection of Tik Tok traffic pool, and the data verification system based on bytes will avoid personal subjective judgment to the greatest extent and decipher the password for making explosive content.

When talking about his understanding of the explosion, Song Binghua, the head of Tik Tok Variety, made the following analysis:

"Explosion" is a variable in different periods and platforms, and there is no absolute value. On the whole, within half a year, one or two projects with the broadcast volume and sound volume in the whole network are at the top, which can be called explosions. We know that in the past few years, hundreds of programs may be born every six months, so explosions must be scarce.

For "Hundred Rivers", I think it is reasonable to have 0-2 explosions. However, the probability of zero occurrence is the largest. This can’t be helped, this is what statistics tell us.

However, compared with the previous Somebody decision-making method in which one person or a group of people made a decision on a project, the probability of explosion in Baichuan’s model must be higher.

Explore a new variety mode, and "Hundred Rivers Variety Season" "Let everyone have a variety show"

"Hundred Rivers Variety Season" was produced by Tik Tok, jointly produced by Beijing Satellite TV, Henan Satellite TV and Jiangsu Satellite TV, with the exclusive title of Little Luban Children’s Milk Powder in Junlebao and co-sponsored by Nippon. The first variety of the program, Hundred Rivers Civilization, will be launched in Tik Tok at 12: 00 on Friday, August 12th. With the broadcast of the program, more fresh and interesting content will log on to Tik Tok platform at 12: 00 every Friday, and will be launched on Beijing Satellite TV, Henan Satellite TV, Jiangsu Satellite TV, Watermelon Video, Fresh Time TV, Today Headline, Tik Tok Volcano Edition, Tik Tok Extreme Edition and other major platforms.