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In-depth Dialogue: Alice Lowcher X Hao Lei: An Analysis of Dreams

The last master class of the 3rd Hainan Island International Film Festival was a dialogue between actors and directors.

The actor is Hao Lei, whom we are familiar with; The director is Alice Lowcher, who directed Happy lazaro and Miracle.

In this game called "Freud’s The Interpretation of DreamsIn the discussion of the theme, the two guests invited by the film media still presented many wonderful views and thought-provoking experiences.

Moderator: Good afternoon, everyone. Welcome to the master class of the 3rd Hainan Island International Film Festival.

I’m wangtong, the host of today’s event.

When the team gave me the theme of this activity planning, it was the analysis of the dreams projected on the screen.

The first sentence that popped up in my mind was the sentence in the Diamond Sutra: "Everything is like a dream bubble, like dew, like electricity, so we should look at it this way."

This sentence is quite clever, and it also pays attention to the film itself as a medium.

Because everything in the world or dream imagination is ever-changing.

As a very delicate medium, film can just carry this kind of reality and dream.

Today’s master class activity is actually the last heavy event of this film festival.

It’s an honor to inviteItalian director and screenwriter Alice LorvacheandTeacher Hao Lei, an actor.Take us into the dream of movies together.

I’d like to introduce two conversation guests first.

Directed by Alice LorwacherIt is a new force for Italian authors’ films.

Her first novel.EucharistBe short-listedDirector Cannes biweekly unit.

Later works[miracle][Happy lazaro]Are all shortlisted.Main Competition Unit of Cannes International Film Festival, respectively.Jury awardandBest screenplay award.

Her latest short film with French artist JR also premiered at the Venice International Film Festival in September.

The director’s works are always full of neo-realism and magic, and the two carriages are neck and neck, with light and smart pictures and characters.

Let’s enjoy the fascinating audio-visual language directed by Alice Lowcher through a short film.

The second part is to introduce excellent actresses.Teacher Hao Lei..

Since the film, she has easily portrayed and shaped many female images of different types and personalities in film, television and drama works, and has been nominated for the Golden Horse Award and other awards several times.[Picture 4] Won the Golden Horse Award for Best Supporting Actress..

Let’s learn about her wonderful performance in film and television works through a short film.

Due to the epidemic, director Alice Lorwacher failed to visit the film festival offline.

Now we ask technicians to invite her to the scene through video connection.

Please give a warm applause to welcome Mr. Hao Lei to the stage. Teacher Hao Lei would like to say hello to everyone first.

Hao Lei:Good afternoon, everyone. I’m glad to meet you here today.

Alice Lorwacher:Thank you very much. I am very happy to be here to meet you today.

Wangtong: We also prepared some questions for the two guests. A series of questions are very personal and private, and are closely related to the film.

Let me ask Mr. Hao Lei first, when did you first come into contact with movies, and what was your feeling at that time?

I first came into contact with movies when I was young.

Hao Lei:It’s too early, because when my mother was pregnant with me, there was a cinema next to our house.

She goes to the movies after work, and I think my ability to do this may have something to do with prenatal education.

Wangtong: What movie did Mom watch at that time?

Hao Lei:In her day, for example,[romance on lushan mountain]These films.

Our family doesn’t do this line of work. I think that prenatal education may be really important.

Later, because I started to be a student in changchun film studio at the age of 15, I started to walk on at that time. At that time, there were not many TV dramas, all of which were movies.

I started to give a walk-on to all kinds of movies. I remember that the first walk-on was a film movie played by teacher Gong Hanlin, which seemed to be called [Magic Master], and I played a fan of idolize.

Wangtong: How did you feel at that time?

Hao Lei:I think it’s amazing because I don’t know the studio or even where the machine is.

It’s amazing how I appeared on the screen and didn’t understand the industrial process. It’s an amazing experience.

Wangtong: We know that director Alice Lowcher’s family is similar to yours, and it doesn’t seem to be particularly related to movies.

My father should be a beekeeper and my mother is a school teacher.

Director Alice Lowcher, when did you first come into contact with movies when you were a child, and how did you feel at that time?

Alice Lorwacher:When I first came into contact with the film, it was very young.

In our family, none of us is engaged in the film industry.

At that time, we lived in the country, that is to say, when we were young, we had no concept of movies.

When I first came into contact with movies when I was a child, I felt amazing when I first entered the cinema.

In the movie, music, images, everything, including your imagination, all appeared in one movie. For me, this discovery was really amazing at that time.

It feels like a celebration, which is a feeling that my first contact with the film gave me.

Wangtong: So for you, the age of 17 is an enlightenment for your film career.

Because when you were 17 years old, you saw a film that was of great significance to your career choice.

Alice Lorwacher:Of course, from that moment on, I thought that I was interested in movies, but it was still a distant thing for me to enter this industry.

Then I studied this classic literature, and at the same time I moved from the countryside to the city to live, so that I was closer to the film.

For me, as a profession, I chose it. I started with documentary.

I knew a family who made documentaries, and they told me this story, so I decided to make documentaries with them.

When I heard their stories, I not only wanted to tell the true story in a real way, but also wanted to add some artistic creation to it.

I also hope to convey more information through such a documentary form.

So I later started as a screenwriter and wrote such a script, which was later filmed [Eucharist], and my career took off from this story.

Wangtong: Seventeen years old is a particularly important age for director Alice Lowcher.

Mr. Hao Lei, for you, your first highly praised and concerned work was 17 years old.

seventeen no cryHow did you feel when you took a play like that? Were you determined to make a film, do film and television and do drama work?

Hao Lei:I started acting at the age of 15, and "Don’t cry at seventeen" was filmed at the age of 19.

Before I entered Shanghai Theatre Academy, I had made three TV plays in the film factory.

When I was in the first grade of middle school, the school organized an activity, and finally a film [The True Story of Teddy Boy] was shown.

I don’t know why the school showed this film. When I saw one third of it, the cinema was empty.

I took my classmate’s girlfriend and said that I must see the end, because idolize must see it.Tony Leung Chiu Wai.

I saw the end. I saw him comb his hair a few times at the end, and the film was over.

I feel very strange, because I haven’t studied this, and I don’t know why my idol has only such a little drama, but I have a feeling that this movie is quite special and different from other movies.

Because it is not as strong as a story, and there is no complete story.

It’s just that I think it’s wonderful. From then on, I began to like Wong Kar-wai’s movies, until I got to know it in this line, which can be regarded as my enlightenment.

Wangtong: For example, after "Don’t Cry at Seventeen", do you feel that its success has suddenly turned you into a person in the spotlight?

Hao Lei:No, because it was shot in 1997 and broadcast in 1998.

At that time, the information was very underdeveloped, and I was still studying in drama at that time.

I don’t feel that I have become a star at all. This play is concerned by many people, but I can’t feel it.

Wangtong: Apart from the experience of adolescence, are there any other personal experiences that have shaped you as you are now?

Because everyone says that time is a linear flow, what we have experienced before may shape us now.

Do you think there are other special and unique experiences that you can share with our audience?

Hao Lei:The unique experience is to be brave and be yourself.

Of course, we can say that life arranged for you to accept some things and meet some things, which shaped you now.

But in fact, it can be reversed. I think many things are my own choice.

For example, after I played "Don’t Cry at Seventeen", many students and high school students came to me.

Since then, I have played the role of queen, lawyer and doctor, and there will be similar roles looking for me.But I don’t wantrepeat.

Every time I choose a different one.

At that time, someone told me that people are not so familiar with you. You must first grasp a role that makes you irreplaceable.

I said that if you stay in a role, it is really single.

I think I made almost 100% choices in my acting career.

Wangtong: Alice Lowcher, the director, just told Teacher Hao Lei because she is an actress.

In fact, you can be addicted to drama, try different roles in different drama and film works, and have different lives.

For example, you are also very sure that I want to be a director.

But when you were an ignorant teenager, did you have any other dreams besides making movies or plays?

Alice Lorwacher:Yes, I have.

It should be said that I have never really had such a dream that I will become a director one day. I was dreaming all the time. What kind of dream did I have?

I hope that this dream of mine can become a part of my life. Maybe I wanted to be one at that time.beekeeper.

When I was young, I wanted to be a beekeeper, and all this was in contact with nature. At that time, I wanted to do such a job, that is, to be in contact with nature.

Being a director is actually a job choice, but I don’t think it is a job.

I think being a director is a way of life, because it allows you to observe life from different angles.

Because of this, this job actually landed on me suddenly.

From childhood, my dream was to do what I wanted to do, and at the same time, it was a life full of adventure.

So this job, it is associated with many things, as I just said.

Directing this job combines my passion in music, painting and other aspects with my work.

In particular, my dream is to tell you and describe a truth and a fact. In Italy and Europe, when we see something, such as flowers and butterflies, it is very, very beautiful.

The first thing we want to express is that it looks too beautiful to be true.

When we see something, such as flowers or butterflies, created by artists, we will say that it looks real when we think it is very good.

So in my opinion, comparing these two examples just now means that what we value most is the fact, not the truth. We should love this world, and we should be full of enthusiasm for it, especially for a truth and truth.

Wangtong: Just now you said dreams. For example, when we dream, we have good dreams and bad dreams, if we have nightmares.

We are under too much pressure in real life, so maybe our experiences in real life will be projected into dreams and good dreams.

People often say that dreams come true, because some of our desires and demands in reality have not yet been reached, and we may dream when we dream well.

So for the director, do you think if the film is a dream, is it a projection of reality or more unfinished dreams for you?

Alice Lorwacher:When we come into contact with the world in our dreams, I feel so charming at that moment, and the movie is connected with that moment.

Situations and facts in dreams can be linked together.

Wangtong: Is the movie an unfulfilled dream or a realistic projection for you, Mr. Hao Lei?

Hao Lei:It is possible. First of all, as Alice Lowcher said, we have never been able to find out exactly whether dreams are reality or reality is a dream.

Because everyone has had a dream, the dream gives you a very real feeling. Many times, you will wake up when you have a nightmare, and you will be sad for a while after you wake up.

Even when I do things during the day, I may think that I had a very sad dream last night.

I think as a filmmaker, we are actually creating an image that doesn’t exist in real life, but we must be as realistic as reality.

That’s what makes it credible.

This process, as you said, it is also possible that some things in reality are projected into my dreams and affect my dreams.

Many creative materials of movies come from life.

Wangtong: In many of your works, the role you play is actually aggressive, as if this role is against external forces.

You just said that reality and dreams are intertwined. Is it related to your own personality or experience, or do you have a special fate and a special fit for this role?

Hao Lei:It has something to do with age. When I was young, I didn’t want to choose a mediocre role. If nothing happened in a person’s life, why should I write him into a movie and become the protagonist?

Only when his life is very different will he write his story, for example, like many characters from ancient times or real people, will he write a story based on his autobiography.

An actor must choose a very different role when he is young.

Maybe at this age, my mind will change.

I think I’m trying very hard to choose some very mediocre roles, but it’s not a mediocre story. I don’t want to find a particularly strong role, because I think it’s relatively easy to play.

This choice is related to maturity.

Wangtong: Give an example.

Hao Lei: For example, some of my recent plays, especially TV plays, are relatively ordinary.

For example, the role of "Courtyard Full of Love" is really a possibility to push the door open, and your neighbor’s aunt is like this.

I think people like that are actually more difficult to play, because they need a lot of details to support them, because there is not so much resistance and subversion in life, so I think it is more interesting.

Give another example of a movie, [Spring Tide]. Although this person’s life is very depressing, his attitude is not intense. I prefer this role now.

Wangtong: Let’s talk about the director again. At present, there are three successful works.

Actually, the director’s works are full of so-called mediocre or ordinary characters, or the main characters in the film are actually like what Teacher Hao Lei just talked about.

Their experience, seemingly flat, nothing happened.

In fact, everyone’s personal feelings are almost divine, so why is the director interested in these characters?

Ordinary but not mediocre, it should be summarized like this.

Alice Lorwacher:That’s a very good question. These characters belong to some small people, very ordinary people.

No matter what kind of religious background and life background they have, there are always some sacred things in it, and at the same time, there are some children’s thoughts in their inner world, and they feel that there is such a teenager living inside.

When we make movies and choose characters, we have principles, either choose a funny person or a cunning person.

I have always looked at these characters in my movies from the perspective of children, including lazaro, who is not a child, but an adult. However, we can see that there is a child side left in his heart, that is, a very innocent side, and he is not a particularly complicated person.

I specially selected such people, through such movies, through my movies to show these characters’ special personalities.

In fact, everyone can see a main line in this character, that is to say, they are ordinary little people.

There are such people all over the world.

They live among us, ordinary but extraordinary, and have some divinity, which connects us human beings together.

Wangtong: Why are you so fascinated by the perspective of children?

Just now, the director mentioned that people like lazaro are not young and may have a pair of pure eyes. Why do you look at this complicated world from the perspective of children?

Alice Lorwacher:It should be said that in a story, there must be good people and bad people, so when describing this story, it must be from different angles, and it must be part of it.

There are some simple people and some complicated people, but it is precisely because a child can see our world from his perspective and vision that he can judge the world by himself.

It is the world that judges itself, not through our eyes or our perspective. Children’s eyes, like a ray of sunshine, can make plants grow.

I believe that if we can always use pure eyes, we can also increase our purity.

Many possibilities can be seen through children’s eyes, because after a certain life experience, our eyes actually have their own filters.

And through children’s eyes, we can see the world for the first time, rediscover the difference of this world and rediscover a new world without any filter.

Hao Lei:I think it’s really important to be an artist.

There is no way to be so rational, and there is no way to be particularly sleek and sophisticated.

I think it’s interesting for the director to choose such a character. Maybe this is also a way for her to observe the world.

Wangtong: Do you usually have any so-called methodology in interpreting roles?

Hao Lei:In fact, the method is very complicated, because for me, performance is actually a comprehensive subject, and it also needs many scientific methods to shape a role.

But I think the most basic thing is truth and sincerity. If you can’t fully understand yourself and see your true nature, there is actually no way to play a role wholeheartedly.

Wangtong: Different art forms, such as the recent spring tide, are realism.

Colleagues are curious. For example, in early dramas, surreal passages are interspersed. What is your mood when you interpret different roles?

Hao Lei: It’s a bit biased.BrechtDrama education in our country is based onStaniMainly.

If explained in the simplest way, the expression of modern dance and artistic form often externalizes my inner activities and glows through some performance methods.

Some viewers may not be used to watching this way, and they will find it difficult to accept breaking the tradition.

But many viewers think it’s quite new. I want to see something new.

But in fact, in foreign countries, various methods have already existed.

Wangtong: As far as you are concerned, it always seems that there is such a binary opposition between the movie and the business.

For example, I summed up the binary opposition, such as objectivity and subjectivity, rationality and sensibility, realism and romanticism.

As an actor and a creator, for example, how do you balance the so-called binary opposition elements when interpreting this work?

Hao Lei:We can only make a balance in our own thoughts, because our world is full of binary opposites, such as day and night.

It is a question of personal understanding and personal cultivation. If we can’t really confirm the existence of binary opposition first, we can’t break the binary.

But many times people are confused and say that we should not be so absolute or so black and white, but I always say one thing:

If I can’t distinguish between black and white in my life, how can you see the advanced level of gray again?

So many things I think are really different for everyone to understand.

There is also an example just now. On the issue of commercial films and art films in our industry, everyone has an inertia thinking that art films look better and commercial films are more rotten.

Actually, it’s not like this at all. There are many bad art films, good-looking commercial films and many good-quality ones.

So for me, it doesn’t matter whether you are a good-looking movie or an excellent movie, which so-called label.

Wangtong: Are your recent attempts both?

For example, in recent days, what do you think will attract your works or projects?

Can they sum up the rules, or have some commonalities?

Hao Lei:Not particularly regular, because my thoughts are always changing.

It is what I want to express at every stage, and my understanding of this world is constantly changing.

Can I happen to have a work with the same expression as mine come to me? Not necessarily.

But many times I think it’s ok. From all aspects, it may be a more professional team, and maybe I will choose him.

Maybe everyone thinks it’s better. For example, works like "Spring Tide" just fit in with my current desire to express my attitude and understanding of the world.

Wangtong: I also want to ask the director this question. I saw the director’s interview before, and it was also said that there are actually three films, and the financing situation of this one is quite hard.

Whether in China, Italy or Europe, it is quite hard to make a literary film.

So can the director tell us something, such as what you experienced when you introduced your film project to others?

Alice Lorwacher:My experience should be said to be difficult but also very beautiful.

It should be said that it was a positive difficulty. I remember one very important thing.

When I asked[miracle]The producer of this film introduced my first film. I didn’t have much confidence at that time, because I had never studied before and I didn’t know much about the movie world.

It should be said that I entered this world, but actually I don’t know some rules of this movie world.

When I talked to him, I said I didn’t know if anyone would like this film.

Then the producer said to me, who do you think you are? I said, what? Do you think you are so special? Is it special? Can your film be enjoyed by all people? You’re not the only one.

Your film may not please everyone, but you may only please some of them.

So there must be a group of such audiences who will like your film, and some will not.

Please remember that you are not the only director in this world. Many people in this world, like you, hope to get this audience.

This principle can be said to have dominated my choice of making this film.

When I make a choice, I don’t mean that it must be what I like.But it must be a film that I want you to see, and it can bring you different experiences, and at the same time, I want to experience this experience with my partners.

Of course, we always have to abide by a certain budget when making films. We are not the kind of films with big investment.

We can at least achieve the level and content we want to do within the limited budget.

We have cooperated with producers of different organizations and structures.

For me, I think what I like more is not to discover, but to be able to tell you a true story. Both are very important to me.

Wangtong: Will it be easier for your work to win prizes at major film festivals?

Alice Lorwacher:Of course, the film was well received, and it will be much easier for me to find a new producer after winning the prize.

I never said how much production cost I was going to find.

I always don’t like things that are particularly easy to do. I always think that you have a little difficulty in doing things, which will increase your strength.

It is a very important point for individuals to grow up.

So I want to say that so far, we have been having difficulties.

It is precisely because we face these difficulties and solve them that we will become stronger and stronger.

Every time we encounter difficulties, it can be said that the difficulties are greater than the previous ones.

Especially at this time, a year has passed, and our cinema has not been opened, and it was never related during the World War.

Italian cinemas have never been closed since there were movies. This year has been closed for one year, which is a very, very difficult time for us.

I have always thought that movies should be a part of our lives.

I always hope to combine many life experiences. I hope to be an artist, and then this artist can gather all the people in one room through one of my artistic creations, instead of isolating them from each other.

I want everyone involved in this movie to feel the true meaning of life.

Now the film is in a very difficult period, and we should also consider that people may be in a state of separation.

For example, I’m thinking about a movie like Happy lazaro, which leaves many problems.

It’s not just the movie, but the audience who watched the movie. When they leave the cinema, they can take this question as gossip material and bring it into your life.

This can be used as a topic of conversation. Now, in this isolation period, everyone lives in his own small circle.

At this time, we may pay more attention to what kind of film we want to make, and may consider more than the dark side of life.

Wangtong: This year is a special year, with ups and downs from the beginning of the year to the recent epidemic.

This special year has also changed one of our lifestyles, including social habits, because everyone wants to keep such a social distance.

The director actually keeps a positive and optimistic attitude.

For you, because some people will get more inspiration from generate because of such a condition and such a restriction, what have you tried this year, Mr. Hao Lei?

Hao Lei:For me, I think it may still be a good thing.

Because we have to go out all the year round in this kind of work, we can’t go anywhere now, so we just stay at home.

I feel that I haven’t stayed at home with my family for so long for several years. This is another life.

It’s okay. I don’t think there’s anything wrong.

And finally you can calm down. In fact, many things are not for you, but for you.

So if you have to be quiet because of this epidemic, in fact, I think it is also a good thing.

Wangtong: If you were in the film industry, what other career would you choose or what other things would you like to do?

Hao Lei:I haven’t thought about it. Maybe I will be a director, and maybe I will work behind the scenes.

Wangtong: Just now, you said that you have played different roles in various projects before. What kind of roles will make you feel particularly exciting and interesting? You can try more.

Hao Lei:Nothing is more special, it’s all the choice of the moment.

It is also possible that I feel fine at this moment, and I feel very energetic at that moment, and there is nothing special to treat a certain play or a certain role.

Is that your choice is the most important.

Wangtong: Let me ask the director. Just now you said that if you don’t become a director, you might become a beekeeper.

Did you mention your next work? Do you have a more specific description of this next work?

Can you disclose it?

Alice Lorwacher:I have a movie now. I haven’t filmed it yet, but it depends on the development direction of the epidemic.

My thoughts and ideas are clear now, and I am writing this script.

This script is difficult to speak now, because it is still an unfinished script.

It is a story about human civilization in the past, and the collision between past civilization and modern civilization is reflected through archaeology. It should be said that this is a film involving many aspects.

I want to take the middle line in this movie, not particularly relaxed, but also not particularly serious.

It is a story that seems to make people feel more interesting. But I will talk about a more serious topic.

I have a lot of work to do at the same time, and now I am watching the epidemic trend, and then I will decide when I can start shooting this film.

Wangtong: If you can travel through time and space, what would you like to say to yourself who has just stepped into the film and television circle?

Hao Lei:Just a little girl, you will be very powerful in the future.

Wangtong: What about the director? If I could travel through time and space, what kind of words would I like to say to my original self?

Alice Lorwacher:What to say? Keep dreaming, but be down to earth.

CCTV Foreign Language New Media Reporter: Hello, Teacher Hao Lei. Many forums and master classes in the film festival have paid attention to women’s power.

You mentioned before that you want to speak more for women. Why do you think so? What do you want to do next?

Hao Lei:I think women’s power is really easy to be ignored or even ignored.

I didn’t advocate emphasizing any kind of power.

But when this kind of situation really exists in this world and this society, I think it is necessary to speak out.

But as for what to do specifically, I think it is difficult for us to do things other than movies.We will help women more.subject matterFilm, female film workerThis is what I can do.

Question: I am also a reporter from CCTV.

I know that you recently wrote a book about performance. What do you want to express through this book?

I also want to ask you a question. You have been studying Buddhism for a long time. How do you think this experience has affected your artistic creation? Thank you.

Hao Lei:Let me answer the first question first. The basic content of this book comes from the complete works of stanislavski, which means that I read this book for everyone. This is the granddaddy of the performance.

But today young people don’t like reading. Many people say how to learn acting or where to learn acting.

It’s very simple. Actually, reading is good, because people don’t like reading, so I use my language, a more refined and easy-to-understand language to help you read this book.

This book will share a lot of my experience as an actor for more than 20 years.

The second question: Buddhism has given me a broad vision and a tolerant attitude. I often think about roles one-sidedly, but I think Buddhism has given me a high view of people in life and the roles I play. Thank you.

Question: I like your [Happy lazaro] directed by Alice Lowcher very much. I think it is a very realistic story about human nature, and you express it in a magical way.

How do you guide the actors when shooting such a story?

Do you want actors to believe this story more, or do you want them to be immersed in a more uncertain state?

Alice Lorwacher:Thank you for your question. When filming this [Happy lazaro], this script was the first difficulty, not the difficulty in the script.

At first, after reading this play, everyone thought that the role of lazaro was a fool.

At that time, I tried to tell the actors this story. I said that lazaro was not a fool, and lazaro would learn. He was not a fool.

When telling stories to Adriano Tardiolo, I found that he knew lazaro very well, and he understood it in a dreamy way.

I made this film, and I think the biggest challenge is to find a very good actor like Adiano.

He really added a lot of value to our play. So Adriano and I co-produced this film, and it really felt like a wonderful experience.

We all felt the dreamy language of this film during the filming.

It can’t be said that everyone became stupid after making a movie. It should be said that after making this movie, everyone didn’t think of such a character, a surreal character. In fact, we can see the shadow of such a character in real life.

After his first death, many years later, the world changed, changed, and he watched the world change again.

So during my cooperation with Adriano, a very excellent actor, we further sublimated this character.

Question: Hello, Mr. Hao Lei, I’m a director from Guangdong, a little director.

Would you like to ask if you will continue to play in the drama in the future?

Because I have a group of friends who like watching drama very much, and I am very much looking forward to your continued performance of Rhinoceros in Love. I want to ask you.

Hao Lei:There is a drama, as it was last year, but there is no drama this year because of the epidemic. If there is no epidemic, I will play a drama every year.

I don’t want Rhino. I don’t believe in playing a little girl who is persistent in love at my age.

Question: Hello, Sister Hao Lei. I am an actress myself. My enlightenment began with your Rhino in Love. I like your play very much.

As an actor, I have a puzzle. Now most movies are shot at a high-intensity and fast pace.

Probably not like in our school, we have a long time to rehearse, make our own biographies, study characters, observe life and practice for a long time.

I think this is a creative process that is relatively in line with the rules of actors’ creation.

I especially want to ask Mr. Hao Lei here, if you encounter such a situation, how to solve it.

Because we often get the script, maybe it’s really three days in advance, and I just got the book, so I simply played around reading.

If I am not satisfied with my understanding of the role, I will devote myself to creation.

I am not satisfied with this creative process, but there is no way. I can only solve this problem from the actors themselves, and I especially want to ask the teacher.

Hao Lei:There is an old saying in the actor business that I believe you have heard.One minute on stage and ten years off stage.It is necessary to accumulate more training in peacetime.

As for how to deal with practical problems, I think so and do so.

If you don’t want the world to change you, the world can’t change anyone. Come on.

Question: Alice Lowcher recently filmed the drama My Genius Girlfriend, and China was also very popular.

I would like to ask if the shooting technique and narrative method of this TV series are different from those of the previous three feature films. Thank you.

Alice Lorwacher:Thank you very much for this question. The technique is definitely different.

First of all, it is technically different, because I have been shooting with film before.

The previous technology is very old, a traditional shooting technology, and it is also a kind of technology that I love very much.

Because in this case, you can fully control, all aspects can be under your control, and the shooting process will make you fall in love with this job.

You can also guarantee that the final result will completely reach the result you want.

In the process of shooting, there will be a certain gap between the material you shot and the final result.

When you try to make movies, I suggest that you should try traditional techniques.

In the process of shooting, the pressure it brings to you brings me a lot of strength and makes me have great enthusiasm for my work.

The use of digital technology this time, from a certain point of view, is very charming.

On the other hand, it is different from the way I am used to.

In this process, we should respect the materials you want to use, and at the same time, we should invent and create some different ways to use these pictures.

At the same time, I should respect the story of the characters I want to describe. This is the first time for me to use this technology to describe other people’s stories.

So I worked in a completely different way, different from when I made three feature films, because when I made such a feature film, I was not very sure about my final result.

There will be some changes among us, and new things are constantly discovered during this shooting process.

Using digital technology is very clear about what to do and what kind of results will be obtained.

Although the methods are different, both methods are very popular.

The most important thing is how to describe the stories we like and love in the right way.

Question: I would like to ask Mr. Hao Lei that for actors, we also know that Mr. Hao Lei is the queen of literary films, which are closer to the heart, but commercial films may be closer to the audience.

I want to know what teacher Hao Lei thinks of this balance, or from the Buddhist point of view, what is this choice?

Hao Lei:As the director said before, you should know from the beginning whether you choose more audiences or fewer audiences.

When I was very young, I was told that you should think it over, because if you play a film with a small audience, you may not have the so-called red, so-called star status.

But for me, I don’t think it’s important. I have to follow my own heart. I think this is the most important thing.

No big star, like Madonna, can make people all over the world like you. I have long known that that is not what I pursue.

I have to choose what I like, and I would be honored if some viewers are of the same kind as me.

If not, I don’t want to force it. This is my understanding. Thank you.

Question: Alice Lowcher, I like your work Happy lazaro in 2018 very much, and I like a scene in which the hymn in the church leaves with lazaro.

My feeling is more like the redemption of a character like lazaro from a more divine and higher power.

What I want to ask is why you are so interested in such a theme of possible higher and more divine redemption, whether it is power or not, in some works now or before.What about shooting such a theme, a brand-new salvation force? Thank you.

Alice Lorwacher:Thank you very much for asking this question.

Each of us has a limited life, and we have to answer many questions and different types of questions in our life.

Essential problems are some problems that we human beings face together.

I want to answer these questions through the character lazaro, who was in a dilemma and dying.

He faced many problems at that time, not to say that he died immediately. He also encountered many such problems before. For example, when he went to the bank, he had to borrow money.

Before I made this film, I thought it would be too painful for lazaro to be too lonely and dying at that time, if he was particularly lonely.

So at this time, I think we should add some music.

To convey such a message, lazaro is now facing such a dilemma.

At this time, music, music from the church, music of redemption, gave him a kind of spiritual support and pillar when he was in the most difficult time.

This scene of redemption, it is actually at this time that such music came, which is very appropriate, but it is not common.

When he entered the bank, there was such a redemption.

This mainly means that lazaro is never alone.

I interpret some uncertain factors in life through this sacred way of redemption.

Wangtong: OK. Thank you, director. Thank you, Mr. Hao Lei.

As a conclusion, our theme just now was the interpretation of dreams, including teacher Hao Lei’s saying that there is no absolute black and white, and the director also said that there are no absolute good guys and bad guys.

Before, when we were faced with the ever-changing technology, we always felt that it hindered people from getting closer.

But thanks to technology, friends from different regions can gather together in such a special year.

Listen to two guests sharing their lives with us, including their creative experiences.

Only literature can save itself.

    How can I be anti-Party? Where am I going to turn the party upside down? I grew up in the arms of the party, grew up in the army, and became a rightist. My nerves were a little crazy. Even when I met my child, I thought she was a debt collector. I suspected that I was crazy, so I was frightened. I thought it was better to die than to be crazy. So I thought, there must be a way to save myself.


    Tie Ning was only 15 years old at that time. When her father Tie Yang led her to find me, I was cold-really cold. Because I am still a rightist with my hat off, the rule I set for myself is not to make friends. Because it’s not good for yourself and it’s not good for others.


    His works, like his name, shine in the literary world where the stars shine.


    The "Private Zhang Ga" he created is irreplaceable among countless figures in the history of China literature.


    This is Xu Guangyao.


    A 90-year-old writer who joined the Eighth Route Army at the age of 13 and experienced War of Resistance against Japanese Aggression, the War of Liberation, the War to Resist US Aggression and Aid Korea and various historical periods after the founding of the People’s Republic of China. His novels "Fire in the Plain" and novella "Private Zhang Ga" are still popular and have influenced readers from generation to generation. Published in 2000, "The West Wind Withered the Green Trees Last Night" won the Lu Xun Literature Award.


    Now, Xu Guangyao’s diary with millions of words will be published soon. Here is the primary color of life, but also a slice of the times. Xu Guangyao’s diary has been kept for more than 70 years, involving three wars of resistance against Japan, liberation and the War to Resist US Aggression and Aid Korea, and inevitably involving all previous movements with class struggle as the key link after the founding of the People’s Republic of China. Wen Zhang, a writer, is one of the organizers of Xu Guangyao’s diary. He said that the original ecological and vivid contents presented in Xu Guangyao’s diary can be made into many movies or TV series. Undoubtedly, his diary will expose all the weaknesses of his stubbornness and narrowness in the process of growing up. And these are exactly what many people try to hide. Wen Zhang said: "Xu Lao doesn’t care about personal gains and losses. This is another selfless dedication. Understand this layer, his image can only be taller. "


    Does the publication of Xu Guangyao’s diary reveal the secret history of the literary world? Will these historical materials cause an uproar in the literary world?


    On March 20th, the reporter of Reading Newspaper interviewed the writer Xu Guangyao.


    Zhang Gazi saved my life.


    Reading newspaper: Do you always write by hand? Xu Guangyao: I don’t use a computer, and I can’t surf the Internet now. I’m a "laggard", and I’m really backward. I didn’t expect the Internet to be so rich that life can hardly be cut off from the Internet. I haven’t learned it now, and I don’t have the enterprise to learn it.


    Reading newspaper: Let’s start with Private Zhang Ga, which we are most familiar with. Under what conditions and under what background did you write this work?


    Xu Guangyao: In 1955, the "Ding Chen anti-party clique" was approved. In December 1956, the leading group of the Chinese Writers Association sent me a letter, in which six questions were raised, including whether Ding Ling engaged in personal worship in the Institute of Literature and Research, whether she had engaged in a book doctrine, and whether she had any dissatisfaction with Publicity Department of the Communist Party of China. I wrote a reply. Because the facts stated in this letter were beneficial to Ding Ling’s conviction, when she turned against the Rightists in 1957, she was accused of "reversing Ding Ling’s conviction" and branded me as an "anti-Party and anti-socialist rightist".


    After fighting me for three or four months, I became familiar with it, so I thought behind closed doors, didn’t give any tasks, didn’t have anything to do, and nobody cared about me. I struggled in my own room: I joined the Eighth Route Army at the age of 13, joined the party at the age of 13, and worked in the secret department of the party. I have always performed well and am a very reliable backbone figure of the party. Just because he wrote a letter seeking truth from facts, he became an anti-party element and a rightist? I can’t accept this in my heart, and I want to be wronged. How can I be anti-Party? Where am I going to turn the party upside down? I grew up in the arms of the party, grew up in the army, and became a rightist. My nerves were a little crazy. Even when I met my child, I thought she was a debt collector. I suspected that I was crazy, so I was frightened. I thought it was better to die than to be crazy. So I thought, there must be a way to save myself.


    I read a lot of books and twelve collections of Shakespeare’s plays. After reading them, I closed the books to sum up my gains, but I couldn’t remember any of them. I want to repeat the specific plot of the script, but I can’t think of it at all. I think I’m crazy! I must try my best to save myself, and I must be rescued from the mire of "self-fighting" that I have been wronged.


    Reading newspaper: how to save it?


    Xu Guangyao: At this moment, it suddenly occurred to me that I read a psychology book, which said that when people encounter great setbacks, if they don’t control them properly, they will have schizophrenia, which is very dangerous. Is there any way to cure it? There are eight words in the book: "concentrate and change direction".


    I think that the most effective way to "change direction" is to create. There was a little guy named Staring Tiger in the Fire in the Plain that I published at that time. He was very active at the beginning of the book, but he didn’t get a chance to show him later, and his wilting ended.


    This has become my regret. This character became the later Gazi.


    I’m not satisfied with my personality. I’m dull and inactive. I don’t like this kind of personality. I like Gazi, so I thought about what Gazi I met in my life. I wanted to write down one on my desk, and Ga people kept a long list. I put them in a war environment to arrange them, which are childish, which are progressive and which are mature. After arrangement, Ga.


    "Private Zhang Ga" is my savior. He pulled me to "divert my direction" so as to forget all the things I was wronged and punished, and my body recovered quickly.


    Reading newspaper: I made a movie later.


    Xu Guangyao: At first, I didn’t write a novel, but I wrote a screenplay first. It’s easier to write a movie, so I don’t have to work hard on language. As a result, the film was written in the middle, and I couldn’t write any more about how Gazi came out after being confined. Gazi has a personality. If he criticizes him, he will argue with the leader. Once the film is argued, the play can’t be seen. I was disheartened and thought I had never made a movie, so I’d better write a novel! So I went back to writing a novel. The novel was written smoothly. After it was finished, I went back to writing a movie, dealt with it in a tactful way, and the movie script was completed. Shortly thereafter, I was officially labeled as a rightist, and novels and movie scripts were put at the bottom of the box.


    I transformed the farm very well. One year later, I took off my rightist hat and became a staff member of Baoding Federation of Literary and Art Circles. From 1959 to 1961, during the three-year difficult period, the party’s policy was relaxed for intellectuals. Zhang Qingtian, editor of Hebei Literature, went to Baoding to solicit contributions and asked me if I had any novels. I asked, "Do you dare to send my things?" He said stiffly, "I dare to ask!" " I gave him the novel Private Zhang Ga. He finished reading the novel on his way back, and wrote back to me soon: "Despite the axe gouge, we decided to publish it."


    At the end of 1961, Hebei Literature published Private Zhang Ga.


    Reading newspaper: This work is a blockbuster. After so many years, it has been regarded as a "red classic". What inspiration does the success of Private Zhang Ga give us?


    Xu Guangyao: In retrospect, I did my best in several books. "Private Zhang Ga" is unique and full of images. I wrote it with all my energy and self-help mentality. The hero I choose is my favorite character all my life, which is my ideal personality, so it is very enjoyable to write, and there are many associations. Moreover, this association seems to fly from the sky, which is more tenable in shaping characters.


    I feel that whether writing a novel or a drama, whether it is a novella or a long story or a short story, the most important thing is the characters. China’s literary history strongly proves this point. A Dream of Red Mansions, Romance of the Three Kingdoms and Water Margin by The Journey to the West, the real classic works have very typical characters. We can forget the story, but we can’t forget the characters, who grew up with us in real life, like Zhuge Liang, who is a model of wit; Cao Cao is a villain, but the author writes many things about him very lovely; Xifeng is a vicious character, and her moral character is very bad, but the author also writes her very cute. It is a great skill to write the villain cute. I once said that I would be satisfied if I wrote 5,000 words like A Dream of Red Mansions all my life. Private Zhang Ga was created by me with my life. It has been published for almost 60 years, and it is printed once or twice every year, and it has not been interrupted during the Cultural Revolution.


    Reading newspaper: How many books did you say you did your best? What other books?


    Xu Guangyao: The Fire in the Plain is a first novel, with good influence and good sales. Another one is "The West Wind Withered Green Trees Last Night", which is also a work written by me with all my vitality. This life has come to an end with this work.


    I have an anti-rightist complex.


    Reading newspaper: Many of your works are anti-Japanese themes, except "The West Wind withered the green trees last night".


    Xu Guangyao: As I said, I have two major complexes in my life, one is the anti-Japanese complex, and the other is the anti-Rightist complex. The anti-Japanese complex makes most of my novels about anti-Japanese, and three of the four films are about anti-Japanese. I couldn’t have written those works without the experience of the Anti-Japanese War. I hardly have any works without the Anti-Japanese War.


    Last night, the west wind withered the green trees is another complex work of mine. After I was beaten to the right in 1958, my thoughts changed a lot, which can be said to be a lot of development. My view of the world is not as simple as before, and it is more realistic and conforms to the laws of reality. But one thing, I have been wronged, which I will never let go of.


    I didn’t write "The West Wind Withered Green Trees Last Night" immediately after I was rehabilitated, but I thought about it for many years. The general reaction of readers who have read this book is that Xu Guangyao was wronged, but he wrote calmly and didn’t get angry. I wrote this work in the hope of summing up the lessons of the 1957 movement for the party and the people, to tell a few words of truth and to write down the painful lessons. The words I wrote in the last paragraph of my work are politically sharp, but that’s what I really think. I should write and do that.


    Reading newspaper: When did your literary hobby begin? Who are the works and writers that have the greatest influence on you?


    Xu Guangyao: My father is a literary lover. When he was young, he worked with a theatrical troupe and had many plays in his mind. In the evening, my father often told us stories, including The Journey to the West’s Romance of the Three Kingdoms and Strange Tales from a Lonely Studio, as well as folk stories, Xue Rengui, king cat and Biography of Bao Gong. This gives me the impression that chivalrous men, chivalrous men and swordsmen are all people in the world who can save human suffering. There are four or five picture books at home. I don’t know how many times I have read them, and I have memorized them all. One year, my father bought some New Year pictures from Yangliuqing, Tianjin, and sold them on the album. I read the topic to people who bought the pictures. My father bought The Three Chivalrous Swords from Tianjin and asked my brother to read it to his neighbors. Half way through, my brother went to work, and my neighbors were very discouraged. My father asked me to read it to my neighbors. This reading shocked the villagers, who said that such a young child could read. This made me very proud. I read night after night, very proud, and at the same time I was infected and trained in writing. Whether it’s Fire in the Plain or Private Zhang Ga, some sentences are obviously borrowed from traditional novels. Later, I also read some old novels circulated by the people and wrote down these stories after reading them, which trained my language expression and writing ability. I’m always at the top of my composition at school, which is directly related to my ability to read old novels.


    Reading newspaper: Have you changed your understanding and attitude towards literature?


    Xu Guangyao: In the past, when reading foreign works, including Tolstoy and Hugo’s works, I understood literary works according to Mao Zedong’s speech at the Yan ‘an Forum on Literature and Art; In the new era, especially after the Third Plenary Session of the Eleventh Central Committee, a large number of foreign literary works came in. At this time, I accepted it again. I was not as stubborn as before the Cultural Revolution, so I resisted, such as the theory of human nature, which was always criticized in the past. I have made a lot of progress in accepting the avant-garde and stream of consciousness in specific creative methods.


    Reading newspaper: Tie Ning once expressed your influence on her when she was interviewed by reading newspaper. In addition to the influence of your creation on the readers, you are still a good Bole. Where do you think a writer is a good seed of creation?


    Xu Guangyao: The first time I saw Tie Ning’s works, I got two impressions. First, the language is fluent and has a potential beauty. Language is a major factor in expressing genius in literary works; The second is to paint and express the image, which is very keen and vivid. This is the skill that literary creation should have. Tie Ning was only 15 years old at that time. When her father Tie Yang led her to find me, I was cold-really cold. Because I am still a rightist with my hat off, the rule I set for myself is not to make friends. Because it’s not good for yourself and it’s not good for others. Tie Ning wanted to read to me, but I said I wouldn’t listen to the reading, so I would have a good look when I was quiet. Indeed, they were there, and it was too late to express their opinions immediately. I was still serious about my work. I said you can talk about it next Saturday. When we met again, my attitude changed immediately, and I said several "really not simple" words to Tie Ning.


    Tie Ning is a genius.


    Reading newspaper: Tie Ning said that you had a decisive influence on her life.


    Xu Guangyao: "Decisive influence" is absolutely unworthy. I have a point that writers are not cultivated. If they can be cultivated, all the children of writers can become writers. I didn’t admit that there was a genius in literature before, and I didn’t admit it until the iron was set. She is a genius. She can be a genius without going through me. At that time, she was admitted to Shanghai Ballet Academy, and she had passed the interview. She was thinking about literature, so her father led her to me, thinking that her conduct was not good. I affirmed her work and said it was a novel. Tie Ning stopped going to Shanghai and decided to experience life in the countryside. That’s what I do, nothing else.


    Later, when she jumped the queue, she wrote a novel and wrote "Oh, Xiang Xue". Sun Li said to Tie Ning: My novel is not as good as yours! I don’t think I can speak. I have no ability to evaluate her works. I am not a person who has a long-term influence on Tie Ning, but Tie Ning has helped me a lot. I have learned a lot from her.


    Reading newspaper: So who has the greatest influence on you?


    Xu Guangyao: I am a personal struggler. I am a strong person myself, and I have the spirit of self-struggle. When I was a child, I had the ambition to be a man. I wanted to do something real and get ahead in some ways. I was deeply impressed by the lectures given by Chen Qixia and Xiao Yin in the Literature Department of North China United University, which helped me to know more about the basic knowledge of literature.


    Reading newspaper: How did Ding Ling influence you?


    Xu Guangyao: Ding Ling likes me very much and values me. I quoted two letters from her in Last Night’s West Wind Withered Blue Trees. One is her reply after I wrote to her when I met some difficulties and confusion when I lived in North Korea. First, when I graduated from the Institute of Literature and Art, I wrote her a letter and got her reply. The two letters were really good, really good. When I was anti-Rightists, I was ordered to hand in two letters. When I read them again, I was still extremely moved. I handed in the original letter and secretly copied a copy of it myself. Everyone will be moved when they read them. A few words in the letter will never be forgotten. She said: "It’s not terrible not to write for a while, but to write badly all my life." He also said, "Don’t always remember that you are a writer, but forget yourself." It was very profound. I often use these words to spur myself in the future: I don’t write much, but I try my best to write well.


    Naked diarist


    Reading newspaper: What’s the difference between Xu Guangyao, a literary writer, and Xu Guangyao, a diary owner?


    Xu Guangyao: I keep a diary. I just practice writing. Train my expression and writing skills. Keeping a diary is completely naked, and you really tell yourself. I get angry when someone steals a look, and even my wife reads my diary, which makes me very unhappy. As the author of a diary, I am naked in my position in the world, which is impossible in literary creation. Writing should write down my most proud and shining place.


    Reading newspaper: How does the publication of diary help to understand your works?


    Xu Guangyao: The diary wrote about people like me, my anti-Japanese war, my schooling and land reform, and the war to resist U.S. aggression and aid Korea. The things recorded here are of reference value for understanding how the times advanced and how they breathed at that time, and have certain documentary historical materials. After all, although they are personal activities, they reflect the voice of the times. Take those three wars as an example. If anyone is interested in studying them, my diary will provide something useful.


    Reading newspaper: when you write a diary, you never want to show it to others, let alone publish it. It’s very true. But once it is published and sorted out, does it need special treatment?


    Xu Guangyao: Some swearing words should not be made public, not only for fear that some people mentioned or their children will protest-this is secondary, mainly because a negative emotion should not be publicized. Others are secrets. For example, in War of Resistance against Japanese Aggression, there are many truths that can’t be said. For fear of revealing military secrets, I dare not say that I am digging a tunnel, but I will say it differently. When I write about Di Liangzhuang, I will write the word "Di". All these things will be handled by readers in order to make them understand.


    Reading newspaper: After so many wars and various sports, you yourself have experienced many hardships, so is the preservation of your diary also very tortuous?


    Xu Guangyao: There was no problem after liberation. I started to keep a diary in 1941. The people expressed their sympathy for some things sent by the People’s Liberation Army. I got a diary. When I started writing, I wrote seven or eight sentences a day. Wang Changjiang, my brigade commander, opened my diary and smiled: "Xu Guangyao, you wrote a dime to buy peanuts in your diary!" I said, "It’s a big deal to send a dollar a month and take out one tenth to buy peanuts." Every time I March, I write down the villages I have passed. Later, this diary was lost. If it is preserved today, it will be even more precious.


    Reading newspaper: What secret literary history will be revealed in your diary?


    Xu Guangyao: I didn’t know there was a secret history in the literary world. I have experienced some class struggles in the literary and art circles, and my diary inevitably records some situations of such struggles. There are not many secrets, or there are, but I don’t know. What impressed me most was the anti-Rightists, and what I knew and felt was described in Last Night’s West Wind Withered Green Trees.


    Reading newspaper: Your diary has several basic principles, such as consensus, voluntariness, loyalty, accuracy and completeness. Can it only be relative? If it is completely published, will some contents cause an uproar in the literary world? Do you have any concerns?


    Xu Guangyao: Loyalty is certain. It’s hard to say exactly. It’s my personal vision, and my vision is limited.


    I have this concern. I have shown myself and the whole history, and I have a great analysis of myself. Some people who may be mentioned and their descendants are unhappy.


    Reading newspaper: What made you overcome your worries? In the eyes of many readers, you are a noble image. Now exposing your shortcomings will affect readers’ views on you?


    Xu Guangyao: If it’s good for people, it’s no harm to sacrifice yourself. In the preface of the diary, I said that I now realize that it was my fault that I thought it was others’ fault, and modern people would understand it. I also criticized my own shortcomings and mistakes in my diary. Whether it will destroy my image in the readers’ minds is inevitable. I don’t care.


    The current anti-Japanese war works are fabricated.


    Reading newspaper: Do you pay attention to the current works on the theme of the Anti-Japanese War?


    Xu Guangyao: I was disappointed and a little angry. Most of them are exaggerated and fabricated. It’s not true in my eyes, but it’s fake at first sight, and there’s no basis. I also compiled Fire in the Plain, but there are real events to support it. Now the work is not true at first, and it can’t move me.


    If you have a genius, it is still possible to write something real. In the future, some people will write about War of Resistance against Japanese Aggression, which should be serious writing. They really possess materials and have a high artistic accomplishment, but they can still write good works.


    Reading newspaper: Do you have any idea to write one yourself?


    Xu Guangyao: If I were young, I really had a good theme, and the topic was "The General Coming to Us". This theme has been installed for decades, and now it is rotten in my stomach. People are people I admire very much. They are very lively, and they are viewed from a modern perspective, not from the past. If you really write it, you will die in print.


    Reading newspaper: Is it possible to cooperate with others by dictation?


    Xu Guangyao: I can’t tell stories. A Soviet writer said that there are two kinds of writers, one is to conceive with the brain; One is that the story can only be written if you pick up a pen. I am the second kind. I wanted to write, either interrupted by this or that. God forbid me to write this. I feel sorry for my lack of strength now.


    Reading Newspaper: North China is the main battlefield of the Anti-Japanese War behind enemy lines, and its writers are also rich in strength, including Li Yingru’s Wildfire and Spring Breeze Fighting against the Ancient City, Feng Zhi’s Armed Forces Behind Enemy Lines, Liu Liu’s Fire and Gold Steel, Li Xiaoming and Han Anqing’s Gunshots in the Plain, Sun Li’s The Story of the Storm and the Chronicle of Baiyangdian. How do you evaluate yourself as a member of North China writers?


    Xu Guangyao: I am a second-rate person. Like Sun Li and Liang Bin, they are first-class. It’s not easy for me to be a second-rate person.


    Reading newspaper: You mentioned your regret just now, so is there anything you are most proud of?


    Xu Guangyao: A man wanted to write a biography for me, and thought that I had three great contributions, one was writing Private Zhang Ga, the other was discovering Tie Ning, and the third was writing The West Wind withered the green trees last night. I feel better myself, one is Private Zhang Ga, and the other is The West Wind Withered the Green Trees Last Night. I didn’t find the iron condensate. It would be great if I really found out.


    Reading newspaper: What characteristics do you think excellent works should have?


    Xu Guangyao: First, writing about people. The ultimate goal of literature is to write about people. There must be typical, plump and vivid figures who can stand on the world forever and become immortal figures. The second is language. I don’t pay much attention to language when I look at current literary works. I pay great attention to language. My own language is not good, but I work hard. Literary works should be beautiful, accurate, vivid and vivid. The third is thinking, which requires profound thinking. At least these three factors must be met.

College students rise to "special forces tourism": 8 scenic spots a day only sleep for 3 hours at night.

  Recently, the reporter found that terms such as "Special Forces Tourism", "Military Training Tourism" and "Military Training Tourism for College Students" have become hot topics on many social media, among which the topic video with "Special Forces Tourism for College Students" has accumulated tens of millions of broadcasts on a short video platform.

  Short time, many scenic spots, low cost, and tiring travel … … It is the characteristic of this new type of tourism. Some experts have analyzed that there may be a certain "revenge travel" mentality, but excellent physical fitness has also laid the foundation for high-intensity tourism, but for college students, low-cost travel without staying at night is very expensive.

  /phenomenon/

  Some students crossed three provinces in eight days.

  Punch dozens of scenic spots

  Zhu Yuying told reporters that at present, she has traveled to 9 cities alone, and the cumulative number of scenic spots punched out has exceeded 100. "The strongest one was that she crossed the three provinces of Zhejiang, Jiangxi and Anhui in eight days during the winter vacation and punched dozens of scenic spots." On March 31st, Zhu Xieying unexpectedly got a day off. She prepared a one-day military training trip plan to Guangyuan in advance, arrived in Guangyuan at 9: 00 a.m., punched in eight places that day, and returned to school around 11: 00 p.m..

  Zhu Xieying also shared the planned May Day trip to Changsha, where she will spend three nights on the train in five days. For her, if a trip can visit every famous scenic spot, it will produce a sense of satisfaction.

  Xing Yuan Su Heng, a sophomore in Xi ‘an, came to Chengdu with friends a few days ago to experience it. After class on Friday, they took the high-speed train at 19 o’clock that day and arrived at Chengdu East Station at 23: 30. Later, they experienced the night view of Chengdu, didn’t rest until three or four o’clock in the morning, got up at 6 o’clock the next morning and went to the giant panda base, and then went to Wuhou Temple, Kuanzhai Lane and other scenic spots. After the experience, he felt that these scenic spots were still worth seeing.

  Liu Tongxue, a sophomore in sichuan university of media and communications, planned a commando-style tour in mid-April, and his destination was Xichang. For her, the two-day travel time on weekends is not short, because she found that although winter and summer vacations are very suitable for college students to travel, many students will go to practice during the winter and summer vacations, but they have no chance to travel. Not only that, you can also travel at the wrong peak on weekends, and the consumption or accommodation in the scenic spot will be half-discounted, which is more cost-effective.

  /explore/

  There is retaliatory tourism.

  But love is a stronger internal drive.

  On the internet, there is also a word — — Revenge tourism.

  After communicating with many college students who have experienced special forces tourism, the reporter learned that many college students’ travel plans were put on hold during the epidemic. Zhu Xieying said that this "hurry to play" mentality has indeed been amplified after the liberalization. "There is a sense of urgency, and I can feel that the frequency of travel has increased." Xing Yuan Su Heng said that this is his first time to travel abroad in three years.

  Although college students’ travel may have some color of revenge tourism now, love is the stronger internal driving force. Zhu Xieying hopes that she can go to a completely strange city and explore the "mystery" there on her own. "So going out for a weekend trip is in my plan."

  Xing Yuan Su Heng found that many young people like to travel as soon as they leave. In his view, arranging a short weekend trip can not only alleviate the fatigue of studying in the middle of the week, but also make life more hopeful.

  It is worth noting that special forces tourism also has some negative effects on students. Liu Tongxue said that she found that after adopting this kind of tourism, people usually choose some distant destinations, which may average 90,000 steps a day. If there is a morning class on Monday, it is easy to be late or in poor spirits. "So you need to master the degree of tourism and balance entertainment and school."

  /behind/

  Test processing ability and adaptability.

  There are gains, cures and socializing.

  A trip, not just eating and drinking, the formulation of the previous strategy, some unexpected situations in the middle, etc., will test a person’s ability to deal with problems and adapt to changes.

  Occasionally, there will be some wonderful encounters during the journey. When Zhu Xieying is on her way, she often chats with passengers sitting next to her on buses and high-speed trains, and there are some interesting uncles and aunts. Everyone is happy to share their stories. "Through chatting, I not only know the multifaceted nature of the world, but also the boredom and loneliness on the way have disappeared." Xing Yuan Su Heng also said that maybe you can meet fellow villagers at any scenic spot. "When you go to the Panda Base, many passengers around you speak Xi’ an dialect, which is very kind." These casual adventures seem to temporarily keep them away from the pressure brought by busy studies in the middle of the week, but the short carnival has played a healing role.

  For Liu Tongxue, such a way of traveling has not only failed to reduce the quality of play, but also experienced punching in more efficiently. These wonderful moments are worth sharing in a circle of friends or social media. "It (military training travel experience) has certain social value." Zhu Xieying and Liu Tongxue have similar ideas. She will carefully record every special forces tour and post it on her social media. "When I share it, many sisters will come to consult, and I have also found my peers through social software. Teammate."

  Expert opinion

  This is more like a "carnival"

  Release emotions and stress

  Why can special forces tourism form a trend among college students?

  Deng Jing, an associate professor in the Department of Cultural Tourism Management of Chengdu Jincheng College, said that there are three main reasons: First, college students who have been restricted in travel may have a certain psychology of "retaliatory tourism" consumption; Secondly, college students have good physical quality and enough energy to practice this kind of high-intensity travel; In addition, college students’ group travel budget is limited, but this way of traveling without staying at night can also reduce their consumption cost.

  Deng Jing observed that social media and community marketing have also played a certain role in promoting this "trend". In such a mimicry environment, many follow-up behaviors are easy to appear. Such a "wave" may lead to a surge of tourists in some scenic spots over the weekend, so there is also great operational capacity for the operators of scenic spots. In addition, such a high-intensity travel mode also has certain security risks for college students. "I suggest that college students should buy corresponding insurance to protect against falls and injuries."

  College students’ special forces tourism is a positive flow for the tourism market. Deng Jing believes that although students’ spending power is limited and the unit price of customers is not high, it will attract traffic and even drive the brand effect for the recovery of the national tourism market. She told reporters: "To a certain extent, this kind of off-peak travel has played a positive role in the tourism market throughout the year, and it can also stimulate scenic spots or cities to think about how to make corresponding recommendations according to different groups of people."

  Can special forces tourism become a way of life? Deng Jing said that more time is needed to observe, but at present, she thinks it is more like a "carnival" to help college students release their emotions and pressures. She believes that at this stage, it is more urgent that operators in scenic spots around the country should provide more security for this upsurge of travel consumption.

  Chengdu Business Daily-Red Star Journalist Ye Yan Xu Ting

Demonstrations broke out in northern German cities, demanding an end to energy sanctions against Russia.

  On September 25, local time, demonstrations broke out in the northern German city of Lubuming. Thousands of people took to the streets, demanding that the German federal government quickly open the "Beixi -2" natural gas pipeline and end the energy sanctions against Russia.

  According to the information disclosed by the local police, about 3,500 people from all over the country gathered in Lubuming, the terminal of the "Beixi -2" natural gas pipeline, to protest against the federal government’s energy policy. The slogan of the demonstrators is "Open ‘ Beixi -2’ Project — — Only in this way can our country have a future. " At the same time, the demonstrators also demanded that the German government immediately end the energy sanctions against Russia. Demonstrators pointed out that once the "Beixi -2" pipeline is put into use, Russian natural gas will flow to Germany again, and energy prices can drop rapidly. However, the German federal government has repeatedly ruled out the possibility of opening the project.

  It is reported that this is not the first time that protests and demonstrations have broken out in Lubuming. Earlier this month, about 1800 people took part in a parade on a similar theme.

  The "Beixi -2" natural gas pipeline was officially completed in September 2021. According to the original plan, the natural gas pipeline should be officially put into use at the end of 2021.

General Administration of Customs: China’s foreign trade import and export declined slightly in the first five months of 2014.

The General Administration of Customs today released the foreign trade import and export situation in the first five months of this year. According to customs statistics, in the first five months of this year, China’s total import and export value was 10.3 trillion yuan, down 2.2% from the same period last year. Among them, exports were 5.4 trillion yuan, down 2.7%; Imports were 4.9 trillion yuan, down 1.6%; The trade surplus was 436.6 billion yuan, narrowing by 13.6%. In May, China’s total import and export value was 2.18 trillion yuan, which changed from 3.1% in the previous four months to 1.5%. Among them, the export was 1.2 trillion yuan, which was reduced by 4.8% in the first four months and increased by 5.4%. Imports were 0.98 trillion yuan, down 2.9%; The trade surplus was 220.4 billion yuan, an increase of 70.3% (below).

In dollar terms, in the first five months, China’s total import and export value was $1,679.1 billion, an increase of 0.2%. Among them, exports were 875.2 billion US dollars, down by 0.4%; Imports reached US$ 803.9 billion, up by 0.8%; The trade surplus was $71.3 billion, narrowing by 12.2%.

In May, China’s total import and export value was $355.02 billion, an increase of 3%. Among them, exports reached 195.47 billion US dollars, up by 7%; Imports reached US$ 159.55 billion, down 1.6%; The trade surplus was $35.92 billion, an increase of 74.9%.

In the first five months of this year, China’s foreign trade import and export mainly showed the following characteristics:

The import and export of general trade maintained growth, while the import and export of processing trade declined. In the first five months, China’s general trade import and export was 5.66 trillion yuan, up 5.1%, accounting for 55% of China’s total foreign trade, up 3.8 percentage points from the same period last year. Among them, exports were 2.76 trillion yuan, up 5.7%, accounting for 51.5% of the total export value; Imports reached 2.9 trillion yuan, up 4.5%, accounting for 58.9% of the total import value. The deficit under general trade was 141.46 billion yuan, narrowing by 14.4%. In the same period, the import and export of China’s processing trade was 3.25 trillion yuan, down 5.3%, accounting for 31.6% of China’s total foreign trade, down 1 percentage point from the same period last year. Among them, exports were 2.05 trillion yuan, down 4.8%, accounting for 38.3% of the total export value; Imports were 1.2 trillion yuan, down 6.1%, accounting for 24.3% of the total import value. The surplus under processing trade was 859.1 billion yuan, narrowing by 2.9%.

  Imports and exports to the European Union, the United States, ASEAN and Japan maintained growth, while trade with Hong Kong declined. In the first five months, China-EU bilateral trade totaled 1.48 trillion yuan, an increase of 9.1%. The total bilateral trade between China and the United States was 1.31 trillion yuan, an increase of 2.6%. In the first five months, the total bilateral trade between China and ASEAN was 1.12 trillion yuan, an increase of 1.2%. The total value of bilateral trade between China and Japan was 777.38 billion yuan, up by 1.1%. In the first five months, the total value of bilateral trade between the Mainland and Hong Kong was 808.74 billion yuan, down by 28.3% (Table 1).

The proportion of total imports and exports in seven provinces and cities, such as Guangdong and Jiangsu, declined, and exports in the central and western regions were active. In the first five months, Guangdong’s total import and export value was 2.4 trillion yuan, down 19.7%, accounting for 23.3% of the country’s total import and export value. In the same period, the total import and export value of Jiangsu and Shanghai was 1.39 trillion and 1.15 trillion respectively, up by 3.6% and 6.1% respectively. The total import and export value of Beijing (including central units in Beijing) was 1.1 trillion yuan, down by 0.7%. In addition, the total import and export value of Zhejiang was 848.05 billion yuan, an increase of 3.6%; Shandong was 700.56 billion yuan, an increase of 7.6%; Fujian was 418.26 billion yuan, down 3.4%. The total import and export value of the above seven provinces and cities accounted for 77.8% of the total import and export value of the country, down 2.3 percentage points from the same period last year.

In terms of exports, in the first five months, Guangdong exported 1.4 trillion yuan, down 16.9%. Jiangsu exported 822.24 billion yuan, an increase of 2.5%; Zhejiang 628.45 billion yuan, an increase of 5.6%; Shanghai 508.69 billion yuan, an increase of 0.7%; Shandong 338.25 billion yuan, an increase of 5.1%; Fujian 260.66 billion yuan, down 3.7%; Beijing 153.92 billion yuan, down 2%. Exports from the central and western regions maintained rapid growth, with the export growth rates of some central and western provinces such as Yunnan, Shaanxi, Gansu, Chongqing and Guangxi being 52.6%, 46.8%, 42.4%, 41.9% and 41% respectively.

Among the export commodities, the export of mechanical and electrical products declined, while the export of traditional labor-intensive products increased against the trend. In the first five months, the export of mechanical and electrical products in China was 3.04 trillion yuan, down 5.1%, accounting for 56.7% of the total export value. Among them, the export of electrical and electronic products was 1.29 trillion yuan, down 11.3%; Mechanical equipment was 963.15 billion yuan, an increase of 0.1%. In the same period, clothing exports reached 384.67 billion yuan, an increase of 0.2%; Textiles reached 269.78 billion yuan, an increase of 2.6%; Footwear was 126.04 billion yuan, an increase of 6.7%; Furniture was 122.24 billion yuan, down 8.9%; Plastic products reached 87.94 billion yuan, an increase of 4.5%; Luggage was 61.88 billion yuan, down 8.1%; Toys were 25.88 billion yuan, up by 11.5%; The total export of the above-mentioned seven categories of labor-intensive products was 108 million yuan, which reversed from a decrease of 0.8% in the first four months to an increase of 0.4%, accounting for 20.1% of the total export value. In addition, fertilizer exports reached 8.381 million tons, an increase of 1.2 times; 33.94 million tons of steel, an increase of 33.6%; There were 358,000 automobiles, a decrease of 6.6% (Table 2).

Among the imported commodities, the import volume of major commodities increased, and the average import price generally fell. In the first five months, China imported 380 million tons of iron ore, up 19%, and the average import price was 741.7 yuan per ton, down 12.5%. Crude oil was 130 million tons, up 11.1%, and the average import price was 4,788.7 yuan per ton, down 3.3%. Grain was 41.226 million tons, an increase of 40.1%; Among them, soybean was 27.82 million tons, up 35.3%, and the average import price was 3,609.7 yuan per ton, down 5.9%. Primary plastic was 10.732 million tons, up 12.7%, and the average import price was 12,400 yuan per ton, down 0.6%. The unwrought copper and copper products were 2.167 million tons, up by 33.6%, and the average import price was 45,500 yuan per ton, down by 11%. There were 451,000 tons of unwrought aluminum and aluminum products, up by 40.2%, and the average import price was 23,000 yuan per ton, down by 23.3%.

In addition, imported coal was 130 million tons, down by 0.9%, and the average import price was 489.4 yuan per ton, down by 15.3%; Refined oil was 12.9 million tons, down 29.6%, and the average import price was 4,891.8 yuan per ton, down 0.8%. Steel was 6.114 million tons, up 6.4%, and the average import price was 7636.7 yuan per ton, up 1.8%. The import of mechanical and electrical products was 2.03 trillion yuan, down 5.4%; Among them, there were 571,000 automobiles, an increase of 35.1% (Table 3).

China’s foreign trade export leading index has further strengthened. In May this year, China’s foreign trade export leading index was 42.3, 0.4 higher than that in April, which has been rising for three consecutive months, indicating that China’s exports will continue to improve in the next 2-3 months.

With the approval of the State Council, since the release of customs statistics in 2014, statistics denominated in RMB have been adopted in an all-round way.

9AT is the highlight. Official map analysis. New Jeep Cherokee

speed up apply the brakes oil consumption second rice rise Noteworthy Next Generation Test Jeep Free Light 2.4L Evaluation Editor-Luo Hao:

The highlights of this car are mainly the styling design, off-road performance and 9AT gearbox. From the actual experience, the appearance and off-road performance are very satisfactory, especially its four-wheel drive system, which is the strongest in its class, but the performance of the power combination of 9AT gearbox and 2.4L engine is not as good as expected. This is the overall situation.

Evaluation Editor-Liang Wei:

Free light is definitely a product full of personality, and its shape design is quite avant-garde, so that it is still unacceptable to everyone after a period of listing. However, in addition to the shape design, the product itself still has many bright spots, including the advanced four-wheel drive system, which can realize three modes of automatic parking system. Of course, the key point is the 9AT gearbox that manufacturers strongly promote, but under the domestic speed limit conditions, the ninth gear may never be used.

Evaluation Editor-Hu Zhengyu:

The power of the 2.4L version is just so-so. Fortunately, the braking performance is good. The 9AT gearbox is a sincere configuration. The problem is that the 9th gear is hardly used in China. The biggest weakness is that the price is too high. Maybe JEEP wants to have a direct dialogue with BBA.

Starting from 28,900 yuan, FAW Pentium Pony pure electric mini-car opened for pre-sale: battery life of 122/170 kilometers.

FAW Pentium Pony opened for pre-sale today, with a pre-sale price of 289-34900 yuan, and the new car will be officially listed at the end of May.

The car will be equipped with 9.4 kWh, 9.98 kWh and 13.9 kWh battery packs. The summary pricing of IT House is as follows:

The design of Pentium pony is very cute. The front face is equipped with a rounded lamp group, and the high-profile models will also provide LED light sources. The body structure is a 3-door 4-seat hatchback with rounded lines. The car provides six body colors, including lime, cherry, grape, blueberry, litchi and pearl litchi, to meet the individual needs of different consumers. The body enclosure and rim cover with contrast design also add youthful and energetic elements. At present, the official has not released the body size data of Pentium pony, but it is expected that its overall size will be similar to that of Wuling Hongguang MINIEV of the same level.

The interior design of Pentium Pony is simple and practical. The center console adopts many straight lines, which helps to increase the visual width inside the car. It also adopts a flat-bottomed steering wheel, an integrated cruise/headlight combination switch, and knob shift. In terms of configuration, the official said that the Pentium pony comes standard with the main driver airbag and the front and rear seat belts to ensure the safety of riding. However, in the multimedia entertainment system, at present, there are only radio and USB music functions, but there are no functions such as navigation and reversing images. Whether these functions will be provided on other models will continue to be concerned by IT House.

In terms of power, the Pentium pony is equipped with a single motor with a maximum power of 20 kW. In terms of battery, the car will be equipped with three kinds of battery packs of 9.4 kWh, 9.98 kWh and 13.9 kWh. The pure battery life of CLTC is divided into 122 km and 170 km. The charging port is located under the central cover of the front face, and the left side of the charging port is also provided with a glass water filling port.

This article is reproduced from IT House. The purpose of reprinting is to convey more information, which does not mean that this site agrees with its views and is responsible for its authenticity. If the content, copyright and other issues of the work are involved, please contact IT House to inform us to delete it, and we will delete the content as soon as we receive the notice! This article is for reference only and does not constitute any investment and application suggestions. This site has the final right to interpret this statement.

Notice on printing and distributing the operation guide for the cooperation mode of government and social capital (for Trial Implementation)

Notice on printing and distributing the operation guide for the cooperation mode of government and social capital (for Trial Implementation)
Caijin [2014] No.113

The finance departments (bureaus) of all provinces, autonomous regions, municipalities directly under the Central Government and cities under separate state planning, and the Finance Bureau of Xinjiang Production and Construction Corps:

According to the Notice of the Ministry of Finance on Issues Related to Popularizing and Applying the Cooperation Mode of Government and Social Capital (No.76 [2014] of the Ministry of Finance), in order to ensure the implementation quality of cooperation projects between government and social capital, and standardize the operation procedures of each link of project identification, preparation, procurement, implementation and handover, the Operation Guide for Cooperation Mode of Government and Social Capital (for Trial Implementation) is hereby issued, please follow it.

Attachment: Operation Guide for Cooperation Mode of Government and Social Capital (Trial)

the Ministry of Finance
November 29th, 2014

Attachment:

Guide to the operation of cooperation mode between government and social capital
(Trial)

Chapter I General Provisions

the first In order to popularize and apply the Public-Private Partnership (PPP) scientifically and normatively, According to the Budget Law of the People’s Republic of China, the People’s Republic of China (PRC) Government Procurement Law, the People’s Republic of China (PRC) Contract Law, the State Council’s Opinions on Strengthening the Management of Local Government Debt (Guo Fa [2014] No.43), the State Council’s Decision on Deepening the Reform of Budget Management System (Guo Fa [2014] No.45) and the Notice of the Ministry of Finance on Promoting and Applying the Cooperation Mode of Government and Social Capital (Cai

the second The term "social capital" as mentioned in this Guide refers to domestic and foreign enterprise legal persons who have established a modern enterprise system, but does not include financing platform companies owned by the government at the same level and other holding state-owned enterprises.

Article This guide is applicable to regulate the activities of the government, social capital and other participants in the identification, preparation, procurement, implementation and handover of cooperation projects between the government and social capital.

Article 4 The financial department should adhere to the basic principles of the socialist market economy, strengthen coordination with relevant government departments in the spirit of system innovation and cooperative contract, actively play the role of third-party professional institutions, and comprehensively coordinate the cooperative management of government and social capital.

The financial departments of all provinces, autonomous regions, municipalities directly under the Central Government, cities under separate state planning and Xinjiang Production and Construction Corps should actively set up government and social capital cooperation centers or designate specialized agencies to perform the duties of planning guidance, financing support, identification and evaluation, consulting services, publicity and training, performance evaluation, information statistics, expert database and project library construction.

Article 5 All participants should follow the principles of fairness, justice, openness, honesty and credibility, and implement government and social capital cooperation projects in a legal, standardized and efficient manner.

Chapter II Project Identification

Article 6 Infrastructure and public service projects with large investment scale, long-term stable demand, flexible price adjustment mechanism and high degree of marketization are suitable for government and social capital cooperation mode.

Government and social capital cooperation projects are initiated by the government or social capital, mainly by the government.

(1) initiated by the government.

The financial department (government and social capital cooperation center) should be responsible for collecting potential government and social capital cooperation projects from the competent departments of transportation, housing construction, environmental protection, energy, education, medical care, physical fitness and cultural facilities. The competent department of industry can select potential projects from the new construction, reconstruction projects or stock public assets in the national economic and social development planning and industry special planning.

(2) Initiation of social capital.

Social capital should recommend potential government and social capital cooperation projects to the financial department (government and social capital cooperation center) in the form of project proposal.

Article 7 The financial department (government and social capital cooperation center) shall, jointly with the industry authorities, evaluate and screen potential government and social capital cooperation projects and determine alternative projects. The financial department (government and social capital cooperation center) shall formulate the annual and medium-term development plan of the project according to the screening results.

For the projects included in the annual development plan, the project sponsor shall submit relevant materials according to the requirements of the financial department (government and social capital cooperation center). The feasibility study report, project output description and preliminary implementation plan shall be submitted for new construction and reconstruction projects; The stock project shall submit the historical data, project output description and preliminary implementation plan of the stock public assets.

Article 8 The financial department (government and social capital cooperation center) will carry out value-for-money evaluation from both qualitative and quantitative aspects in conjunction with the competent departments of the industry. Quantitative evaluation work is carried out by all localities according to the actual situation.

Qualitative evaluation focuses on whether the cooperation mode of government and social capital can increase supply, optimize risk distribution, improve operational efficiency, promote innovation and fair competition compared with the traditional government procurement mode.

Quantitative evaluation mainly compares the present value of government expenditure cost with the comparative value of public sector in the whole life cycle of government and social capital cooperation projects, calculates the value for money of the projects, and judges whether the cooperation mode of government and social capital reduces the whole life cycle cost of the projects.

Article 9 In order to ensure the long-term financial sustainability, the financial department should demonstrate the financial affordability of some projects paid or subsidized by the government according to the financial expenditure, government debt and other factors in the whole life cycle of the project, and the annual financial expenditure such as government payment or government subsidy should not exceed a certain proportion of the current fiscal revenue.

Projects that pass the value-for-money evaluation and financial affordability demonstration can be prepared.

Chapter III Project Preparation

Article 10 Local people’s governments at or above the county level may establish a special coordination mechanism, which is mainly responsible for project evaluation, organization and coordination, inspection and supervision, etc., so as to simplify the examination and approval process and improve work efficiency. The government or its designated relevant functional departments or institutions can be used as project implementation agencies, responsible for project preparation, procurement, supervision and handover.

Article 11 The project implementation agency shall organize the preparation of the project implementation plan, and introduce the following contents in turn:

(1) Overview of the project.

The general situation of the project mainly includes the basic situation, economic and technical indicators and the equity of the project company.

The basic situation mainly defines the contents of public products and services provided by the project, the necessity and feasibility of the project operating in the mode of cooperation between government and social capital, and the objectives and significance of the project operation.

Economic and technical indicators mainly define the project location, area, construction content or asset scope, investment scale or asset value, main output description and source of funds.

The equity of the project company mainly clarifies whether to set up the project company and the company’s equity structure.

(2) Basic framework of risk allocation.

According to the principles of risk allocation optimization, risk-return equivalence and risk control, the project risk is reasonably distributed between the government and social capital by comprehensively considering factors such as government risk management ability, project return mechanism and market risk management ability.

In principle, commercial risks such as project design, construction, finance, operation and maintenance are borne by social capital, risks such as laws, policies and minimum demand are borne by the government, and risks such as force majeure are reasonably shared by the government and social capital.

(3) Project operation mode.

Project operation modes mainly include entrusted operation, contract management, construction-operation-handover, construction-ownership-operation, transfer-operation-handover and reconstruction-operation-handover.

The choice of specific operation mode is mainly determined by the charging pricing mechanism, the level of project investment income, the basic framework of risk allocation, financing demand, reconstruction and expansion demand and expiration disposal.

(4) the transaction structure.

The transaction structure mainly includes the project investment and financing structure, return mechanism and related supporting arrangements.

The investment and financing structure of the project mainly explains the source, nature and purpose of the capital expenditure of the project, the formation and transfer of the project assets, etc.

The project return mechanism mainly explains the source of funds for social capital to obtain investment return, including payment methods such as user payment, feasibility gap subsidy and government payment.

Relevant supporting arrangements mainly explain the supporting facilities such as land, water, electricity, gas and roads provided by relevant institutions outside the project and the upstream and downstream services required by the project.

(5) Contract system.

The contract system mainly includes project contract, shareholder contract, financing contract, project contract, operation service contract, raw material supply contract, product purchase contract and insurance contract. The project contract is the core legal document.

The project boundary conditions are the core content of the project contract, mainly including the boundaries of rights and obligations, transaction conditions, performance guarantee and adjustment and convergence.

The boundary of rights and obligations mainly defines the ownership of project assets, the public responsibility assumed by social capital, the way of government payment and the result of risk distribution.

The boundary of trading conditions mainly defines the project contract term, project return mechanism, charging pricing adjustment mechanism and output description.

The boundary of performance guarantee mainly defines the compulsory insurance scheme and the performance guarantee system consisting of investment competition guarantee, construction performance guarantee, operation and maintenance guarantee and handover maintenance guarantee.

The adjustment of the convergence boundary mainly defines the response measures such as emergency handling, temporary takeover and early termination, contract change, contract extension, and the demand for new expansion and expansion of the project.

(6) Regulatory framework.

The supervision structure mainly includes authorization relationship and supervision mode. The authorization relationship mainly refers to the government’s authorization to the project implementation agency and the government’s authorization to social capital directly or through the project implementation agency; Supervision methods mainly include performance management, administrative supervision and public supervision.

(7) Selection of procurement methods.

Project procurement shall be carried out in accordance with the People’s Republic of China (PRC) Municipal Government Procurement Law and relevant rules and regulations, and the procurement methods include public bidding, competitive negotiation, invited bidding, competitive negotiation and single-source procurement. Project implementation agencies should choose appropriate procurement methods according to the characteristics of project procurement needs.

Open bidding is mainly applicable to projects with clear and complete core boundary conditions and technical and economic parameters, which are in line with national laws and regulations and government procurement policies and will not be changed in procurement.

Article 12 The financial department (government and social capital cooperation center) shall verify the value for money and financial affordability of the project implementation plan, and if it passes the verification, the project implementation agency shall report it to the government for review; If it fails to pass the verification, it can be re-verified after the implementation plan is adjusted; If it still fails to pass the re-verification, the cooperation mode of government and social capital will no longer be adopted.

Chapter IV Project Procurement

Article 13 Project implementation agencies should prepare pre-qualification documents according to the needs of the project, issue a pre-qualification announcement, invite social capital and financial institutions cooperating with them to participate in the pre-qualification, verify whether the project can obtain social capital response and achieve full competition, and submit the pre-qualification review report to the financial department (government and social capital cooperation center) for the record.

If there are more than three social capitals in the project that have passed the prequalification, the project implementation agency may continue to carry out the preparation of procurement documents; If there are less than three social capitals that have passed the prequalification, the project implementation agency shall reorganize the prequalification after the implementation plan is adjusted; If the social capital of the project is still not enough after re-prequalification, the procurement method selected by the implementation plan can be adjusted according to law.

Article 14 The pre-qualification announcement shall be published in the media designated by the financial department of the people’s government at or above the provincial level. If the pre-qualified social capital changes its qualification before signing the project contract, it shall promptly notify the project implementation agency.

The prequalification announcement shall include the authorized subject of the project, the project implementing agency and the project name, the procurement demand, the qualification requirements for social capital, whether the consortium is allowed to participate in procurement activities, the number and determination method of qualified social capital to be determined, and the time and place for social capital to submit the prequalification application documents. The time for submitting pre-qualification application documents shall not be less than 15 working days from the date of announcement.

Article 15 Project procurement documents shall include procurement invitation, instructions to competitors (including sealing, signing and stamping requirements, etc.), qualification, credit standing and performance certification documents that competitors should provide, procurement method, government authorization to project implementation agencies, approval of implementation plan and project-related approval documents, procurement procedures, requirements for preparation of response documents, deadline for submitting response documents, opening time and place, amount and form of compulsory guarantee deposit payment, evaluation method, evaluation standard and government procurement policy.

In case of competitive negotiation or competitive negotiation procurement, the project procurement documents shall specify the contents that may be substantially changed by the evaluation team according to the negotiation with social capital, including the technical and service requirements in the procurement requirements and the terms of the draft contract, in addition to the contents specified in the preceding paragraph.

Article 16 The review team consists of more than 5 representatives of project implementation agencies and review experts, of which the number of review experts shall not be less than 2/3 of the total number of review team members. Evaluation experts can be selected by the project implementation agency, but the evaluation experts should include at least one financial expert and one legal expert. The representative of the project implementation agency shall not participate in the project review as an expert.

Article 17 If the project adopts public bidding, invitation bidding, competitive negotiation and single-source procurement, it shall be implemented in accordance with government procurement laws, regulations and relevant regulations.

If the project is purchased by competitive negotiation, it shall be conducted in accordance with the following basic procedures:

(a) procurement announcement and registration.

The announcement of competitive consultation shall be published in the media designated by the financial department of the people’s government at or above the provincial level. The announcement of competitive consultation shall include the project implementing agency and project name, project structure and core boundary conditions, whether social capital that has not been prequalified is allowed to participate in procurement activities, as well as the review principle, project output description, requirements for response documents provided by social capital, time, place and method of obtaining procurement documents, price of procurement documents, deadline for submitting response documents, opening time and place. The time for submitting response documents shall not be less than 10 days from the date of announcement.

(two) qualification examination and procurement documents for sale.

If the qualification has been pre-qualified, the review team will no longer review the social capital qualification at the review stage. If the post-qualification review is allowed, the review team will review the qualifications of social capital in the review of response documents. The project implementation agency may, depending on the specific circumstances of the project, organize the inspection and verification of the qualifications of qualified social capital.

The selling price of procurement documents shall be determined in accordance with the principle of making up the printing cost of procurement documents, and shall not be for profit, and shall not be based on the purchase amount of the project. The sale period of procurement documents shall not be less than 5 working days from the date of commencement.

(3) Clarification or modification of procurement documents.

Before the deadline for submitting the first response document, the project implementation agency may make necessary clarifications or modifications to the issued procurement documents, and the contents of clarification or modification shall be regarded as an integral part of the procurement documents. If the clarification or modification may affect the preparation of the response document, the project implementation agency shall notify all social capital that have obtained the procurement document in writing at least 5 days before the deadline for submitting the first response document; Less than 5 days, the project implementation agency shall postpone the deadline for submission of response documents.

(4) Response document review.

The project implementation agency shall organize the receipt and opening of response documents in accordance with the provisions of the procurement documents.

The review team will review the response documents in two stages:

The first stage: determine the final purchase demand plan. The review team can negotiate with social capital for several rounds. During the negotiation, the technical and service requirements of the procurement documents and the terms of the draft contract can be substantially revised, but the non-negotiable core conditions stipulated in the procurement documents can not be revised. The content of substantive changes must be confirmed by the project implementation agency and notified to all social capital participating in the negotiation. The specific procedures shall be implemented in accordance with the Measures for the Administration of Non-tendering Methods of Government Procurement and relevant regulations.

The second stage: comprehensive score. After the final procurement demand plan is determined, the review team will comprehensively score the final response documents submitted by social capital, prepare the review report and submit the ranking list of candidate social capital to the project implementation agency. The specific procedures shall be implemented in accordance with the Measures for the Administration of Bidding for Government Procurement of Goods and Services and relevant regulations.

Article 18 The project implementing agency shall, in the pre-qualification announcement, procurement announcement, procurement documents and procurement contracts, specify the preferential measures and scope for domestic social capital, the requirements for foreign social capital to purchase goods and services produced in China and other relevant government procurement policies, as well as the mandatory guarantee requirements for social capital to participate in procurement activities and performance guarantee. Social capital should pay the deposit in non-cash forms such as checks, bills of exchange, promissory notes or letters of guarantee issued by financial institutions and guarantee institutions. The amount of the deposit for participating in procurement activities shall not exceed 2% of the project budget. The amount of performance bond shall not exceed 10% of the total initial investment or asset evaluation value of government and social capital cooperation projects. For service cooperation projects with no fixed assets investment or small investment, the amount of performance bond shall not exceed the average service income of 6 months.

Article 19 The project implementation agency shall organize social capital to conduct on-site inspection or hold a question-and-answer meeting before purchasing, but it shall not organize on-site inspection and question-and-answer meeting with only one social capital alone or separately.

Article 20 The project implementation agency shall set up a special negotiation working group to confirm the procurement results. According to the ranking of the candidate social capitals, the candidate social capitals and the financial institutions that cooperate with them shall negotiate the confirmation of the variable details in the contract before signing, and the winner shall be the first to reach an agreement. Confirm that the negotiation shall not involve the non-negotiable core clauses in the contract, and shall not renegotiate with the social capital ranked first but whose negotiation has been terminated.

Article 21 After the confirmation negotiation is completed, the project implementation agency shall sign a confirmation negotiation memorandum with the selected social capital, and publicize the procurement results and the contract text drawn up according to the procurement documents, response documents, addendum documents and confirmation negotiation memorandum. The publicity period shall not be less than 5 working days. The contract text should take the important commitments and technical documents in the successful social capital response document as annexes. The contents involving state secrets and commercial secrets in the contract text may not be publicized.

After the expiration of the publicity period, the project contract without objection shall be signed by the project implementation agency and the selected social capital after the approval of the government.

If it is necessary to set up a special project company for the project, after the establishment of the project company, the project company and the project implementation agency will re-sign the project contract or sign a supplementary contract to inherit the project contract.

The project implementation agency shall, within 2 working days from the date of signing the project contract, announce the project contract in the media designated by the financial department of the people’s government at or above the provincial level, except for the contents involving state secrets and commercial secrets in the contract.

Article 22 The financial departments of the people’s governments at all levels shall strengthen the supervision and inspection of the procurement activities of PPP projects, and deal with the illegal acts in the procurement activities in a timely manner.

Chapter V Project Implementation

Article 23 Social capital can set up project companies according to law. The government may designate relevant institutions to participate in the project company according to law. Project implementation agencies and financial departments (government and social capital cooperation center) should supervise social capital to set up the project company in full and on time in accordance with the procurement documents and project contracts.

Article 24 Project financing is the responsibility of social capital or project company. Social capital or project companies should promptly carry out financing scheme design, institutional contact, contract signing and financing delivery. Financial departments (government and social capital cooperation center) and project implementation agencies should do a good job in supervision and management to prevent corporate debts from being transferred to the government.

If the social capital or the project company fails to complete the financing as agreed in the project contract, the government may withdraw the performance bond until the project contract is terminated; In case of systemic financial risks or force majeure, the government, social capital or the project company may revise the relevant financing clauses in the contract through consultation according to the project contract.

When the project has major operational or financial risks, which threaten or infringe the interests of creditors, creditors can request social capital or project company to improve management according to the direct intervention agreement or terms signed with the government, social capital or project company. Within the time limit stipulated in the direct intervention agreement or terms, if the major risk has been lifted, the creditor shall stop intervening.

Article 25 The government payment obligations involved in the project contract shall be considered by the financial department in combination with the medium and long-term financial planning, incorporated into the government budget at the same level, and implemented in accordance with the relevant provisions of budget management. The financial department (government and social capital cooperation center) and the project implementation agency shall establish a government payment ledger for government and social capital cooperation projects, and strictly control the government financial risks. After the establishment of the government’s comprehensive financial reporting system, the government’s payment obligations in the cooperation projects between the government and social capital should be included in the government’s comprehensive financial reporting.

Article 26 The project implementation agency shall, according to the project contract, supervise the social capital or the project company to fulfill its contractual obligations, regularly monitor the project output performance indicators, prepare quarterly and annual reports, and report them to the financial department (government and social capital cooperation center) for the record.

If the government has the obligation to pay, the project implementing agency shall, according to the output description agreed in the project contract and actual performance, directly or notify the financial department to pay the social capital or the project company in full and on time. If an excess income sharing mechanism is set up, social capital or the project company shall pay the excess income to the government in full and on time according to the project contract.

If the actual performance of the project is better than the agreed standard, the project implementing agency shall implement the incentive clauses agreed in the project contract, which can be used as the basis for whether the contract can be extended at the expiration of the project; If it fails to meet the agreed standards, the project implementation agency shall implement the punishment clauses or relief measures agreed in the project contract.

Article 27 If social capital or the project company violates the project contract, threatening the sustained, stable and safe supply of public goods and services, or endangering national security and major public interests, the government has the right to temporarily take over the project until the early termination procedure of the project is started.

The government may designate qualified institutions to implement temporary takeover. All expenses arising from the temporary takeover of the project will be borne by the defaulting party alone or shared by the responsible parties according to the project contract. Social capital or the temporary takeover expenses that the project company should bear can be deducted from its due termination compensation.

Article 28 In the process of project contract execution and management, project implementing agencies should focus on contract revision, liability for breach of contract and dispute resolution.

(1) Revision of the contract.

According to the conditions and procedures agreed in the project contract, the project implementing agency and social capital or the project company can apply for revising the project contract according to the changes in the social and economic environment, the demand and structure of public goods and services, and implement it after being examined and approved by the government.

(2) Liability for breach of contract.

If the project implementing agency, social capital or project company fails to fulfill the obligations stipulated in the project contract, they shall bear the corresponding liabilities for breach of contract, including stopping the infringement, eliminating the impact, paying liquidated damages, compensating the losses and dissolving the project contract.

(3) Dispute settlement.

In the process of project implementation, according to the project contract, the project implementation agency, social capital or project company may apply for arbitration or bring a civil lawsuit in accordance with the law on matters that are controversial and cannot be reached through consultation.

Article 29 The project implementation agency shall conduct a mid-term evaluation of the project every 3-5 years, focusing on the analysis of the project operation status and the compliance, adaptability and rationality of the project contract; Timely assess the risks of problems found, formulate countermeasures, and report to the financial department (government and social capital cooperation center) for the record.

Article 30 Relevant functional departments of the government should perform administrative supervision duties on the project according to relevant national laws and regulations, focusing on the quality of public products and services, price and charging mechanism, safe production, environmental protection and workers’ rights and interests.

If the social capital or the project company refuses to accept the administrative supervision decision of the government functional departments, it may apply for administrative reconsideration or bring an administrative lawsuit according to law.

Article 31 The government, social capital or project company should publicly disclose the relevant information of the project according to law, protect the public’s right to know and accept social supervision.

Social capital or project company shall disclose the quantity and quality of project output, project operation status and other information. The government should disclose the contract terms, performance monitoring reports, mid-term evaluation reports and major changes or terminations of government and social capital cooperation projects that do not involve state secrets or commercial secrets.

If the public and project stakeholders find that the project is illegal or in breach of contract, or the public products and services are not up to standard, they can submit it to the government functional departments for supervision and inspection.

Chapter VI Project Handover

Article 32 When the project is handed over, the project implementing agency or other agencies designated by the government will recover the project assets agreed in the project contract on behalf of the government.

The project contract should clearly stipulate the transfer form, compensation method, transfer content and transfer standard. Handover forms include termination of handover upon expiration and termination of handover in advance; Compensation methods include free transfer and paid transfer; The transfer contents include project assets, personnel, documents and intellectual property rights; Handover standards include indicators such as equipment integrity rate and minimum serviceable life.

If paid transfer is adopted, the compensation scheme shall be clearly stipulated in the project contract; If there is no agreement or the agreement is unclear, the project implementation agency shall draw up a compensation plan in accordance with the principle of "restoring the same economic status" and report it to the government for approval before implementation.

Article 33 The project implementation agency or other agencies designated by the government shall set up a project handover working group, confirm the handover situation and compensation method with social capital or project company according to the project contract, and formulate an asset evaluation and performance test plan.

The project transfer working group shall entrust an asset appraisal institution with relevant qualifications to conduct asset appraisal on the transferred assets according to the appraisal method agreed in the project contract as the basis for determining the compensation amount.

The project handover working group shall conduct performance tests on the handed-over assets in strict accordance with the performance test scheme and handover standards. If the performance test results are not up to standard, the handover working group shall require social capital or project company to carry out recovery repair, update and reset or withdraw the handover maintenance guarantee.

Article 34 Social capital or project company shall hand over the project assets, intellectual property rights and technical legal documents that meet the performance test requirements, together with the list of assets, to the project implementation agency or other institutions designated by the government, and complete the legal transfer and management transfer procedures. Social capital or project company should cooperate with the smooth transition of project operation.

Article 35 After the handover of the project is completed, the financial department (government and social capital cooperation center) shall organize relevant departments to evaluate the performance of the project output, cost-effectiveness, regulatory effectiveness, sustainability, application of government and social capital cooperation mode, and disclose the evaluation results according to relevant regulations. The evaluation results can be used as a reference for the government to carry out the cooperative management of government and social capital.

Chapter VII Supplementary Provisions

Article 36 This operation guide shall come into force as of the date of issuance and shall be valid for 3 years.

Article 37 The Ministry of Finance shall be responsible for the interpretation of this operation guide.

Attachment: 1. Operation Flow Chart of Government and Social Capital Cooperation Project

2. Noun explanation

Attachment 1

Operation flow chart of government and social capital cooperation project


Attachment 2

Noun interpretation

1. Whole Life Cycle refers to the complete cycle of a project from design, financing, construction, operation, maintenance to termination of handover.

2. Output Specification refers to the economic and technical standards that the project assets should meet after the completion of the project, as well as the delivery scope, standards and performance levels of public goods and services.

3. Value for Money, VFM) refers to the long-term maximum benefits that an organization can obtain by using its available resources. VFM evaluation is a widely used evaluation system in the world to evaluate whether the public goods and services traditionally provided by the government can use the cooperation model of government and social capital, aiming at optimizing the efficiency of public resources allocation and utilization.

4. Public Sector Comparator, PSC) refers to the present value of the total cost of public goods and services provided by the government in the traditional procurement mode during the whole life cycle, which mainly includes the net cost of construction and operation, transferable risk bearing cost, retained risk bearing cost and competitive neutral adjustment cost.

5. User Charge refers to the direct purchase of public goods and services by the final consumer.

6. Viability Gap Funding refers to the economic subsidies given to social capital or project company by the government in the form of financial subsidies, equity investment, preferential loans and other preferential policies, because the fees paid by users are not enough to meet the cost recovery and reasonable return of social capital or project company.

7. Government Payment refers to the direct purchase of public goods and services by the government, which mainly includes Availability Payment, Usage Payment and Performance Payment.

The basis of government payment is mainly the availability of facilities, the usage and quality of products and services.

8. Operations & Maintenance (O&M) refers to the operation mode of government-social capital cooperation projects in which the government entrusts the operation and maintenance of public assets in stock to social capital or project companies, and social capital or project companies are not responsible for user services. The government retains the ownership of assets and only pays the entrusted operation fee to social capital or project company. The term of the contract generally does not exceed 8 years.

9. Management Contract (MC) refers to the project operation mode in which the government entrusts the operation, maintenance and user service of public assets in stock to social capital or project company. The government retains the ownership of assets and only pays management fees to social capital or project companies. Management contracts are usually used as a transitional mode of transfer-operation-transfer, and the contract period is generally not more than 3 years.

10. Build-Operate-Transfer (BOT) refers to the project operation mode in which social capital or project company undertakes the responsibilities of design, financing, construction, operation, maintenance and user service of new projects, and the project assets and related rights are handed over to the government after the contract expires. The contract term is generally 20-30 years.

11. Build-Own-Operate (BOO) evolved from BOT mode. The main difference between the two modes is that social capital or the project company owns the project ownership under BOO mode, but the contract must specify the constraint clauses to ensure public welfare, which generally does not involve the handover of the project upon expiration.

12. Transfer-Operate-Transfer (TOT) refers to the project operation mode in which the government transfers the ownership of existing assets to social capital or project company for compensation, which is responsible for operation, maintenance and user service, and the assets and their ownership are handed over to the government after the contract expires. The contract term is generally 20-30 years.

13. Rebuild-operate-transfer (ROT) refers to the project operation mode in which the government adds renovation and expansion contents on the basis of TOT mode. The contract term is generally 20-30 years.

Android 7.0 "evaluation"! It’s so beautiful

[Where will Android 7.0 change? 】

As the two operating systems with the largest number of users at present, which one is better, Android or iOS?

Users who like iOS value its high program execution efficiency and good system fluency. At the same time, due to the uniqueness of hardware, there is basically no software compatibility problem and a large number of applications. Users who like Android take a fancy to its open source, open system and good customization. The application covers a wide range and the price is relatively cheap.

With the debate between users on both sides, iOS evolved to version 9.0.Google also officially announced recently that it will hold the 2016 I/O Developers Conference on May 18th this year, during which the most striking thing is the release of Android 7.0.

At present, there are many rumors about the new features of Android7.0. According to these rumors and the changes of previous systems, we also made a guess and launched a fake evaluation about Android7.0.

Android 7.0 "evaluation"! It's so beautiful

The vice president of Android Engineering once said in an interview with the media that Google has changed the release strategy of Android system to "Annual Cadence of Big Releases".

At last year’s GoogleI/O Developers Conference, Google brought people a new version of Android M system, in addition to Android Wear, VR and other projects. Through the naming of previous generations of systems, we can see that Google has a good preference for food names, but for the naming of new Android systems, this year seems to be different. At present, most of the guesses are Android N.

The outside world hopes that Google will strengthen security, ease of use of tablets, parallel application of multitasking, etc. At the same time, it is reported that Google is pulling into the distance between Android and Chrome OS.

Android 7.0 "evaluation"! It's so beautiful

Major system changes are usually accompanied by various bugs, so every generation of new systems will always improve the problems and missing contents of the previous version. For example, Android M has improved the power consumption of the previous Android 5.0 exposure, increased the function of managing permissions, customized the notification bar, etc. The new system has also improved in some minor aspects, and the whole system is more user-friendly. However, from the UI point of view, 6.0 has not changed, and it still uses the interface design of 5.0.

So besides the interface changes, what will Android 7.0 improve?

[Make up for the shortage of finished versions and upgrade independently to solve fragmentation]

Solve fragmentation-independent upgrade

First of all, we know that the fragmentation of Android system is very serious, and it has even reached a level that restricts the development of the system. By the end of last year, the upgrade rate of Android 6.0 has not reached 0.3% for several months after its release, which is only higher than that of Android 2.2 Froyo system, which was released in 2010, and its current share is only 0.2%.

On the contrary, the adoption rate of Apple’s iOS 9 system is 75%, and the remaining majority share is occupied by iOS 8, and the proportion of early versions is almost negligible.

Android 7.0 "evaluation"! It's so beautiful
The upgrade rate of Android6.0 has not reached 0.3% since it was released several months ago.

The main reason for this problem is that Google system upgrade cannot completely avoid manufacturers and operators. Whenever a new system is released, only Google’s own Nexus devices can get a quick upgrade. For non-Nexus devices, it will take a long time to use the new system, so Android 7.0 is likely to adopt an independent upgrade method.

At present, the upgrade function of smart APP has begun to APPear, so that users do not need to install the whole APP, but only need to install the parts that are not available in the existing version of the app, thus reducing the scale of system upgrade.

Android 7.0 can refer to this model, first upgrade the core functions, then hand over the changes of interface and software functions to manufacturers and operators, and then increase them, then everyone can quickly upgrade the new system, thus ending the fragmentation of Android.

Improve password management

Android 7.0 "evaluation"! It's so beautiful
The program password management function in Android6.0 is not complete.

At present, fingerprint identification has become the mainstream, and Google Nexus 6P/6 is equipped with a fingerprint identification module for the first time. However, in Android 6.0, the smart password lock function is placed at the bottom of the inconspicuous settings menu, and the program password management function is incomplete. If you uninstall or reinstall the APP, the original settings will be restored.

The smart password lock function allows users to log in to the APP automatically, but there are still many apps that don’t support it. Android N may improve this function and make it easier for users to use the password management function.

More reasonable authorization management

At present, the authorization of Android 6.0 APP is decentralized, which means that users can choose specific individual authorization, or they can let specific programs refuse authorization and change settings at any time. This function makes many users puzzled, so many domestic manufacturers develop their own software to help users manage authorization better.

Android 7.0 "evaluation"! It's so beautiful
APP authorization of Android6.0 is decentralized.

On Android 7.0, it will avoid the authorization status that users need to look for patiently in the APP settings. With better authorization management function, its process will be more intuitive, users can better control the authorization of APP while keeping the whole process simple, and major manufacturers only need to slightly modify the authorization management.

Solve the problem of large screen of mobile phone-one-handed mode

With the smartphone screen getting bigger and bigger, there are countless large-screen mobile phones in the market. Apple has launched a 5.5-inch iPhone 6S Plus, not to mention Android.

There are many Android phones over 6 inches on the market. Although the screen view is large, the big-screen phones also bring distress to those who like to operate with one hand.

Android 7.0 "evaluation"! It's so beautiful
Smartphone screens are getting bigger and bigger.

The common practice of domestic manufacturers is to increase the one-hand mode, and achieve one-hand operation by reducing the screen display content. iOS can also pull down the screen content to the middle by touching the Home button twice, but Google officially has not optimized the large-size mobile phone. Therefore, it has become an exciting thing for Android 7.0 to join the one-hand mode.

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Cadillac CT6, spending tens of thousands of dollars to change the rear wheel steering.

When it comes to Cadillac, everyone says that the steering wheel is off-center, but the owner I want to introduce today, his steering wheel is not off-center, and he also spent tens of thousands of dollars to install rear wheel steering for the low-end CT6.

I have a post-00 college student fan, Xiao Kai. His parents bought a 1.5-generation (19-22 models) low-grade CT6, which was originally used as a vehicle for walking at home. But Xiao Kai is an American car enthusiast. He is not very satisfied with this low-priced CT6 at home. He has always had three regrets in his heart:

IMG_256

First, on the original 40T version that has been discontinued, the 405-horsepower 3.0T engine and the same 8AT gearbox; The second is the 34-speaker Bose audio that was equipped at that time; The third is the rear wheel steering that was only available at that time.

But unlike most car owners, he doesn’t want to make regrets come true. However, it is almost impossible to change the engine and gearbox. It is expensive to change the audio. You think that the entire interior has to be dismantled, and the whole car will definitely sound abnormal. The only possibility is the rear wheel steering.

However, the construction is very difficult, and the rear wheel steering structure of CT6 is complicated. One of the five rear suspension links is pulled by the rear wheel steering machine to adjust the direction and angle of the rear wheel, and it is not just a matter of adding a steering machine, but also involves software programming.

The case of low-profile CT6 equipped with rear wheel steering can be counted by both hands in the country. In Xiaokai’s hometown Yinchuan, Ningxia, no repair shop dared to make this money. After searching for more than a week, an acquaintance finally took the job, but the upgrade process was not very smooth.

When the repair shop removed the rear axle, it was discovered that although the original factory reserved installation space, it still needed to drill holes in the rear axle. If it was wrong, Xiao Kai could consider replacing it with a new car. I guess many people gave up when they got here. However, he crustily skin of head finished drilling, perhaps because of his strength or luck. Everything went smoothly. He installed the steering gear, connected the wiring and wrote the program, so that the low-grade CT6 also had rear wheel steering. At high speed, the rear wheel will turn slightly in the same direction as the front wheel to enhance stability, and at low speed, it will turn in the opposite direction, reducing the turning radius.

For a car as big as CT6, Xiao Kai said that the biggest improvement is when you turn around. In the past, you had to hit two directions, but now you can pass in one direction. As for the stability he is most worried about, it seems that nothing has happened after two years.

Many people will find that the new CT6 has cancelled the rear wheel steering. The reason is very simple. What was the CT6 guide price before? How much is it now? Xiao Kai said that this rear-wheel steering gear alone cost ten thousand pieces, and it was imported from Germany. In the final analysis, it was still a matter of cost. Fortunately, acquaintances didn’t charge him for his working hours. Otherwise, they would change to a repair shop, regardless of whether they were willing to do it. If they didn’t charge thousands of dollars for their working hours, they would be sorry for the risks they took.IMG_256

Xiao Kai is also true to his CT6, but I have a question. Since he is so willing to toss and turn, why not just sell his low-grade CT6 and buy a second-hand first-generation CT6? Around 200,000 yuan, you can receive a top-of-the-line 40T platinum version with a guide price of 818,800 yuan, and then spend tens of thousands to prepare the whole car. 3.0T, Bose stereo and rear wheel steering are all available, which is what the American flagship should look like.