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　　The TV series "Old Tavern", which is being broadcasted by Beijing Satellite TV, is full of stars. The leading actors Chen Baoguo and Amanda have outstanding acting skills and shine brilliantly, and the supporting roles also give people many surprises. Cheng Yu, a powerful actor, played the role of an old policeman who impressed people from the beginning.

　　In recent years, Cheng Yu has appeared frequently in many popular dramas. Ke Gaobin, the special agent of the police department in Cliff, Ma Hanshan, the director of Beiping Civil Affairs Bureau, who was born by the military in No War in Beiping, and the retired old policeman in Good Life are also him. Throughout his acting career, Cheng Yu can’t live without the role of police. Actors are most afraid of thousands of people, but Cheng Yu has used his decades of career to prove that even if he becomes a "professional policeman" on TV screen, he can create different police images with superb acting skills.

　　Playing with Chen Baoguo does not fall in the wind

　　As soon as "The Old Pub" started, Cheng Yu’s "Official" gave the hero Chen Huaihai a scare. In the former owner’s "Dead Body" shop, Chen Huaihai, who just came to Dalian Haoren Street from outside the customs, was charged with murder out of thin air. As the local manager of Hero Street, the "old policeman" appeared, and in a few words, he outlined the image of an old-time "official" who was greedy and cunning and tried to extort money.

　　In the play, several tricks of the "old policeman" and Chen Huaihai are very interesting. Faced with Chen Huaihai and others’ bossing around, when the deception was discovered, they were flustered and unintelligent, and at the last moment, they were frank and honest. In just a few minutes, the "old policeman" played by Cheng Yu did not fall under the powerful performance atmosphere of Chen Baoguo, and they felt quite diamond cut diamond about the play. With the development of the plot, the character level of the "old policeman" is gradually enriched. In the recently broadcast plot, "He Yitang" delivered food to Yang’s family, and Yang’s second aunt took the opportunity to blackmail Chen Huaihai. The "old policeman" solved the case fairly, which not only helped "He Yitang" to clear his grievances, but also helped the people in the old pub. The "old policeman" also cleverly covered the "old north wind" who came to go to his brother-in-law Chen Huaihai, and repeatedly instructed Chen Huaihai to let the "old north wind" leave. The audience at the theatre found that the "old policeman" who was bold at first was actually "washed white".

　　In fact, if you pay attention to Cheng Yu’s performance, you will find that he left a "live button" in the change of the role of "old policeman". If you know the fairness and justice of the "old policeman" in law enforcement and his dedication to the job of police, you will find that when he gave Chen Huaihai a scare, it was actually for the consideration of local management. Every time the corner of "old policeman" appears, it is full of scenes, and the expressions and actions of the characters are designed with ingenuity, and even the flavor of light comedy is occasionally performed. Some viewers teased, "Old Policeman" and Chen Huaihai’s "Love each other and kill each other", which animated the old buddy and brotherhood in daily life. appreciate each other’s friendship with a gentleman can stand the test in the long river of time.

　　Harbin Theatre lays a solid foundation.

　　Like most actors who have made their mark in film and television dramas, Cheng Yu originally polished his acting skills from the stage of drama. Cheng Yu was born in Harbin in 1957. After graduating from junior high school, he went to the countryside to jump the queue. After returning to the city at the age of 20, he accompanied his friends to take an examination of Harbin Theatre. As a result, he was hit by luck and was admitted. At that time, the examiner explained the reason for choosing him like this: "Someone has to play the bad guy." In this way, Cheng Yu started his acting career.

　　After entering the troupe, Cheng Yu polished his acting skills, and finally gained a firm foothold in the troupe and became a famous local drama actor in Harbin. His affinity with his wife, Han Xuesong, is also related to the troupe. After graduating from the director department of Shanghai Theatre Academy, Han Xuesong entered Harbin Theatre as a director, and they met because of the play. At the beginning of 1991, Harbin Theatre rehearsed the drama People’s Mao Zedong, with Han Xuesong as the director and Cheng Yu as the groom. When rehearsing and performing, Cheng Yu devoted himself wholeheartedly, and there was no trace of stylization in him, so he was a potential actor who was quick to connect and quick to connect. After the play was staged, it caused a sensation in the three northeastern provinces. With the continuous development of their relationship, Cheng Yu and Han Xuesong entered the marriage hall in 1992.

　　Because of its "unique" appearance, Cheng Yu was not favored at first in the film and television drama market, which always featured handsome men and beautiful women. In March 2002, he played the role of Ji Fushun, the county magistrate, in anti-corruption drama’s Supreme Interest, which was adapted from Zhou Meisen’s novel of the same name. In 2003, Cheng Yu ushered in the first highlight moment of his TV performance. In the criminal investigation drama "Honor" adapted from a real case, he played first hero Lin Jingdong, bringing the image of a public security bureau chief full of justice, seriousness and hatred to life. This is the first time in his life to play the role of a policeman, and it has officially opened his road of being a "professional policeman" for more than ten years.

　　Realizing the "Grand Slam" of Police Role

　　In his early film and television works, he played the Kuomintang spy, the enemy and puppet police, and the people’s police. In his contemporary works, he even played the criminal police, the film police and the traffic police all over the place. From the familiar 83-style olive green hat to the now-used 99-style navy blue, Cheng Yu achieved a "grand slam" in the film and television drama, which is also rare in domestic film and television dramas.

　　Once being crowned as a "professional household", it may mean the repetition of performance types, but Cheng Yu proved with superb acting skills that he not only does not have a thousand people, but also can be a thousand people. In 2012, Cheng Yu and Zhang Jiayi co-starred in Cliff, which showed the complexity of a villain. He created a secret agent leader who was quiet but insightful. Even his opponent Zhang Jiayi said, "Gao Bin’s eyes made me shudder when I saw him. Now I am particularly scared when I see him. He seems to be able to see through everything." In "No War in Beiping" in 2013, he played Ma Hanshan, who played the role of pig and tiger, and broke the slightly serious plot atmosphere with his joyful performance, which also made the audience remember the familiar face of the chief policeman.

　　For Cheng Yu, he may have met the best era of supporting roles. For a long time in the past, domestic dramas did not give matching honor and respect to powerful supporting actors like Cheng Yu. People paid attention to young actors with beautiful appearance and paid more attention to the leading role, but often ignored the supporting role of supporting actors in a good play. Fortunately, after the adjustment of the market in recent years, the brilliance of more acting actors has been released. This time in The Old Tavern, Cheng Yu didn’t waste his efforts for many years. He used his own efforts and talents to prove that good actors will shine everywhere. (Reporter Li Xiazhi)

A few days ago, it was officially learned from SAIC Volkswagen that the 2022 group buying model will be launched at a price of 292,000 to 402,000 yuan. The price of seven models is higher than the cash price. The purchase of group buying can enjoy two years of zero interest rate and a replacement subsidy of 4,000 yuan. After successful promotion, the owner can get 1,000 yuan equivalent V beans. Tuan is based on the model manufacturing, equipped with 2.5t V6 and 2.0T high and low power models. Recently, the new Volkswagen tuang under SAIC Volkswagen was officially launched. There are five configurations of the new car, and the price range is 292,000 yuan to 372,000 yuan. As a mid-term improvement model, the new Volkswagen tuang will be built based on the MQB Evo platform, and will be slightly optimized in terms of internal and external design and in-car configuration.

Then, Uncle Che will take you to understand the capacity of the car. In appearance, the new car adopts the latest series design language of the Volkswagen brand, incorporating more urban, dynamic and scientific design elements into the new car, showing confidence and unique personality. The new model adopts a new luminous logo design, adopts a new front design, and has a more technological sense. The family-owned horizontal air intake grille is visually connected to the headlights on both sides, immediately showing the gorgeous tone of the new car.

The new model has a noticeable change in appearance. The front of the new car is equipped with a large polygonal front air grille, and the interior is filled with rich chrome-plated elements. The overall contour of the left and right headlight groups has changed significantly. The interior has also been upgraded to IQ Light full LED matrix headlights, with automatic height adjustment, intelligent high and low beams, follow-up steering and other functions. In addition, the new car is equipped with a through-type LED light strip, and the flat Volkswagen logo in the middle can be lit, giving it the feeling of a new energy vehicle.

The new luminous logo combined with the transverse through taillight is the highlight of the new tail. The Y-shaped pattern spliced together by multiple geometric shapes inside the taillight is very novel, and the dynamic effect when lit is full of technology. In addition, the horizontal chrome trim below adds a lot of fashion to the original wide and stable shape of the tail, and the design of the new spoiler makes the rear wing more dynamic. In terms of body size, the length, width and height of the new model are 5052 × 10989 × 1773mm respectively, and the wheelbase is 2980mm. The sides of the new car body have not changed much, and there are various wheels such as 17, 18, 19 and 21 inches at the bottom. It is worth noting that the 21-inch tires of this new car are made of bright aluminum alloy, which is visually close to the flat rims.

1905 movie network feature X, what kind of sparks will collide?A few days ago, a new film starring Zhao Liying and Xin Zhilei was officially announced. The film was adapted from Zhang Yueran’s novel "Big Qiao Xiao Qiao". Zhao Liying played Qiao Yan and Xin Zhilei played Qiao Yan’s sister.

The film will tell the story of Qiao Yan, who grew up in a border town and became a famous actress after years of hard work. With an anonymous blackmail message and the sudden appearance of her sister who has been missing for many years and has returned from Myanmar, the seemingly coincidental hidden behind the bigger crisis.

"It’s a film that’s very close to my personal background, and it’s my most commercially rewarding film to date," said the Burmese-born director, who is directing his first film in mainland China. "It’s very suspenseful, shot in Mandarin, but it’s not aimed at Chinese audiences, and foreign audiences won’t have any problems watching it."

Previously, Zhao Deyin’s film was a frequent visitor to international film festivals and was shortlisted for a focus section of the Cannes Film Festival. Presumably, after the film is completed, it will also strive to appear at international film festivals and compete for awards.

After "Qiao Yan’s Mind" was exposed, the biggest focus and discussion was on Zhao Liying and Xin Zhilei, the two "85 flowers". This year, they both ushered in new opportunities in their careers and had different breakthroughs in their performances.

Zhao Liying has won audience recognition for her TV drama masterpieces such as "Do you know if you should be green, fat, red and thin" and "The Wind Blows Half Summer", and has recently begun to make efforts in the field of film.

She teamed up with Ms. Zhao to challenge her role as a hearing-impaired character, whom Ms. Zhang described as a lever in the story and difficult to play, and praised Ms. Zhao for her surprise performance, "breaking through my own ceiling and not being the Zhao Liying of the past."

Xin Zhilei blossomed in the drama and the synthesis. She starred in the first TV drama, which was popular on the screen. Wang Jiawei admired Xin Zhilei’s chivalrous performance in the drama, so he chose her. Xin Zhilei also played Li Li, the owner of Zhizhen Garden, who was full of charm and cold and mysterious in the play.

At the same time, in the travel variety "Flowers and Youth · Silk Road Season", Xin Zhilei’s sincere, straightforward and lovely personality is truly depicted, which is in great contrast with her usual character image and has won the love of a large number of audiences.

Therefore, we are even more looking forward to the "sister" combination of Zhao Liying and Xin Zhilei to bloom even more brilliance in "Qiao Yan’s Heart".

This expectation is also based on the fact that "Qiao Yan’s Heart" is a "double female lead" movie that has not been seen in a long time. "Double female lead" means that the story is mainly based on two female characters who complement each other and drive the plot together.

In the Chinese "double heroine" movies, classic masterpieces such as "Painted Skin" were born. In the past decade, films such as "Carnival" have also entered the audience’s field of vision.

The "double female lead" mode can bring a visual aesthetic temperament of double beauty to a movie. The independent and dependent relationship between women gives the expression effect of the female story on the screen 1 + 1 is greater than 2. At a time when female themes are getting more and more attention, the expressive value and market potential of "double female lead" movies are endless.

Screen twins, mutual achievement

Movies with two heroines are always full of sparks.This kind of spark is the beauty that sets off each other between women, the entanglement of friendship, struggle, dependence, and resistance between characters, and it is also between actresses who enhance their acting skills through mutual exchange, jointly achieve masterpieces and famous scenes, or win the award of being a movie queen.

It is really unforgettable to share the stage with "The Voice". The spies they played cherished each other and sacrificed themselves. One of the 13-minute-long opposite scenes, the two were full of emotions, and they performed in one go. It was enjoyable, and the audience also enjoyed it.

"In the play, they are like two queens who will decide everything in the future," the director described. "These 13 minutes are the peak of Li Bingbing’s acting so far." The director also praised, "In these 13 minutes, I didn’t see the acting, I saw two real characters."

Zhou Xun once said that he and Li Bingbing were rigorous and casual, and their personalities were completely opposite. In fact, this complementarity greatly stimulated their performance skills and made progress together in one-move interaction.

Such a "two-faced rivalry" later appeared in "July and Ansheng", and the outburst scenes of mutual denunciations and quarrels in the bathroom tore apart the characters’ true characters and the delicate relationship of mirror images.

Zhou Dongyu’s crying scenes are full of appeal. Zhou Dongyu admits that Ma Sichun is a good opponent, and she doesn’t need to brew much, so she can enter the play quickly. Ma Sichun also said that this play, "Let me know myself better, and I have a deeper exposure to some deep-seated things in the performance."

The two have been nominated for a number of Best Actress awards and have won awards together. When faced with competing questions, the two have responded in unison – "What I have is hers, and what she has is mine." "July and Ansheng" has witnessed the friendship and transformation of Zhou Dongyu and Ma Sichun.

Likewise, and on-screen interpretation of what is a deep sisterhood. Jia Ling directed the first film, Zhang Xiaofei played the heroine for the first time, and they integrated their friendship into "Hello, Li Huanying".

When Zhang Xiaofei was not yet famous, Jia Ling was very distressed to learn that she was bullied by the crew, and sent a righteous document expecting her to "become a big name soon! You are one drama away from becoming my sister’s idol!" If it wasn’t for Jia Ling and this movie, Zhang Xiaofei, who has been diving on the edge of film and television, would not have become popular, let alone have the opportunity to win the Golden Rooster Award for Best Actress in a Chinese Film.

In the face of the opportunity, Zhang Xiaofei did not miss it. She firmly grasped it and released all the performance experience accumulated in the past in one movie. Jia Ling cooperated with her tacitly and worked together to interpret the touching mother-daughter relationship.

Being able to win the Golden Rooster Award for Best Actress for the second time is also because of a "double female lead" movie like "Mom!".

She and the 85-year-old mother who takes care of her 65-year-old daughter who has Alzheimer’s disease play each other in the film. This is a role that Xi Meijuan believes is the most difficult to play in her career, and she has also achieved one of the richest and most complex performing arts practices. It is her close cooperation with Wu Yanshu that can dedicate this new life to the world.

When Wu Yanshu won the Best Actress Award at the Beijing International Film Festival, she especially thanked Xi Meijuan, who plays her daughter. "This award has Xi Meijuan’s share, and without Xi Meijuan’s achievements, I would not have won this award." In many interviews, Wu Yanshu praised Xi Meijuan as a textbook and intriguing performance, admitting that "without Meijuan dragging me like this, I would not have acted to this extent."

In the "double heroine" movie, because of the performances that rely closely on each other, those delicate and full emotions are superimposed.

Double heroine story, seeking innovation and change

The narrative model of "double female protagonists" can be replicated, but successful cases cannot be replicated.

In the 1980s and 1990s, the martial arts film craze gave birth to beautiful combinations such as "Green Snake" X, "New Crane Needle" X, "New Longmen Inn" Maggie Cheung X, etc. We saw the ruthless beauty of women fighting wits and courage on the screen. With the gradual decline of martial arts films, "double female protagonists" martial arts films have become rare treasures.

After "July and Ansheng" became popular, it was also based on the novel, but it could not continue its glory. The film’s score was only 3.2 points. "Red Rose" and "White Rose" did not have the effect of blessing, but instead fell into a bad script and a chaotic triangular love affair.

Sisters, classmates, girlfriends, enemies, mother and daughter… "Double female protagonists" can find new ideas and stories in regular relationships, and can also break through the framework combination to find fresher interactions between them, presenting the rich and subtle inner world of women.

In the past, we have experienced the adventurous spirit of two women joining hands to resist the patriarchal society in classic movies. In it, through the different fates of two girls of the same name, we have experienced the resilience of women.

So far, the "double heroine" model has spawned more interesting character relationships.

For example, from last year’s Cannes Film Festival to this year’s North American awards season, the actress, the object that the actress wants to play. It is very novel to observe from the perspective of an actress, to intervene in the marriage status of a couple who are lost in love, and to return to the actress’s own perception of acting.

"Double female protagonists" seek innovation and change in order to be more attractive. In addition to "Qiao Yan’s Heart", which Zhao Liying and Xin Zhilei will bring, there are currently several "double female protagonists" movies on the way in China.

And starring in "Family Joy", the selection of new materials, tells the story of a Northeast nanny and a Beijing widow from looking at each other and being tired of each other to cherishing each other. It will focus on the growth and thinking of a single mother and a neighbor girl after meeting. Remake from the high-scoring movie, by and deduce a period from unfamiliarity to snuggling with each other’s grandchildren.

The number of such films in China is currently small, and there is a lot of room for content development and imagination. Whether it is double heroine literature or real-life stories, they also provide a lot of creative materials. I hope that more dazzling "double heroine" films will appear in Chinese movies in the future.