2025 年 9 月 – 第 2 页 – 上海花千坊,爱上海同城交友,上海后花园论坛

Marion cotillard： It took her only ten years from her debut to becoming a superstar.

Special feature of 1905 film network She tried her best in every role, just waiting for the best opportunity to appear.She never exaggerates her true colors, but lets her immerse herself in the movie characters and breathe with them.She is the French actress who was voted as the top of the world’s "Top 100 Most Beautiful Faces" — — .

The French media praised her: "It’s so sweet that you will smile even in your dreams."

Many people know marion cotillard from the beginning of the French box office champion, known as the comedy version of "Speed and Passion".

Although there are not many scenes in Cotillard, the charming appearance and sweet smile make the audience deeply remember this girl, and she was also shortlisted for the Best Newcomer Actress Award in the 24th French Caesar Award for her "Taxi Express".

The series of movies "Taxi Express" made her succeed in attracting countless powders, and she accumulated acting skills and popularity, which laid the foundation for her to knock on the door of Hollywood.

Five years later, marion cotillard, who tried Hollywood for the first time, tried out a Hollywood fantasy movie.

But what really made the French actor knock on the door of Hollywood was acting in a biopic.

La vie en rose tells the story of the 47-year life of edith piaf, the most famous and beloved legendary French singer.

Her music has sung the love and life, joy and sadness of France for half a century, and is the swan song of the times.

The production team of "la vie en rose" is very strong, and the production cost is also high. It is regarded as the most important French work by the international film circle.

In order to match edith piaf’s romantic feelings, "la vie en rose" was grandly shown in 800 cinemas all over France on February 14th, 2007, setting a record for the largest number of French literature and art films in cinemas.

"la vie en rose" stills

"My life has been completely changed."When learning that edith piaf, aged 20 to 47, will be played, marion cotillard was both excited and frightened. "Everyone who knows Piaf is still alive. She is such a legendary figure. I absolutely can’t screw it up. They won’t allow me to screw everything up, so I must have a good performance. "

It is actually very difficult to interpret this public figure with extreme spiritual world and complicated life experience. In order to truly blend in with the role, marion cotillard put down the beautiful light ring and completely changed his voice, posture and appearance, successfully presenting edith piaf’s inner world almost perfectly.

"la vie en rose" stills

Her unwillingness and loneliness, talent and anxiety, like edith piaf’s soul possession, have vividly interpreted the life of a generation of "French Queen chansons" and reflected the humbleness and greatness of life.

"la vie en rose" stills

Marion cotillard won the Golden Globe Award, French Caesar Award and Oscar Award for her outstanding performance in the biopic la vie en rose as the best actress in three heavyweight awards in the film field.

Defeated the "Devil" who competed with her for the Oscar for Best Actress, making her the second French woman to win the Oscar for Best Actress in history, and the first actress to win an Oscar for her French film.

This movie made marion start her own la vie en rose, and then she appeared frequently in Hollywood movies.

The retro and mysterious temperament in Paris makes us seem to return to the golden age of Paris, follow the film through time and space, and fall in love with this lazy and casual woman.

In the film, marion cotillard won the 16th annual hollywood film awards Actress of the Year Award for her role as a philanthropist of noble Leng Yan.

In the movie, she is the "dead wife" Mel that Cobb (acted the role of) is deeply infatuated with. Blurred eyes and secretive words make people feel like they are in a "dream".

In the hero’s subconscious, she is cold and determined, while the real one is more confused and hesitant.

This kind of double-faced role is once again staged in the love spy war movie broadcast on today’s movie channel.

In the film, in order to fulfill the common vision of assassinating the German ambassador, the allied counterintelligence agent Max (played) and the French spy undercover Marianne (played by marion cotillard) pretend to be husband and wife.

War-torn European battlefields, glamorous ladies’ balls, seemingly quiet, are actually hidden dangers.

Stills of spy league

As a spy, Marianne is smart, calm and ruthless in the face of the battlefield, and she is in the undercurrent camp, but when she returns home, she should also show her gentleness and virtue in the eyes of her husband.

During her acting career, marion cotillard played the role of the protagonist’s wife in many films, which ended in tragedy.

Fortunately, in reality, it makes up for the regret of the role.

Just like by meeting his own Prince Charming, by meeting his future husband, marion cotillard also met his destiny takes a hand’s other half, guillaume canet.

The love that ended tragically on the screen finally extended happily outside the screen in reality.

From her debut to becoming a Hollywood superstar, her counterattack took only ten years. There is luck here, but also has its own strength and the unique charm of French women.

Today, marion cotillard is still active in the film and television stage, and her la vie en rose will continue to bloom slowly!

At 13: 40 on November 2nd, the movie channel will broadcast "Spy League" starring marion cotillard, and let’s watch the tragic love story under the flames of war.

Liu Jun： Why is China’s gradual development path successful？

　　China’s reform and opening up follows the logic of gradual development, which is determined by the nature of reform and opening up. China’s reform is China’s "second revolution". On the one hand, China’s reform is the self-improvement and development of the socialist system, which is different from the radical reform road of drastic changes in the Soviet Union and Eastern Europe and has stability and gradualism; On the other hand, China’s reform is a fundamental change to the original system. It is not a simple repair to the old system, but innovative and developmental.

　　Constraints of progressive development

　　China’s choice of gradual development path in reform and opening up depends on a series of preconditions and constraints created by cultural traditions, historical conditions and realistic national conditions. In terms of cultural traditions, some characteristics of China’s historical and cultural traditions are important constraints for the gradual development logic of reform and opening up. The first is the cultural psychology of pragmatism. The traditional Confucian culture in China emphasizes "practical rationality", attaches importance to practical practice and rejects abstract speculation. China’s gradual development path emphasizes bold attempts and "crossing the river by feeling the stones", which are highly compatible with pragmatic cultural psychology. The second is the values of familism. China’s traditional culture emphasizes the collective values with the family as the basic unit, and the social structural characteristics of "blood-land integration and isomorphism of family and country", which forms a strong social cohesion and produces collectivism values, which are the supporting conditions for gradual reform. For example, the household contract responsibility system implemented at the beginning of rural reform is a new form of traditional familism.

　　In terms of historical conditions, the logic of the gradual development of China’s reform and opening up is closely related to the historical conditions at the beginning of the reform and opening up. In modern times, under the historical background of internal troubles and foreign invasion, the Chinese nation has faced two major historical tasks: one is to seek national independence and people’s liberation; The second is to achieve national prosperity and common prosperity for the people. The core mission of the two tasks is to realize modernization. Since the mid-1950s, China has gradually formed a highly centralized planned economy system, which is a mandatory institutional arrangement for the rapid completion of industrialization, especially the catch-up development of heavy industries with national defense significance, under the above constraints, and its historical role cannot be underestimated. The gradual or radical path of social change depends largely on people’s value judgment of the original system. At the beginning of reform and opening up, the prestige of the party and the government was not fundamentally destroyed, and there was no serious political crisis like that in the Soviet Union and Eastern Europe. On the economic level, the macro-economy is relatively stable and the economic development momentum is good. The national income growth rate was 7.8% in 1977 and 12.3% in 1978, and there was no economic collapse like that in the countries of the Soviet Union and Eastern Europe. Although people have resistance to some aspects of the traditional system, they do not completely deny it, which is the historical constraint of gradual reform.

　　In terms of basic national conditions, the basic national conditions at the beginning of reform and opening up are also the initial conditions for the logic of gradual development. In the late 1970s and early 1980s, the level of social productivity in China was low, the degree of socialization and marketization of production was low, and various economic forms coexisted. This development of productive forces determines that market-oriented reform cannot be achieved in one step. At the beginning of the reform and opening-up, the economic and social development of China was obviously unbalanced. The dual structure of urban and rural areas, unbalanced regional development and unbalanced industrial structure determine that the demand for reform and the speed of change are different between urban and rural areas, between regions and between different industries, which is the realistic condition for the gradual development of reform. For example, before the reform, 80% of China’s population lived in rural areas, with a small land and a large population and a heavy burden. The countryside is the weak link of the old system, and farmers are the beneficiaries of the old system. These national conditions make rural reform the initial starting point and the first driving force of China’s reform.

　　The inherent logic of gradual development

　　The success of the gradual development of China’s reform and opening-up lies in that it embarks from the reality of China, abides by a series of constraints, and creatively explores the following key links, systematically showing the inherent logic of gradual development.

　　Correctly handle the relationship between the theory and practice of reform. The relationship between theory and practice is an important issue in the development of human history. Dogmatism and empiricism both originate from the improper handling of their relationship. Marxism holds that practice is the basis of understanding, and only through practice can people form a correct understanding and guide people’s practical activities with this understanding. Comrade Deng Xiaoping said that China’s reform and opening-up cause "is a new cause, which Marx did not talk about, our predecessors did not do, and other socialist countries did not do, so there is no ready-made experience to learn. We can only learn by doing and explore in practice. " This thought contains an important proposition of progressive development logic. First, no arguments. People’s consensus on reform cannot be achieved through argument, and new understanding of reform comes from new practice of reform. Without arguing, we can avoid ideological entanglements and unify our understanding in practice. Second, try boldly. It is impossible to design a perfect blueprint in advance for reform and opening up, and we must have a pioneering spirit. "Dare to try" can stimulate people’s initiative and creativity and promote the exploration and development of reform. Third, test first, then popularize. The imbalance of economic and social development in China makes it difficult for the reform to go hand in hand with the unified plan. For example, China’s opening to the outside world typically embodies the characteristics of pilot first, point-to-point and comprehensive promotion in terms of spatial scope. In the early 1980s, Shenzhen and other four special economic zones were established.In the mid-1980s, Tianjin and other 14 coastal cities were opened. In the 1990 s, the strategy of opening up along the river and along the border was put forward; Since the new century, various free trade zones have been established successively, including Shanghai Free Trade Zone in 2013, Tianjin Free Trade Zone, Guangdong Free Trade Zone and Fujian Free Trade Zone in 2015 and Hainan Island Free Trade Zone in 2018.

　　Correctly handle the relationship between incremental reform and stock reform. The gradual development logic of China’s reform and opening up is embodied in the incremental reform first, and then the incremental reform drives the stock reform. That is, taking the incremental reform outside the system as a breakthrough to promote the stock reform within the system. This kind of gradual reform, which is incremental first and then stock, has the nature of "Pareto improvement", that is, some people get benefits, while others’ interests are not obviously damaged, so as to reduce the resistance to improvement. At the beginning of the reform, we did not fundamentally touch the state-owned economy within the system, but mainly devoted ourselves to incremental reform outside the system, allowing and encouraging the development of non-state-owned economy outside the system. With the deepening of reform, the non-state-owned economy outside the system has gradually grown, and the state-owned economy within the system has increasingly felt the pressure of external competition, and the reform has formed a reverse mechanism, thus promoting the stock reform within the system. This kind of moderate and gradual reform has avoided the violent conflicts within and outside the system, achieved the development results at a small cost, and avoided the serious consequences of "shock therapy" in the Soviet Union and Eastern Europe.

　　We emphasize incremental reform first, but we cannot underestimate the significance of stock reform. It should be noted that without the positive progress of stock reform, there will be no overall effect of China’s reform. First of all, after years of reform and development, the public ownership economy within the system has widely introduced market mechanisms in production, distribution and exchange, and the degree of marketization has made a qualitative leap. Secondly, the state-owned economy in the system bears a lot of social costs in the economic and social reform. In the infrastructure fields such as energy, transportation and communication, the investment is large and the recovery period is long. The value created in these fields is widely projected to all sectors of the national economy, including the non-state-owned economy outside the system. Without the input of state-owned economy, these fields cannot be sustained by market allocation alone. In addition, in the fields of education, employment, medical care, old-age care and other social undertakings, the state-owned economy has also undertaken considerable social responsibility and investment.

　　Correctly handle the relationship between economic reform and political reform. How to deal with the relationship between economic reform and political reform is a major issue of reform. Historical materialism holds that the economic base determines the superstructure, and the superstructure reacts on the economic base. China’s gradual reform requires close cooperation and coordinated promotion of economic reform and political reform: on the one hand, economy is the foundation, and economic system reform must occupy a leading position; On the other hand, the political superstructure reacts on the economic base, and the political system reform must be promoted in a timely manner. Some people mistakenly believe that the achievements of China’s reform and opening-up are mainly reflected in the economic field, while the reform in the political field is lagging behind. This view is not in line with historical facts. China’s political reform has been continuously explored and promoted in an orderly manner. In 1980, in view of the profound lessons in the "Cultural Revolution", Deng Xiaoping put forward the requirements for the reform of the party and state leadership system; In 1986, after the concept of socialist commodity economy was put forward, it put forward new requirements for political reform. "Without reforming the political system, the achievements of economic system reform cannot be guaranteed and the economic system reform cannot continue to advance"; In 1987, the Thirteenth National Congress of the Communist Party of China formulated the general goal and direction of political system reform. In 2013, the Third Plenary Session of the 18th CPC Central Committee proposed that the overall goal of comprehensively deepening reform is to improve and develop the Socialism with Chinese characteristics system and promote the modernization of the national governance system and governance capacity.

　　Thus, China’s reform has always been the coordinated promotion of economy and politics. Of course, compared with the radical reform in the Soviet Union and Eastern Europe, the reform in China is quite different. The radical reform of the Soviet Union and Eastern Europe is dominated by politics, and its goal is to implement a western-style democratic system, and political change dominates economic change. China’s gradual reform is based on the socialist system, and economic change promotes political change. According to the viewpoint of historical materialism, the political system, as a superstructure, can only be specifically judged in its relationship with a specific economic base. It is in line with the theoretical logic of historical materialism to determine the objectives and steps of political superstructure reform from the requirements of economic base, rather than the direction and path of economic reform from the political superstructure, which is also an important reason for the success of China’s gradual reform.

　　Correctly handle the relationship between reform, development and stability. Reform, development and stability are the three important fulcrums of China’s economic and social development. Reform is the driving force of economic and social development, development is the key to solving economic and social problems, and stability is the premise of reform and development. The logic of the gradual development of China’s reform and opening up is always to unify the strength of reform, the speed of development and the degree that society can bear, with special emphasis on the prerequisite role of stability. First of all, this is the inevitable result of summing up historical experience and lessons. The history of social chaos in China shows that a stable environment is the fundamental premise of national construction and governance. Looking around the world, this is also a painful lesson. The drastic changes in the Soviet Union and Eastern Europe in the late 1980s and early 1990s, and the "color revolution" that broke out in many countries in the 21st century all warned us that "without a stable environment, nothing can be achieved, and the achievements already made will be lost". Secondly, emphasizing the premise of stability is closely related to the essence of reform. The essence of China’s reform is the readjustment of interest relations. Friction and even conflict will inevitably occur in the process of transformation between the old and new systems and the old and new interest patterns. Without stable political authority and legal order, these frictions and conflicts may lead to social division and even social collapse. China’s gradual reform adopted a moderate and gradual way to adjust interests, greatly reducing social friction and maintaining social stability. At the same time, the cost of reform will be diluted to a longer period of time to be digested.Effectively prevented the drastic changes and collapse of social order.

　　The Future Evolution of China’s Reform and Opening-up

　　Looking back on China’s 40 years of reform and opening up, a successful experience is to follow the logic of gradual development. Of course, China’s gradual development path is not beneficial without disadvantages, but only a choice with big advantages and small disadvantages. With the continuous advancement of reform and opening up, the internal and external environment and target requirements of reform and opening up have undergone fundamental changes compared with 40 years ago. The future evolution of China’s reform and opening up faces many urgent problems. Among them, the following two questions are the most critical.

　　Make full theoretical preparations and strengthen top-level design. At the beginning of the reform and opening up, we put forward the idea of "no arguments", with the aim of respecting practice and not talking on paper. However, this does not mean that the reform does not require theoretical guidance and top-level design. In the past, the gradual reform was implemented because we had not fully understood some major issues related to the reform and could not draw the overall road map of the reform, so we had to "cross the river by feeling the stones." Crossing the river by feeling the stones and strengthening the top-level design are dialectical unity. Crossing the river by feeling the stones emphasizes gaining true knowledge from practice, which is the logic of reform and development with China characteristics. Today, the direction, objectives and paths of various reforms that need to be promoted urgently have been clarified. The reform can no longer be unilaterally emphasized to cross the river by feeling the stones, but needs to be comprehensively promoted under the guidance of systematic theories. Deepening the reform in an all-round way has entered the critical period and deep water area. The key to deepening the reform is not understanding but determination. This requires reformers to dare to take responsibility, dare to bite hard bones, and dare to venture into dangerous beaches. The so-called gradual reform cannot be an excuse to delay or block the reform. We must systematically push forward and comprehensively deepen the reform with decisive courage and full preparation. The reform has advanced to the present, and it is urgent to comprehensively deepen the top-level design of the reform. It is necessary to make an overall plan for the reform and development in the economic, political, cultural, social and ecological fields, strengthen the research and judgment on the relevance of various reforms, and strive to achieve the overall and local matching, the combination of palliative and radical treatment, and the promotion of gradual progress and breakthrough.

　　(The author is a professor and doctoral supervisor at Peking University Marxist Institute, and Liu Jun, executive deputy director of the Center for Popularization and International Communication of Socialism with Chinese characteristics Theory in Peking University)

Lide Casting Soul and Cohesion —— Summary of achievements in spiritual civilization construction since the 18th CPC National Congress

　　A country can’t move forward without strong spiritual support;

　　A nation’s endless life is inseparable from rich moral nourishment.

　　Since the 18th National Congress of the Communist Party of China, the work of spiritual civilization construction has thoroughly implemented the spirit of the series of important speeches by the Supreme Leader General Secretary and the new ideas, new ideas and new strategies of governing the country, guided and promoted the whole society to establish civilized concepts, strive to be civilized citizens and display civilized images based on cultivating and practicing socialist core values. A firmer mainstream value, a higher moral banner and a clearer social atmosphere unite the great power of the Chinese people and make unremitting efforts to realize the goal of "two hundred years" and the Chinese dream of the great rejuvenation of the Chinese nation!

　　Establish values, self-confidence and build a common ideological and moral foundation

　　Around September 1st, schools in all parts of the country entered the "school season". Raising the national flag and singing the national anthem are the important contents of the "first lesson" in many schools. In Beijing Elementary School Guangwai Branch, teachers and students solemnly swore to the national flag: "I am Chinese, and I love my motherland!" Patriotism takes root in every child’s heart.

　　Patriotism is the most precious emotion in the hearts of the world. Since the 18th National Congress of the Communist Party of China, as an extremely important task in the construction of socialist core values, carrying forward the great patriotism has been carried through the whole process of spiritual civilization construction. Know more about peace and preciousness in the grand parade on Victory Day, remember history in the ceremonies such as "Don’t forget September 18th" ringing the bell and ringing the police, and remember the martyr &hellip on the Martyrs’ Memorial Day; … Make use of the patriotic education vividly carried out in various opportunities and occasions to guide people to constantly enhance their backbone and confidence in being Chinese and to have a clearer understanding of their mission.

　　For a country and a nation, core values are the spiritual bond and the common ideological and moral foundation. In the past five years, the cultivation and promotion of socialist core values have continued to deepen.

　　In the streets, parks, squares and airport stations around the country, public service advertisements with lively images showing mainstream values are closely integrated with urban landscapes and people’s daily lives, and the socialist core values are silently sent to the people and sent to everyone’s hearts.

　　In order to make the socialist core values visible, tangible and close, all localities and departments have carefully designed and carried out activities that the people love to see and hear, and promoted the internalization and externalization of the core values — —

　　A series of publicity activities have been carried out throughout the country, and first-class experts and scholars and practice models of core values have come to the people to help them fully and accurately grasp the basic connotation and significance of the times with scientific, vivid and infectious interpretations.

　　Time and again, based on grassroots and colorful practical activities, we will solidly promote the construction of core values into schools, institutions, enterprises, rural areas, communities and border villages. All localities are working hard to integrate and integrate, and work hard to implement small and small, so that the influence of socialist core values is everywhere.

　　Traditional festivals have become an important carrier for inheriting excellent culture and strengthening citizens’ ideological and moral construction. Celebration of the Spring Festival, remembrance of the Dragon Boat Festival, loyalty of Qixi, reunion of Mid-Autumn Festival, and respect for the elderly in Chongyang … … Carrying out the theme activities of "Our Festival" in these traditional festivals, making traditional festivals patriotic, cultural, moral, emotional and benevolent, has become a resounding brand for building spiritual civilization and carrying forward core values.

　　A series of "grounding gas" measures have continuously deepened people’s understanding and recognition of socialist core values. Integrating socialist core values into the construction of the rule of law and maintaining mainstream values by means of the rule of law have enhanced people’s confidence and consciousness in practicing socialist core values.

　　Looking at China, the construction of socialist core values presents a vibrant and prosperous scene, from leading cadres being pioneers to the people striving to be fresh troops. People use little actions and persistence to accumulate the value of the whole society and build a common spiritual home.

　　Promote the creation of civilization and let the people have more sense of gain.

　　In early autumn, the ninth meeting of BRICS leaders was successfully held in Xiamen, Ludao. This charming city, which complements the "BRIC" light, has been rated as "National Civilized City" for four consecutive years. Civilization has become a shining city card in Xiamen, and it is also a distinctive spiritual background.

　　Since the 18th National Congress of the Communist Party of China, the creation of civilized cities has been comprehensively promoted in economic, political, cultural, social, ecological civilization construction and party building. Create a beautiful and clean living environment, a standardized and orderly social order, convenient and efficient public services, and improve the quality of citizens’ civilization, the degree of urban civilization, the cultural taste of the city and the quality of people’s life … … Civilized cities that respect virtue for goodness, are rich in culture, harmonious and livable, conform to the people’s yearning for a better life, and make the majority of urban residents feel tangible, tangible and tangible changes and achievements.

　　The city makes life better, and the vast countryside is heading for a beautiful future.

　　"Walking along the road from here is not only the scenery step by step, but also everywhere ‘ Civilization ’ 。” Whenever I introduce my hometown to foreign tourists, the pride of the villagers in Xufu Village, Cixi City, Zhejiang Province is beyond words. Cixi City takes the southern mountain boutique line as a link to connect the civilized villages along the line in series, forming a civilized construction community integrating civilized culture and ecological leisure — — The "Cifeng on the Stream" civilization demonstration line fully demonstrates the new rural features of "beautiful scenery, beautiful people and beautiful life".

　　From "one beauty" to "one beauty", from "environmental beauty" to "life beauty" and from "external beauty" to "internal beauty", in recent years, the creation of civilized villages and towns has highlighted the theme of beautiful countryside construction, making rural customs, living environment and cultural life beautiful. All localities have made active efforts in changing customs, rectifying the appearance of villages, and promoting farmers’ employment and income increase, so that villages and towns have both the "face value" of green mountains and green hills and the value of "Jinshan Yinshan".

　　Civilized flowers bloom in spring. In the final analysis, the creation of spiritual civilization is to benefit the people and make the society more harmonious — —

　　People have seen that in all walks of life closely related to people’s lives, civilized units have been established to improve the quality of employees, cultivate professional ethics, cultivate professional spirit, improve rules and regulations, and establish a new industry atmosphere.

　　People have seen that among thousands of families as the "cells" of society, civilized families have created a new trend of socialist family civilization, which promotes family harmony, promotes relatives to love each other, cherishes the young, has little education and provides for the old, and promotes the formation of patriotism, love each other, love each other, and build and share.

　　People have seen that in the campus shouldering the sacred mission of teaching and educating people, the activities of building a civilized campus guide the teachers to learn to be teachers and behave in the world, guide children to have dreams, love learning, love work and love the motherland, carry forward the good school spirit and motto, and beautify the campus environment.

　　From civilized cities, civilized villages and towns to civilized units, civilized families and civilized campuses, the mass spiritual civilization creation activities that are developing in depth are at the forefront of the times, leading the trend, full of vitality, enhancing the people’s sense of acquisition and happiness with solid results, and painting the magnificent picture of civilized China with beautiful colors.

　　Developing voluntary service and condensing positive energy of public welfare and friendship

　　Not long ago, a sports event belonging to the people of the whole country — — The 13th National Games was held in Tianjin. Outside the exciting and fierce stadium, volunteer service has become a beautiful scenery.

　　At the end of November last year, Tianjin started the recruitment of volunteers through official website, the organizing committee of the 13th National Games, and Tianjin Volunteer Service Network. After several months of selection and assessment activities such as written examination, interview and psychological test, 17,000 volunteers stood out. With a glorious sense of mission and a strong sense of responsibility, these volunteers are busy in their respective posts. Lu Wen, a volunteer, said: "I hope that with my smile and service, every athlete who comes to Tianjin can feel the warmth of Tianjin and let them play their best on the field."

　　Volunteer service is an important symbol of social civilization.

　　Since the 18th National Congress of the Communist Party of China, all relevant departments around the country have made great efforts to organically integrate volunteer service with learning from Lei Feng, which has led all sectors of society to actively participate. The volunteer team has continued to grow and volunteer service activities have flourished, showing a positive, healthy and upward development trend.

　　— — Constantly improve the system guarantee and improve the overall efficiency of volunteer service. Opinions on Promoting the Institutionalization of Volunteer Service, Opinions on Supporting and Developing Volunteer Service Organizations and Regulations on Volunteer Service have been promulgated one after another to further promote the institutionalized and normalized development of volunteer service. By providing insurance services for volunteers and establishing "love exchange" and "time bank" mechanisms, all localities protect love and make it "circular".

　　— — Committed to serving social governance and better meeting the needs of the people. Some street communities form teams of volunteers according to their own specialties and interests, and promote the "autonomy and co-governance" and "rotation and revolution" of street public affairs; The National Hundred Cultural Volunteer Service Teams provide more services and support for blind friends in rehabilitation, education and social participation … …

　　— — Brand effect is increasingly prominent, and participation is more extensive. Party member volunteers are wearing the "living Lei Feng" of party emblem, cultural volunteers are active in various public cultural service positions, women’s volunteer service is "based on the community, family-oriented, everyday and meticulous", young volunteers write "the most public welfare, the most youthful" style, and elderly volunteers give full play to their residual heat and make a difference in their old age.

　　If you have difficulty in finding volunteers, you will have time to volunteer.

　　With the project operation, professional development and information support of volunteer service, the streams of love will eventually converge into a tide of love. In a society of kindness, friendship and mutual assistance, people always feel the kindness and warmth conveyed by the volunteer spirit of "dedication, friendship, mutual assistance and progress".

　　Hold high the moral banner and play the leading role of example and advanced culture.

　　In May this year, the sixth national moral model selection and commendation activity kicked off. This year’s selection and commendation is oriented to urban and rural grassroots and all walks of life. According to the corresponding procedures, five types of national moral models are selected, namely, helping others, being brave, being honest and trustworthy, being dedicated, being filial to the elderly and loving the relatives, and setting a value benchmark for the masses to support and love.

　　In the value starry sky of the whole society, behind every shining name, there is a touching story. A famous moral model has different identities and experiences, but they interpret the profound connotation of true feelings and righteousness from different angles with their own actions. In the moral model, people see a spirit, a feeling, a character and a strength.

　　Turn on a lamp and light up a large area.

　　Since the 18th National Congress of the Communist Party of China, all localities and departments have mobilized grassroots people to select advanced models such as the model of the times, the most beautiful figures, the good people around them, and the young people who are good and kind, and to select advanced figures from all walks of life, so as to fully display the spiritual outlook of contemporary Chinese, form an advanced group pattern of "bright stars" and "seven stars are bright together", and show the fruitful achievements of socialist ideological and moral construction — —

　　"Being brave is the most beautiful person", Lei Feng’s "most beautiful person" and "the most beautiful person who supports the army" … … Publicity Department of the Communist Party of China, together with relevant departments, continuously released the "most beautiful people" from all walks of life and played the "most beautiful" symphony.

　　The Central Civilization Office publishes the "China Good People List" every month to encourage more people to practice the spirit of being a good person in the new era and strive to be a "good person in China".

　　Under the guidance of various advanced models, moral education practice activities at all levels are vigorously carried out. Many places hold practical activities such as roving exhibitions and lectures on moral model deeds, so that the example power of moral model can be seen and learned. In some places, moral model stories are made into movies, written into books and put on the stage, which has won good social response.

　　We should moisten our hearts with morality and cultivate people with culture.

　　Lei Feng’s voluntary service in public cultural facilities is devoted to improving the quality of the people and the degree of social civilization, and guiding people to establish and adhere to the correct view of history, nationality, country and culture with the glorious history, excellent culture and scientific and technological achievements of the Chinese nation. Extensive mass cultural activities will safeguard and realize the cultural rights and interests of the masses and meet the growing spiritual and cultural needs of the people. The "Five-One Project" of spiritual civilization construction has launched a number of outstanding literary and artistic works that reflect the voice of the times, show the people’s struggle and cultivate noble sentiments, constantly enriching the people’s spiritual world and enhancing their spiritual strength.

　　Encourage people with the power of example and lead people with advanced culture.

　　One advanced model, one moral practice, one spiritual baptism after another, continuous efforts and long-term achievements, create a strong atmosphere of seeing Si Qi and virtue all over the world, stimulate the ideological identity, emotional resonance and willingness to imitate of the whole society, make good deeds emerge one after another, and make good deeds become a common practice.

　　Cultivate civilized habits and jointly safeguard the good image of the country and the nation

　　In restaurants, slogans such as "order in moderation, put an end to waste" and "eat in a civilized way, be frugal and cherish happiness" can be seen everywhere; In weddings and funerals, the concept of "wedding is cheap, marriage is new, funeral is simple, and small things are not done" is increasingly popular; In scenic spots, littering, scribbling, breaking branches and shaking trees are becoming less and less; When traveling abroad, people pay more attention to their words and deeds, and pay attention to every detail of civilization in tourism as a major event to safeguard the image of the motherland, so that civilization can become the most beautiful scenery … …

　　Since the 18th National Congress of the Communist Party of China, a series of civilized social fashion actions have vigorously popularized civilized etiquette norms in work and life, social communication, interpersonal relationships and public places, guided people to consciously abide by public order and rules, established harmonious and fresh interpersonal relationships, and resisted bad vulgar habits.

　　At the same time, all localities and departments have strengthened the problem orientation, strengthened the rectification of problems strongly reflected by the masses, carried out in-depth governance actions and special education, and strengthened the body’s resistance to evil spirits.

　　Strike hard at "Lao Lai". Since 2015, the National Development and Reform Commission, together with more than 60 departments including the State Administration of Taxation, the Supreme People’s Court and the General Administration of Customs, have jointly signed memorandums of joint punishment for dishonesty in 23 fields, including tax collection and management, court enforcement, import and export, and safety in production, so as to increase the cost of dishonesty of those who violate the law.

　　Joint rectification of "bad habits" of civilization. Focusing on the behavior of motor vehicles impolite to pedestrians and not obeying traffic signs, the Central Civilization Office, the Ministry of Public Security, the Ministry of Education, the Ministry of Justice, and the Ministry of Transport determine a theme every year to carry out civilized traffic safety actions … …

　　If there is a break, there must be a stand. Focus on the long-term institutional system construction — —

　　The institutionalization of integrity construction has been further promoted. The Outline of Social Credit System Construction Plan (2014-2020) was issued, which became the first national special plan for social credit system construction in China. The "Opinions on Promoting the Institutionalization of Integrity Construction" was issued, which clearly stipulated the efforts to promote the institutionalization, standardization and long-term effectiveness of integrity construction.

　　Industry civilization constantly stands by the rules and regulations. In the tourism industry, in 2013, "observing the code of conduct for tourism civilization" was written into the tourism law; In 2014, the Central Civilization Committee issued the Opinions on Further Strengthening Civilized Tourism; In 2015, the Interim Measures for the Management of Uncivilized Behavior Records of Tourists was implemented. In the Internet industry, the Regulations on the Management of Internet User Account Names and so on guide people to improve the quality of network civilization and make the cyberspace clear.

　　With one heart and one mind, it is full of fragrance.

　　Over the past five years, the environment has been beautiful, people’s hearts have been warm and much happier … … The course and achievements of spiritual civilization construction enlighten us that everyone is a beneficiary of spiritual civilization construction, but also a participant and promoter.

　　In April this year, the Guiding Opinions of the Central Civilization Committee on Deepening the Activities of Creating Mass Spiritual Civilization was published. This is a macro-plan and strategic plan for mass spiritual civilization creation activities in the coming period according to the new deployment of the CPC Central Committee, the new requirements of the development of the situation and the new expectations of the people, adding new impetus and injecting new vitality to comprehensively improve the quality of the people and the level of social civilization.

　　Take many measures and build a soul by virtue, and the results are remarkable.

　　Standing at a new starting point, the construction of spiritual civilization will surely greet the victory of the 19th National Congress of the Communist Party of China with more outstanding achievements. Taking on new responsibilities, the construction of spiritual civilization will glow more brilliantly and illuminate the Chinese nation’s dream.

Kill many stars with one arrow! Three firsts in the history of private space realization in China.

Different from the past, this rocket is not from the "national team" in the aerospace field, but is launched by aerospace private enterprises.

According to media reports, the company created three firsts in the history of private space flight in China: China private commercial space launch vehicle was successfully launched for the first time and put into orbit with high precision; China private commercial space was launched into orbit for the first time with one arrow and multiple satellites; China private commercial aerospace realized space advertisement and video transmission for the first time.

The first flight of the Hyperbolic No.1 carrier rocket was successful. Image source: Xinhua News Agency (photo by Wang Jiangbo)

This launch in orbit is of great significance, which proves that China’s private commercial space launch vehicle really has the ability to transport loads into space. Private space leading enterprises — — Elon musk, founder of SpaceX, also praised it as "cool".

In the emerging field of commercial launch vehicles, many companies are competing for it. In 2014, China’s first private space company — — Lingke Aerospace was registered and established in Shenzhen. Since then, many aerospace private enterprises, such as Blue Arrow Aerospace, Zero one club Aerospace, Deep Blue Aerospace and Star Route Exploration, have been established one after another, becoming new forces in the field of private aerospace, scrambling to seize the high ground of the industry.

China is not suitable for private space flight because of successive failed launches?

The aerospace industry has long investment cycle, high risk and high difficulty, especially in commercial aerospace. Once the launch fails, it will inevitably suffer heavy losses and affect market confidence. Compared with the international advanced level, China’s private space flight started late, and its development has experienced twists and turns.

On October 27, 2018, the launch vehicle "Suzaku No.1" launched by Blue Arrow Aerospace, during the flight, the first and second stages of the rocket worked normally, the fairing was separated normally, and the last three stages were abnormal, which caused the launch to fail.

On March 27th, 2019, the first OS-M carrier rocket and "Chongqing Liangjiang Star" launched by one club, a private rocket company, became abnormal several tens of seconds after launch, exploded at high altitude, and the launch mission failed.

The failure of two times in succession made China private space company suffer a heavy setback, and even was once questioned. In fact, it is not uncommon for a rocket to fail to launch. SpaceX also experienced unimaginable difficulties in the early stage of development. Before 2008, the few rocket launches failed without exception. SpaceX Falcon-1 rocket experienced three failed launches before its first success.

In addition to facing the pressure of successful rocket launch, private space companies in China have to solve the problem of how to make profits through commercial space activities. On the whole, China private space flight is still in the "initial stage", its commercial profit model has not been tested by practice, and the actual profitability of most enterprises is also limited. According to reports, the launch of "the first broadcast of space advertisements and video transmission" has given full play to the openness and flexibility of commercial operation, and is also an attempt to explore the profit model.

Image source: Xinhua News Agency

Policy support and capital favor, private space flight has become a new darling.

It is worth noting that by the end of 2018, there were more than 100 registered commercial aerospace companies in China. In 2018, China’s financing in the commercial aerospace sector was close to RMB 3.6 billion, an increase of 67% over the previous year.

In 2016, the State Council Press Office published a white paper entitled "Aerospace in China in 2016", encouraging private capital and social forces to participate in space research and production, space infrastructure construction, space information products and services, satellite operation and other activities to develop commercial aerospace.

Image source: Xinhua News Agency

In the eyes of the industry, China private aerospace companies are still in the early stage of development, and financing is the primary issue for survival and development, and this successful launch undoubtedly adds weight to the financing of private aerospace companies.

Private space flight is not just a matter of "private"

In Beijing Yizhuang Economic and Technological Development Zone, more than ten private aerospace enterprises have gathered, forming the strongest lineup of China’s private aerospace industry. It bears the "flying dream" of private space enterprises and also helps the construction of China’s space power.

According to the constellation networking plan announced by various countries at present, the number of small satellites to be launched in the future exceeds 25,000, while the current number of space launches in the world is only about 100 times a year, which is far from meeting the carrying demand. China’s private space flight still has a huge space for participation, and the necessary tool to carve up this "big cake" is to have a low-cost commercial launch vehicle.

Today, American private space technology is leading the world. On April 11 this year, the SpaceX "Heavy Falcon" launch vehicle completed its first commercial launch and achieved perfect recycling; On May 9, Jeff Bezos, the founder of Amazon and the richest man in the world, announced the "Blue Moon" lunar lander, and the space company "Blue Origin" founded by him started the journey of exploring the moon. In the future, the competition in space will be more intense, and the larger the scale and advanced technology of private space, the stronger its position in space. China, which is heading for a space power, needs a powerful private space force, and private space is by no means just a "private" thing.

It is estimated that by the end of 2020, space private enterprises will continue to complete the launch mission of Hyperbolic No.1 Remote 2-Remote 6 launch vehicle, form a large-scale launch of small solid launch vehicles, and start the journey of large-scale commercial launch.

(Source: Xinhua News Agency, Science and Technology Daily, China News Network)

JRs voted for the most national football team in history

Tigers recently launched a new series of selection activities-the selection of the best team in the history of football teams. We invite JRs to choose the strongest player and the best coach in your mind from the players and coaches who have played in the history of each team, and finally the player who won the most votes in each position+a coach will form the best team in the history of football teams.

After several days of selection, the best lineup in the history of the national football team selected by JRs has been officially released.

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Lei Wu 11347 votes

Played 99 games for the country, scored 36 goals and made 10 assists.

Gao Lin 4519 votes.

He played 109 games for his country, with 22 goals and 7 assists.

Yang Chen 6378 votes.

Played 35 games for the country, scored 11 goals and made 1 assist.

Li Tie 7977 votes

Played 92 games for the country, scored 5 goals and made 1 assist.

Zheng Zhi 10209 votes

He played 108 games for his country, scored 15 goals and made 2 assists.

Shao Jiayi 4510 votes.

He played 41 games for his country, scored 8 goals and made 1 assist.

Wu Chengying 2569 votes.

Played 53 games for the country, scored 2 goals and assisted 3 times.

Fan Zhiyi 11667 votes.

He played 108 games for his country, scored 15 goals and made 1 assist.

Zhang Linpeng 5269 votes.

Played 105 games for the country, scored 6 goals and assisted 6 times.

Sun Jihai 11472 votes

He played 80 games for his country, scored 1 goal and assisted 1.

Ceng Cheng 4359 votes.

He played 42 games for his country and 21 games were clean.

Milutinovic 6063 votes.

Coach for two years, 20 wins, 11 draws and 15 losses in 46 games.

Iranian supporters of two factions in Tehran were arrested against reformers.

Topic: 2009 Iranian presidential election

　　Thousands of Iranians held a large-scale "solidarity rally" in the center of the capital Tehran on the afternoon of 16th to express their desire for national stability and unity. They and former Prime Minister Mousavi supporters held rallies and parades in different regions at the same time. Western media believe that Iranian officials intentionally organized some demonstrations that day to weaken the momentum and protest effect of Mousavi camp.

　　An Iranian official warned on the 17th that the mastermind behind the illegal protest may face the death penalty.

　　Ten thousand people took part in the "unity rally"

　　On the afternoon of 16th, thousands of Iranians held a large rally in Varyasir Square in the center of Tehran, calling for national unity and urging Mousavi to admit defeat.

　　The pictures broadcast by Iranian state television show that a large number of people have blocked the square. Many people waved national flags and shouted slogans such as supporting Ahmadinejad’s re-election as president and calling for national unity. Former Speaker Adler delivered a speech at the rally, calling on Mousavi, who lost the presidential election, to "listen to the advice of the supreme leader" and admit defeat.

　　Iranian official media reported that the government arranged the rally and called it a "solidarity rally".

　　Mousavi supporters said that after successfully organizing a protest rally of 10,000 people on the 15th, they planned to continue the rally in Valyasir Square on the 16th afternoon, but a large number of Ahmadinejad supporters occupied the square ahead of schedule that day, which prevented the original plan from being implemented smoothly. In addition, the government also shut down SMS communication to prevent protesters from exchanging information.

　　Opponents are brewing new demonstrations.

　　Thousands of Mousavi supporters gathered in Vanacker Square in northern Teheran on the afternoon of 16th to continue their protest. Television pictures showed that many people wore green headscarves and held up Mousavi’s head, demanding re-election. Some witnesses said that thousands of Mousavi supporters left Vanacker Square at 17: 00 on the same day and went to the office building of Iranian Broadcasting Bureau and National Television Station. The procession was about 1.5 kilometers long.

　　As of 10 pm, about 100 demonstrators still gathered around the national television station. During the procession, the police kept alert around, but there was no direct conflict with the demonstrators.

　　In addition, a number of Iranian protest rally notices appeared on social networking site Facebook and microblog site Twitter: Mousavi supporters intend to continue gathering in the capital city center on the 17th.

　　Armed forces warning website

　　Iran’s Islamic Revolutionary Guard Corps issued a statement on the 17th, warning Iranian domestic blog websites not to publish "creating tension", otherwise they may face legal proceedings.

　　Since the Iranian government has banned foreign media reporters in Iran from reporting on the streets, non-traditional media such as social networking site Facebook and micro-blog site Twitter have become the main tools for protesters to send messages and communicate with each other.

　　Iran’s Islamic Revolutionary Guard Corps issued a statement through the state media on the 17th, saying that all websites and bloggers in Iran must delete all content that "creates tension".

　　The Iranian Islamic Revolutionary Guard Corps is an armed force independent of the Iranian army, directly under the orders of Supreme Leader Khamenei, and has extensive influence on Iran’s domestic defense and security affairs.

　　The Iranian Foreign Ministry issued a statement on the 17th, accusing some foreign media of being "the microphone of rioters" and defaming Iran’s national image.

　　The government ordered an investigation into the conflict.

　　Iranian state television English channel reported on the 17th that the Ministry of Interior has ordered an investigation into an alleged attack on a Tehran University student. The students claimed that they were attacked in the university dormitory on the evening of the 14th. The report said that the Ministry of the Interior has asked the Tehran municipal government to find out the people involved in this incident.

　　On 16th, Larijani, Speaker of the Islamic Parliament of Iran, made a speech in the parliament, accusing the Ministry of Interior of being responsible for attacks on civilians in demonstrations, including attacks on college students. Reuters quoted the students as saying that the militia organization "Mobilizing the Poor" and plainclothes policemen participated in the attack and caused casualties.

　　Reformers were arrested.

　　Reuters and AFP quoted sources as saying that reformist Jalaipur and political commentator Lairaz, who supported Mousavi, were arrested one after another on the morning of 17th. Among them, newspapers under the name of Lairaz have been criticizing the economic policies of current President Ahmadinejad.

　　Habibi, Attorney General of Isfahan province in Iran, warned on the 17th that there were a few lawless elements behind the large-scale demonstrations, who were controlled by forces outside Iran. According to Islamic law, these people may face the death penalty at the highest. Habibi warned these people to stop "criminal activities". Habibi said: "We warn a few lawless elements controlled by foreigners that they will face the death penalty for trying to disrupt national security by inciting personal sabotage and arson. Therefore, before being brought to justice, they should return to the embrace of the motherland and avoid any more criminal acts."

　　> > observe

　　The differences between the two factions of the political veteran "reform" are open.

　　Western observers believe that this election dispute has made the internal differences of the Iranian ruling group "unprecedented" open.

　　Some western observers believe that this election dispute has exposed the internal differences among Iran’s domestic political and religious elites. Many heavyweights and major forces in Iranian politics "stood in line" with Nejad and Mousavi as the core respectively, forming a confrontation situation.

　　According to Lyon, a journalist from Reuters, Mousavi’s side includes reformists, including former President Khatami, and some moderate conservatives who are regarded as Ahmadinejad’s political opponents, while the latter includes former President Rafsanjani and Speaker of the Islamic Parliament Larijani.

　　Rafsanjani, who is currently the chairman of Iran’s National Interest Committee and the chairman of the expert meeting, is one of the core figures of "anti-Ahmadinejad". He said on the 6th of this month that he would sue Ahmadinejad for libel.

　　Ahmadinejad is supported by forces such as the Iranian Islamic Revolutionary Guard Corps and the "Mobilizing the Poor" militia. More importantly, he is supported by Khamenei, while Mousavi is considered to be at odds with Khamenei’s political views.

　　A western diplomat in Teheran told Reuters that the differences within the Iranian ruling group have never been so open as they are today. "Previously, these disputes occurred in a secret room." The current situation is the biggest political crisis facing Iran since the Islamic Revolution in 1979.

　　These observers believe that reformists are dissatisfied with Ahmadinejad’s economic and foreign policies, and at the same time hope to restrain the president’s power.

　　> > focus people

　　Ahmadinejad approves the United States in Russia

　　Despite the unstable domestic situation, Ahmadinejad went to Yekaterinburg, Russia, as the head of the observer government on the 16th to attend the ninth meeting of the Council of Heads of State of the Shanghai Cooperation Organization.

　　In his speech, Ahmadinejad continued his previous tough argument: "It is the United States that caused the current economic and political crisis, and its solution is hopeless … American allies will not help alleviate the crisis." He made no mention of the domestic situation or the presidential election in his speech.

　　The former prime minister has no hope.

　　Mousavi said that he did not have much hope for the outcome of the appeal, because "many members of the Constitutional Supervision Commission supported the government candidates".

　　On the 16th, Iranian Constitutional Supervision Commission spokesman Kadhodayi said that if irregularities are found, the Constitutional Supervision Commission will recount the votes in some disputed ballot boxes, but will not vote in the new presidential election. Analysts here believe that according to this position of the Constitutional Supervision Commission, it is difficult to overturn the result of Ahmadinejad’s election by partial recount.

　　In addition, on the 17th, Mousavi called on supporters to hold a large rally on the 18th through his personal website to protest the results of the presidential election and the attacks on demonstrators. A statement published on the website said: "Several of our compatriots were injured or died. I ask people to go to the mosque together or express their support to their families by participating in peaceful demonstrations."

　　The Associated Press said that this appeal can be seen as a direct challenge to the Iranian ruling group by Mousavi. Just one day ago, Iran’s Supreme Leader Ayatollah Ali Khamenei publicly stated that Mousavi should make demands through legal channels, but Mousavi obviously did not compromise.

　　The supreme leader is the key.

　　The supreme leader is the supreme leader of Iran, who has the final say in administrative, legislative and judicial affairs, and is also the commander-in-chief of the armed forces. Many analysts believe that the ruling style of the current Supreme Leader Ayatollah Ali Khamenei is to seek the consensus of the ruling class, rather than "centralized". He often exercises power behind the scenes and occasionally gives orders directly on major policies. To a certain extent, this style allows different political forces to have room for activities.

　　Some analysts pointed out that the crisis pushed Khamenei to the forefront of power struggle, which affected the authority of the supreme leader to some extent. The New York Times correspondent Mike Farquhal pointed out that Khamenei congratulated Ahmadinejad as soon as the election results announced by the Ministry of Interior were announced. When the protesters took to the streets, Khamenei changed his mind and asked the Constitutional Supervision Committee to investigate the counting of votes. Spencer, head of the Middle East project at the Royal Institute of International Studies in London, England, also believes that since Khamenei is the highest arbiter of all important issues in Iran, his concession this time will probably undermine his authority.

　　Khamenei still hopes to solve the problem through peaceful mediation. On the one hand, he will still maintain the legitimacy of the election results, on the other hand, he may meet some demands of Mousavi camp, such as making concessions on the formation of a new government.

　　> > background

　　Iranian power structure

　　Since the Islamic Revolution in Iran in 1979, Iran has practiced the rule of combining politics with religion. Among them, the supreme leader is at the top of power.

　　Supreme Leader: The Supreme Leader is elected by the expert meeting. In June 1989, after the death of supreme leader Khomeini, the expert meeting elected Khamenei as the supreme leader. The supreme leader has the final say in all state affairs in Iran, and directly controls the army and intelligence agencies.

　　President: Iran’s 1989 constitution abolished the post of prime minister and expanded the authority of the president. The president is elected by the people for a term of four years and can be re-elected once. The president is mainly responsible for the management of domestic daily affairs such as economy, and also has the right to sign agreements with foreign governments.

　　Parliament: The Islamic Parliament is the highest national legislature in Iran, but the laws passed by the Parliament can only take effect after being approved by the Constitutional Guardian Council. In addition, Parliament has the power to subpoena and impeach the President. These powers are subject to review by the Constitutional Commission.

　　Constitutional Guardian Council: The Constitutional Guardian Council is the authority to safeguard Islamic teachings and the Constitution, with a total of 12 members, six of whom are directly appointed by the supreme leader and the other six are Islamic jurists. Presidential candidacy and election results must be recognized by the Constitutional Supervision Commission. The Constitutional Supervision Commission has the right to cancel the election results.

　　Expert meeting: The Iranian expert meeting is the authority to elect, supervise and recall the supreme leader, and consists of 86 senior religious figures. Voters elect members of the expert meeting according to the population proportion of each province and city. Expert meetings are held once a year to discuss state affairs and leaders’ behaviors. The current chairman is former President Rafsanjani.

　　Determine the National Interest Committee: The main responsibility is to assist the supreme leader in supervising and implementing various major policies. When the Parliament and the Guardian Council of the Constitution disagree on the bill, it is determined that the National Interest Council has the right to arbitrate. The current chairman is Rafsanjani.

　　This edition is based on Xinhua News Agency reporter Han Mo Xu Chao Feng Wuyong.

In-depth Dialogue： Alice Lowcher X Hao Lei： An Analysis of Dreams

The last master class of the 3rd Hainan Island International Film Festival was a dialogue between actors and directors.

The actor is Hao Lei, whom we are familiar with; The director is Alice Lowcher, who directed Happy lazaro and Miracle.

In this game called "Freud’s The Interpretation of DreamsIn the discussion of the theme, the two guests invited by the film media still presented many wonderful views and thought-provoking experiences.

Moderator: Good afternoon, everyone. Welcome to the master class of the 3rd Hainan Island International Film Festival.

I’m wangtong, the host of today’s event.

When the team gave me the theme of this activity planning, it was the analysis of the dreams projected on the screen.

The first sentence that popped up in my mind was the sentence in the Diamond Sutra: "Everything is like a dream bubble, like dew, like electricity, so we should look at it this way."

This sentence is quite clever, and it also pays attention to the film itself as a medium.

Because everything in the world or dream imagination is ever-changing.

As a very delicate medium, film can just carry this kind of reality and dream.

Today’s master class activity is actually the last heavy event of this film festival.

It’s an honor to inviteItalian director and screenwriter Alice LorvacheandTeacher Hao Lei, an actor.Take us into the dream of movies together.

I’d like to introduce two conversation guests first.

Directed by Alice LorwacherIt is a new force for Italian authors’ films.

Her first novel.EucharistBe short-listedDirector Cannes biweekly unit.

Later works[miracle]、[Happy lazaro]Are all shortlisted.Main Competition Unit of Cannes International Film Festival, respectively.Jury awardandBest screenplay award.

Her latest short film with French artist JR also premiered at the Venice International Film Festival in September.

The director’s works are always full of neo-realism and magic, and the two carriages are neck and neck, with light and smart pictures and characters.

Let’s enjoy the fascinating audio-visual language directed by Alice Lowcher through a short film.

The second part is to introduce excellent actresses.Teacher Hao Lei..

Since the film, she has easily portrayed and shaped many female images of different types and personalities in film, television and drama works, and has been nominated for the Golden Horse Award and other awards several times.[Picture 4] Won the Golden Horse Award for Best Supporting Actress..

Let’s learn about her wonderful performance in film and television works through a short film.

Due to the epidemic, director Alice Lorwacher failed to visit the film festival offline.

Now we ask technicians to invite her to the scene through video connection.

Please give a warm applause to welcome Mr. Hao Lei to the stage. Teacher Hao Lei would like to say hello to everyone first.

Hao Lei:Good afternoon, everyone. I’m glad to meet you here today.

Alice Lorwacher:Thank you very much. I am very happy to be here to meet you today.

Wangtong: We also prepared some questions for the two guests. A series of questions are very personal and private, and are closely related to the film.

Let me ask Mr. Hao Lei first, when did you first come into contact with movies, and what was your feeling at that time?

I first came into contact with movies when I was young.

Hao Lei:It’s too early, because when my mother was pregnant with me, there was a cinema next to our house.

She goes to the movies after work, and I think my ability to do this may have something to do with prenatal education.

Wangtong: What movie did Mom watch at that time?

Hao Lei:In her day, for example,[romance on lushan mountain]These films.

Our family doesn’t do this line of work. I think that prenatal education may be really important.

Later, because I started to be a student in changchun film studio at the age of 15, I started to walk on at that time. At that time, there were not many TV dramas, all of which were movies.

I started to give a walk-on to all kinds of movies. I remember that the first walk-on was a film movie played by teacher Gong Hanlin, which seemed to be called [Magic Master], and I played a fan of idolize.

Wangtong: How did you feel at that time?

Hao Lei:I think it’s amazing because I don’t know the studio or even where the machine is.

It’s amazing how I appeared on the screen and didn’t understand the industrial process. It’s an amazing experience.

Wangtong: We know that director Alice Lowcher’s family is similar to yours, and it doesn’t seem to be particularly related to movies.

My father should be a beekeeper and my mother is a school teacher.

Director Alice Lowcher, when did you first come into contact with movies when you were a child, and how did you feel at that time?

Alice Lorwacher:When I first came into contact with the film, it was very young.

In our family, none of us is engaged in the film industry.

At that time, we lived in the country, that is to say, when we were young, we had no concept of movies.

When I first came into contact with movies when I was a child, I felt amazing when I first entered the cinema.

In the movie, music, images, everything, including your imagination, all appeared in one movie. For me, this discovery was really amazing at that time.

It feels like a celebration, which is a feeling that my first contact with the film gave me.

Wangtong: So for you, the age of 17 is an enlightenment for your film career.

Because when you were 17 years old, you saw a film that was of great significance to your career choice.

Alice Lorwacher:Of course, from that moment on, I thought that I was interested in movies, but it was still a distant thing for me to enter this industry.

Then I studied this classic literature, and at the same time I moved from the countryside to the city to live, so that I was closer to the film.

For me, as a profession, I chose it. I started with documentary.

I knew a family who made documentaries, and they told me this story, so I decided to make documentaries with them.

When I heard their stories, I not only wanted to tell the true story in a real way, but also wanted to add some artistic creation to it.

I also hope to convey more information through such a documentary form.

So I later started as a screenwriter and wrote such a script, which was later filmed [Eucharist], and my career took off from this story.

Wangtong: Seventeen years old is a particularly important age for director Alice Lowcher.

Mr. Hao Lei, for you, your first highly praised and concerned work was 17 years old.

seventeen no cryHow did you feel when you took a play like that? Were you determined to make a film, do film and television and do drama work?

Hao Lei:I started acting at the age of 15, and "Don’t cry at seventeen" was filmed at the age of 19.

Before I entered Shanghai Theatre Academy, I had made three TV plays in the film factory.

When I was in the first grade of middle school, the school organized an activity, and finally a film [The True Story of Teddy Boy] was shown.

I don’t know why the school showed this film. When I saw one third of it, the cinema was empty.

I took my classmate’s girlfriend and said that I must see the end, because idolize must see it.Tony Leung Chiu Wai.

I saw the end. I saw him comb his hair a few times at the end, and the film was over.

I feel very strange, because I haven’t studied this, and I don’t know why my idol has only such a little drama, but I have a feeling that this movie is quite special and different from other movies.

Because it is not as strong as a story, and there is no complete story.

It’s just that I think it’s wonderful. From then on, I began to like Wong Kar-wai’s movies, until I got to know it in this line, which can be regarded as my enlightenment.

Wangtong: For example, after "Don’t Cry at Seventeen", do you feel that its success has suddenly turned you into a person in the spotlight?

Hao Lei:No, because it was shot in 1997 and broadcast in 1998.

At that time, the information was very underdeveloped, and I was still studying in drama at that time.

I don’t feel that I have become a star at all. This play is concerned by many people, but I can’t feel it.

Wangtong: Apart from the experience of adolescence, are there any other personal experiences that have shaped you as you are now?

Because everyone says that time is a linear flow, what we have experienced before may shape us now.

Do you think there are other special and unique experiences that you can share with our audience?

Hao Lei:The unique experience is to be brave and be yourself.

Of course, we can say that life arranged for you to accept some things and meet some things, which shaped you now.

But in fact, it can be reversed. I think many things are my own choice.

For example, after I played "Don’t Cry at Seventeen", many students and high school students came to me.

Since then, I have played the role of queen, lawyer and doctor, and there will be similar roles looking for me.But I don’t wantrepeat.

Every time I choose a different one.

At that time, someone told me that people are not so familiar with you. You must first grasp a role that makes you irreplaceable.

I said that if you stay in a role, it is really single.

I think I made almost 100% choices in my acting career.

Wangtong: Alice Lowcher, the director, just told Teacher Hao Lei because she is an actress.

In fact, you can be addicted to drama, try different roles in different drama and film works, and have different lives.

For example, you are also very sure that I want to be a director.

But when you were an ignorant teenager, did you have any other dreams besides making movies or plays?

Alice Lorwacher:Yes, I have.

It should be said that I have never really had such a dream that I will become a director one day. I was dreaming all the time. What kind of dream did I have?

I hope that this dream of mine can become a part of my life. Maybe I wanted to be one at that time.beekeeper.

When I was young, I wanted to be a beekeeper, and all this was in contact with nature. At that time, I wanted to do such a job, that is, to be in contact with nature.

Being a director is actually a job choice, but I don’t think it is a job.

I think being a director is a way of life, because it allows you to observe life from different angles.

Because of this, this job actually landed on me suddenly.

From childhood, my dream was to do what I wanted to do, and at the same time, it was a life full of adventure.

So this job, it is associated with many things, as I just said.

Directing this job combines my passion in music, painting and other aspects with my work.

In particular, my dream is to tell you and describe a truth and a fact. In Italy and Europe, when we see something, such as flowers and butterflies, it is very, very beautiful.

The first thing we want to express is that it looks too beautiful to be true.

When we see something, such as flowers or butterflies, created by artists, we will say that it looks real when we think it is very good.

So in my opinion, comparing these two examples just now means that what we value most is the fact, not the truth. We should love this world, and we should be full of enthusiasm for it, especially for a truth and truth.

Wangtong: Just now you said dreams. For example, when we dream, we have good dreams and bad dreams, if we have nightmares.

We are under too much pressure in real life, so maybe our experiences in real life will be projected into dreams and good dreams.

People often say that dreams come true, because some of our desires and demands in reality have not yet been reached, and we may dream when we dream well.

So for the director, do you think if the film is a dream, is it a projection of reality or more unfinished dreams for you?

Alice Lorwacher:When we come into contact with the world in our dreams, I feel so charming at that moment, and the movie is connected with that moment.

Situations and facts in dreams can be linked together.

Wangtong: Is the movie an unfulfilled dream or a realistic projection for you, Mr. Hao Lei?

Hao Lei:It is possible. First of all, as Alice Lowcher said, we have never been able to find out exactly whether dreams are reality or reality is a dream.

Because everyone has had a dream, the dream gives you a very real feeling. Many times, you will wake up when you have a nightmare, and you will be sad for a while after you wake up.

Even when I do things during the day, I may think that I had a very sad dream last night.

I think as a filmmaker, we are actually creating an image that doesn’t exist in real life, but we must be as realistic as reality.

That’s what makes it credible.

This process, as you said, it is also possible that some things in reality are projected into my dreams and affect my dreams.

Many creative materials of movies come from life.

Wangtong: In many of your works, the role you play is actually aggressive, as if this role is against external forces.

You just said that reality and dreams are intertwined. Is it related to your own personality or experience, or do you have a special fate and a special fit for this role?

Hao Lei:It has something to do with age. When I was young, I didn’t want to choose a mediocre role. If nothing happened in a person’s life, why should I write him into a movie and become the protagonist?

Only when his life is very different will he write his story, for example, like many characters from ancient times or real people, will he write a story based on his autobiography.

An actor must choose a very different role when he is young.

Maybe at this age, my mind will change.

I think I’m trying very hard to choose some very mediocre roles, but it’s not a mediocre story. I don’t want to find a particularly strong role, because I think it’s relatively easy to play.

This choice is related to maturity.

Wangtong: Give an example.

Hao Lei: For example, some of my recent plays, especially TV plays, are relatively ordinary.

For example, the role of "Courtyard Full of Love" is really a possibility to push the door open, and your neighbor’s aunt is like this.

I think people like that are actually more difficult to play, because they need a lot of details to support them, because there is not so much resistance and subversion in life, so I think it is more interesting.

Give another example of a movie, [Spring Tide]. Although this person’s life is very depressing, his attitude is not intense. I prefer this role now.

Wangtong: Let’s talk about the director again. At present, there are three successful works.

Actually, the director’s works are full of so-called mediocre or ordinary characters, or the main characters in the film are actually like what Teacher Hao Lei just talked about.

Their experience, seemingly flat, nothing happened.

In fact, everyone’s personal feelings are almost divine, so why is the director interested in these characters?

Ordinary but not mediocre, it should be summarized like this.

Alice Lorwacher:That’s a very good question. These characters belong to some small people, very ordinary people.

No matter what kind of religious background and life background they have, there are always some sacred things in it, and at the same time, there are some children’s thoughts in their inner world, and they feel that there is such a teenager living inside.

When we make movies and choose characters, we have principles, either choose a funny person or a cunning person.

I have always looked at these characters in my movies from the perspective of children, including lazaro, who is not a child, but an adult. However, we can see that there is a child side left in his heart, that is, a very innocent side, and he is not a particularly complicated person.

I specially selected such people, through such movies, through my movies to show these characters’ special personalities.

In fact, everyone can see a main line in this character, that is to say, they are ordinary little people.

There are such people all over the world.

They live among us, ordinary but extraordinary, and have some divinity, which connects us human beings together.

Wangtong: Why are you so fascinated by the perspective of children?

Just now, the director mentioned that people like lazaro are not young and may have a pair of pure eyes. Why do you look at this complicated world from the perspective of children?

Alice Lorwacher:It should be said that in a story, there must be good people and bad people, so when describing this story, it must be from different angles, and it must be part of it.

There are some simple people and some complicated people, but it is precisely because a child can see our world from his perspective and vision that he can judge the world by himself.

It is the world that judges itself, not through our eyes or our perspective. Children’s eyes, like a ray of sunshine, can make plants grow.

I believe that if we can always use pure eyes, we can also increase our purity.

Many possibilities can be seen through children’s eyes, because after a certain life experience, our eyes actually have their own filters.

And through children’s eyes, we can see the world for the first time, rediscover the difference of this world and rediscover a new world without any filter.

Hao Lei:I think it’s really important to be an artist.

There is no way to be so rational, and there is no way to be particularly sleek and sophisticated.

I think it’s interesting for the director to choose such a character. Maybe this is also a way for her to observe the world.

Wangtong: Do you usually have any so-called methodology in interpreting roles?

Hao Lei:In fact, the method is very complicated, because for me, performance is actually a comprehensive subject, and it also needs many scientific methods to shape a role.

But I think the most basic thing is truth and sincerity. If you can’t fully understand yourself and see your true nature, there is actually no way to play a role wholeheartedly.

Wangtong: Different art forms, such as the recent spring tide, are realism.

Colleagues are curious. For example, in early dramas, surreal passages are interspersed. What is your mood when you interpret different roles?

Hao Lei: It’s a bit biased.BrechtDrama education in our country is based onStaniMainly.

If explained in the simplest way, the expression of modern dance and artistic form often externalizes my inner activities and glows through some performance methods.

Some viewers may not be used to watching this way, and they will find it difficult to accept breaking the tradition.

But many viewers think it’s quite new. I want to see something new.

But in fact, in foreign countries, various methods have already existed.

Wangtong: As far as you are concerned, it always seems that there is such a binary opposition between the movie and the business.

For example, I summed up the binary opposition, such as objectivity and subjectivity, rationality and sensibility, realism and romanticism.

As an actor and a creator, for example, how do you balance the so-called binary opposition elements when interpreting this work?

Hao Lei:We can only make a balance in our own thoughts, because our world is full of binary opposites, such as day and night.

It is a question of personal understanding and personal cultivation. If we can’t really confirm the existence of binary opposition first, we can’t break the binary.

But many times people are confused and say that we should not be so absolute or so black and white, but I always say one thing:

If I can’t distinguish between black and white in my life, how can you see the advanced level of gray again?

So many things I think are really different for everyone to understand.

There is also an example just now. On the issue of commercial films and art films in our industry, everyone has an inertia thinking that art films look better and commercial films are more rotten.

Actually, it’s not like this at all. There are many bad art films, good-looking commercial films and many good-quality ones.

So for me, it doesn’t matter whether you are a good-looking movie or an excellent movie, which so-called label.

Wangtong: Are your recent attempts both?

For example, in recent days, what do you think will attract your works or projects?

Can they sum up the rules, or have some commonalities?

Hao Lei:Not particularly regular, because my thoughts are always changing.

It is what I want to express at every stage, and my understanding of this world is constantly changing.

Can I happen to have a work with the same expression as mine come to me? Not necessarily.

But many times I think it’s ok. From all aspects, it may be a more professional team, and maybe I will choose him.

Maybe everyone thinks it’s better. For example, works like "Spring Tide" just fit in with my current desire to express my attitude and understanding of the world.

Wangtong: I also want to ask the director this question. I saw the director’s interview before, and it was also said that there are actually three films, and the financing situation of this one is quite hard.

Whether in China, Italy or Europe, it is quite hard to make a literary film.

So can the director tell us something, such as what you experienced when you introduced your film project to others?

Alice Lorwacher:My experience should be said to be difficult but also very beautiful.

It should be said that it was a positive difficulty. I remember one very important thing.

When I asked[miracle]The producer of this film introduced my first film. I didn’t have much confidence at that time, because I had never studied before and I didn’t know much about the movie world.

It should be said that I entered this world, but actually I don’t know some rules of this movie world.

When I talked to him, I said I didn’t know if anyone would like this film.

Then the producer said to me, who do you think you are? I said, what? Do you think you are so special? Is it special? Can your film be enjoyed by all people? You’re not the only one.

Your film may not please everyone, but you may only please some of them.

So there must be a group of such audiences who will like your film, and some will not.

Please remember that you are not the only director in this world. Many people in this world, like you, hope to get this audience.

This principle can be said to have dominated my choice of making this film.

When I make a choice, I don’t mean that it must be what I like.But it must be a film that I want you to see, and it can bring you different experiences, and at the same time, I want to experience this experience with my partners.

Of course, we always have to abide by a certain budget when making films. We are not the kind of films with big investment.

We can at least achieve the level and content we want to do within the limited budget.

We have cooperated with producers of different organizations and structures.

For me, I think what I like more is not to discover, but to be able to tell you a true story. Both are very important to me.

Wangtong: Will it be easier for your work to win prizes at major film festivals?

Alice Lorwacher:Of course, the film was well received, and it will be much easier for me to find a new producer after winning the prize.

I never said how much production cost I was going to find.

I always don’t like things that are particularly easy to do. I always think that you have a little difficulty in doing things, which will increase your strength.

It is a very important point for individuals to grow up.

So I want to say that so far, we have been having difficulties.

It is precisely because we face these difficulties and solve them that we will become stronger and stronger.

Every time we encounter difficulties, it can be said that the difficulties are greater than the previous ones.

Especially at this time, a year has passed, and our cinema has not been opened, and it was never related during the World War.

Italian cinemas have never been closed since there were movies. This year has been closed for one year, which is a very, very difficult time for us.

I have always thought that movies should be a part of our lives.

I always hope to combine many life experiences. I hope to be an artist, and then this artist can gather all the people in one room through one of my artistic creations, instead of isolating them from each other.

I want everyone involved in this movie to feel the true meaning of life.

Now the film is in a very difficult period, and we should also consider that people may be in a state of separation.

For example, I’m thinking about a movie like Happy lazaro, which leaves many problems.

It’s not just the movie, but the audience who watched the movie. When they leave the cinema, they can take this question as gossip material and bring it into your life.

This can be used as a topic of conversation. Now, in this isolation period, everyone lives in his own small circle.

At this time, we may pay more attention to what kind of film we want to make, and may consider more than the dark side of life.

Wangtong: This year is a special year, with ups and downs from the beginning of the year to the recent epidemic.

This special year has also changed one of our lifestyles, including social habits, because everyone wants to keep such a social distance.

The director actually keeps a positive and optimistic attitude.

For you, because some people will get more inspiration from generate because of such a condition and such a restriction, what have you tried this year, Mr. Hao Lei?

Hao Lei:For me, I think it may still be a good thing.

Because we have to go out all the year round in this kind of work, we can’t go anywhere now, so we just stay at home.

I feel that I haven’t stayed at home with my family for so long for several years. This is another life.

It’s okay. I don’t think there’s anything wrong.

And finally you can calm down. In fact, many things are not for you, but for you.

So if you have to be quiet because of this epidemic, in fact, I think it is also a good thing.

Wangtong: If you were in the film industry, what other career would you choose or what other things would you like to do?

Hao Lei:I haven’t thought about it. Maybe I will be a director, and maybe I will work behind the scenes.

Wangtong: Just now, you said that you have played different roles in various projects before. What kind of roles will make you feel particularly exciting and interesting? You can try more.

Hao Lei:Nothing is more special, it’s all the choice of the moment.

It is also possible that I feel fine at this moment, and I feel very energetic at that moment, and there is nothing special to treat a certain play or a certain role.

Is that your choice is the most important.

Wangtong: Let me ask the director. Just now you said that if you don’t become a director, you might become a beekeeper.

Did you mention your next work? Do you have a more specific description of this next work?

Can you disclose it?

Alice Lorwacher:I have a movie now. I haven’t filmed it yet, but it depends on the development direction of the epidemic.

My thoughts and ideas are clear now, and I am writing this script.

This script is difficult to speak now, because it is still an unfinished script.

It is a story about human civilization in the past, and the collision between past civilization and modern civilization is reflected through archaeology. It should be said that this is a film involving many aspects.

I want to take the middle line in this movie, not particularly relaxed, but also not particularly serious.

It is a story that seems to make people feel more interesting. But I will talk about a more serious topic.

I have a lot of work to do at the same time, and now I am watching the epidemic trend, and then I will decide when I can start shooting this film.

Wangtong: If you can travel through time and space, what would you like to say to yourself who has just stepped into the film and television circle?

Hao Lei:Just a little girl, you will be very powerful in the future.

Wangtong: What about the director? If I could travel through time and space, what kind of words would I like to say to my original self?

Alice Lorwacher:What to say? Keep dreaming, but be down to earth.

CCTV Foreign Language New Media Reporter: Hello, Teacher Hao Lei. Many forums and master classes in the film festival have paid attention to women’s power.

You mentioned before that you want to speak more for women. Why do you think so? What do you want to do next?

Hao Lei:I think women’s power is really easy to be ignored or even ignored.

I didn’t advocate emphasizing any kind of power.

But when this kind of situation really exists in this world and this society, I think it is necessary to speak out.

But as for what to do specifically, I think it is difficult for us to do things other than movies.We will help women more.subject matterFilm, female film workerThis is what I can do.

Question: I am also a reporter from CCTV.

I know that you recently wrote a book about performance. What do you want to express through this book?

I also want to ask you a question. You have been studying Buddhism for a long time. How do you think this experience has affected your artistic creation? Thank you.

Hao Lei:Let me answer the first question first. The basic content of this book comes from the complete works of stanislavski, which means that I read this book for everyone. This is the granddaddy of the performance.

But today young people don’t like reading. Many people say how to learn acting or where to learn acting.

It’s very simple. Actually, reading is good, because people don’t like reading, so I use my language, a more refined and easy-to-understand language to help you read this book.

This book will share a lot of my experience as an actor for more than 20 years.

The second question: Buddhism has given me a broad vision and a tolerant attitude. I often think about roles one-sidedly, but I think Buddhism has given me a high view of people in life and the roles I play. Thank you.

Question: I like your [Happy lazaro] directed by Alice Lowcher very much. I think it is a very realistic story about human nature, and you express it in a magical way.

How do you guide the actors when shooting such a story?

Do you want actors to believe this story more, or do you want them to be immersed in a more uncertain state?

Alice Lorwacher:Thank you for your question. When filming this [Happy lazaro], this script was the first difficulty, not the difficulty in the script.

At first, after reading this play, everyone thought that the role of lazaro was a fool.

At that time, I tried to tell the actors this story. I said that lazaro was not a fool, and lazaro would learn. He was not a fool.

When telling stories to Adriano Tardiolo, I found that he knew lazaro very well, and he understood it in a dreamy way.

I made this film, and I think the biggest challenge is to find a very good actor like Adiano.

He really added a lot of value to our play. So Adriano and I co-produced this film, and it really felt like a wonderful experience.

We all felt the dreamy language of this film during the filming.

It can’t be said that everyone became stupid after making a movie. It should be said that after making this movie, everyone didn’t think of such a character, a surreal character. In fact, we can see the shadow of such a character in real life.

After his first death, many years later, the world changed, changed, and he watched the world change again.

So during my cooperation with Adriano, a very excellent actor, we further sublimated this character.

Question: Hello, Mr. Hao Lei, I’m a director from Guangdong, a little director.

Would you like to ask if you will continue to play in the drama in the future?

Because I have a group of friends who like watching drama very much, and I am very much looking forward to your continued performance of Rhinoceros in Love. I want to ask you.

Hao Lei:There is a drama, as it was last year, but there is no drama this year because of the epidemic. If there is no epidemic, I will play a drama every year.

I don’t want Rhino. I don’t believe in playing a little girl who is persistent in love at my age.

Question: Hello, Sister Hao Lei. I am an actress myself. My enlightenment began with your Rhino in Love. I like your play very much.

As an actor, I have a puzzle. Now most movies are shot at a high-intensity and fast pace.

Probably not like in our school, we have a long time to rehearse, make our own biographies, study characters, observe life and practice for a long time.

I think this is a creative process that is relatively in line with the rules of actors’ creation.

I especially want to ask Mr. Hao Lei here, if you encounter such a situation, how to solve it.

Because we often get the script, maybe it’s really three days in advance, and I just got the book, so I simply played around reading.

If I am not satisfied with my understanding of the role, I will devote myself to creation.

I am not satisfied with this creative process, but there is no way. I can only solve this problem from the actors themselves, and I especially want to ask the teacher.

Hao Lei:There is an old saying in the actor business that I believe you have heard.One minute on stage and ten years off stage.It is necessary to accumulate more training in peacetime.

As for how to deal with practical problems, I think so and do so.

If you don’t want the world to change you, the world can’t change anyone. Come on.

Question: Alice Lowcher recently filmed the drama My Genius Girlfriend, and China was also very popular.

I would like to ask if the shooting technique and narrative method of this TV series are different from those of the previous three feature films. Thank you.

Alice Lorwacher:Thank you very much for this question. The technique is definitely different.

First of all, it is technically different, because I have been shooting with film before.

The previous technology is very old, a traditional shooting technology, and it is also a kind of technology that I love very much.

Because in this case, you can fully control, all aspects can be under your control, and the shooting process will make you fall in love with this job.

You can also guarantee that the final result will completely reach the result you want.

In the process of shooting, there will be a certain gap between the material you shot and the final result.

When you try to make movies, I suggest that you should try traditional techniques.

In the process of shooting, the pressure it brings to you brings me a lot of strength and makes me have great enthusiasm for my work.

The use of digital technology this time, from a certain point of view, is very charming.

On the other hand, it is different from the way I am used to.

In this process, we should respect the materials you want to use, and at the same time, we should invent and create some different ways to use these pictures.

At the same time, I should respect the story of the characters I want to describe. This is the first time for me to use this technology to describe other people’s stories.

So I worked in a completely different way, different from when I made three feature films, because when I made such a feature film, I was not very sure about my final result.

There will be some changes among us, and new things are constantly discovered during this shooting process.

Using digital technology is very clear about what to do and what kind of results will be obtained.

Although the methods are different, both methods are very popular.

The most important thing is how to describe the stories we like and love in the right way.

Question: I would like to ask Mr. Hao Lei that for actors, we also know that Mr. Hao Lei is the queen of literary films, which are closer to the heart, but commercial films may be closer to the audience.

I want to know what teacher Hao Lei thinks of this balance, or from the Buddhist point of view, what is this choice?

Hao Lei:As the director said before, you should know from the beginning whether you choose more audiences or fewer audiences.

When I was very young, I was told that you should think it over, because if you play a film with a small audience, you may not have the so-called red, so-called star status.

But for me, I don’t think it’s important. I have to follow my own heart. I think this is the most important thing.

No big star, like Madonna, can make people all over the world like you. I have long known that that is not what I pursue.

I have to choose what I like, and I would be honored if some viewers are of the same kind as me.

If not, I don’t want to force it. This is my understanding. Thank you.

Question: Alice Lowcher, I like your work Happy lazaro in 2018 very much, and I like a scene in which the hymn in the church leaves with lazaro.

My feeling is more like the redemption of a character like lazaro from a more divine and higher power.

What I want to ask is why you are so interested in such a theme of possible higher and more divine redemption, whether it is power or not, in some works now or before.What about shooting such a theme, a brand-new salvation force? Thank you.

Alice Lorwacher:Thank you very much for asking this question.

Each of us has a limited life, and we have to answer many questions and different types of questions in our life.

Essential problems are some problems that we human beings face together.

I want to answer these questions through the character lazaro, who was in a dilemma and dying.

He faced many problems at that time, not to say that he died immediately. He also encountered many such problems before. For example, when he went to the bank, he had to borrow money.

Before I made this film, I thought it would be too painful for lazaro to be too lonely and dying at that time, if he was particularly lonely.

So at this time, I think we should add some music.

To convey such a message, lazaro is now facing such a dilemma.

At this time, music, music from the church, music of redemption, gave him a kind of spiritual support and pillar when he was in the most difficult time.

This scene of redemption, it is actually at this time that such music came, which is very appropriate, but it is not common.

When he entered the bank, there was such a redemption.

This mainly means that lazaro is never alone.

I interpret some uncertain factors in life through this sacred way of redemption.

Wangtong: OK. Thank you, director. Thank you, Mr. Hao Lei.

As a conclusion, our theme just now was the interpretation of dreams, including teacher Hao Lei’s saying that there is no absolute black and white, and the director also said that there are no absolute good guys and bad guys.

Before, when we were faced with the ever-changing technology, we always felt that it hindered people from getting closer.

But thanks to technology, friends from different regions can gather together in such a special year.

Listen to two guests sharing their lives with us, including their creative experiences.

Huawei Yu Chengdong punched in the ＂HarmonyOS Hotel＂ with four dishes, one soup and fruit.

Recently, HarmonyOS Zhixing car owners shared their experience videos in the user center on the Internet platform, and emphatically introduced the dining-related experience, and nicknamed the user center as "HarmonyOS Hotel" and "Wenjie Hotel".

Wandering stars

Yu Chengdong, managing director of Huawei and chairman of terminal BG, also shared his experience in "HarmonyOS Hotel" yesterday: it was very distinctive to come to HarmonyOS Zhixing User Center in Inner Mongolia for supper. We have launched free vehicle inspection in summer in more than 600 user centers across the country, among which more than 200 support HarmonyOS Zhixing starry night service, which is convenient for users to come after work, check their cars and go home with a meal.

Wandering stars

It is worth mentioning that Yu Chengdong also shared the menu of Guest Meal Week of Zhixing User Center in HarmonyOS, Inner Mongolia: the dinner time is 19:30-21:30, and during the period from July 14th to July 20th, the daily dishes are different, but all of them are Chinese food, including roughly four main dishes+one soup+one fruit, and the expected staple food is rice.

Wandering stars

At present, the official has not announced the meal price, and the owner and user are free to eat, and no related fees are charged.

HarmonyOS Zhixing announced on the community platform at the end of last month that its offline layout reached a new high, and 32 new user centers were built from April to May. At present, there are 290+ users in Wenjie User Center, 160+ users in HarmonyOS Zhixing User Center and 710+ users in Experience Center. It is reported that HarmonyOS Zhixing will build high-end store services, including store image, exhibition hall environment, sales reception, coffee service, delivery ceremony and after-sales service. In addition, HarmonyOS Zhixing plans to build a 350+ user center in 2025.

How can Isuzu achieve a century-long cause？

　　[Pacific Auto Network Culture Channel]The Internet bubble seems to be gradually pouring into the automobile manufacturing industry. Many people are challenging the traditional automobile manufacturing industry under the banner of building cars on the Internet, and taking people’s century-old manufacturing experience and technology accumulation as one thing, and the final result is a fiasco. Perhaps there are not many automobile brands in the world with a history of hundreds of years. Isuzu is one of them, but it still modestly follows its own diesel engine route. From 1916 to 2016, many things have happened in the world, and Isuzu has also experienced many ups and downs. What kind of experience Isuzu has had in the past 100 years, Isuzu brain powder will take you to count.

The pilgrimage of brain powder in Isuzu factory in Japan

　　Netizens who are familiar with Qingshan Xiaobian know that Qingshan bought an Isuzu. Everyone is very puzzled why this small series started such a niche car. Diesel engine, which is a non-load-bearing body, is so expensive. Among them, various specific reasons can be spied in the following stickers, but the deep feelings are difficult to show through rough stickers. Only by going to the root can we know the answer.